Severan Art
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Severan Art
Severan art is art production by the Roman Empire under the Severan dynasty, usually taken as running from 193 to 235, through the emperors Septimius Severus, Caracalla, Heliogabalus and Alexander Severus. Official Roman art of the military anarchy which followed, ending in 253 with Gallienus, has no character of its own and so can be seen as a continuation of Severan art, and so that art can be seen as running for the whole first half of the 3rd century. In this period began the process that ended in the rupture between Roman art and that of Late Antiquity, the watershed between classical art and that of Byzantium and the Middle Ages. Some of Severan art's products saw the emergence of obvious elements from plebeian art and provincial art, whilst in other areas traditionally Hellenistic elements were kept alive longer, such as in portraiture, which flourished in this period with masterpieces of great psychological depth. Historical context Sculpture The most important ...
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Arch Of Septimius Severus (Rome) In The Night
The Arch of Septimius Severus ( it, Arco di Settimio Severo) at the northwestern end of the Roman Forum is a white marble triumphal arch dedicated in 203 AD to commemorate the Parthian victories of Emperor Septimius Severus and his two sons, Caracalla and Geta, in the two campaigns against the Parthians of 194-195 and 197–199. After the death of Septimius Severus, his sons Caracalla and Geta were initially joint emperors. Caracalla had Geta assassinated in 212; in the practice now known as '' damnatio memoriae'', Geta's memorials were destroyed and all images or mentions of him were removed from public buildings and monuments. Accordingly, Geta's image and inscriptions referring to him were removed from the arch. The Severan dynasty were great builders of triumphal or honorary arches, especially in the Eastern Empire; the Arch of Septimius Severus in the emperor's hometown of Leptis Magna, Libya was built in the same year. The Monumental Arch of Palmyra is also sometimes cal ...
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Arch Of Septimius Severus (Leptis Magna)
The Arch of Septimius Severus is a triumphal arch in Leptis Magna, located in present-day Libya. It was commissioned by the Libya-born Roman Empire, Roman Emperor Septimius Severus. The arch was in ruins but was pieced back together by archeologists after its discovery in 1928. Overview The Emperor Septimius Severus () ruled through a period of architectural revival. He was the first Emperor born in the provinces since Hadrian and Trajan. He was idolized for his military successes, having been declared emperor by his troops, and was well known for his use of militaristic power, perhaps the best known were his Parthian Empire, Parthian victories from 194 to 195. With the military success of the Emperor came a dramatic building program in Rome as well as in his city of birth, Leptis Magna, which is now a World Heritage Site. Part of his building programs, erected to celebrate the triumph of the Parthian victories, were two arches in Rome as well as one in Leptis Magna. The commemor ...
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Sallustia Orbiana
Gnaea Seia Herennia Sallustia Barbia Orbiana ( fl. 220s), usually known as Sallustia Orbiana, was a third century Roman empress, with the title of '' Augusta'' as the wife of Severus Alexander from AD 225 to 227. The emperor married her in late 225, following the death of his grandmother. Severus was around sixteen years of age at this time. She was known for her beauty, which was captured in multiple works of art. Possibly a victim of the jealousy of Julia Mamaea, the emperor's mother, Orbiana was divorced and exiled to Libya in 227.Herodian, vi. 1. Life Orbiana was the daughter of Lucius Seius Herennius Sallustius, an influential Roman senator, in the early third century.Banchich & Lane, "Commentary on Book XII", ''apud'' Zonaras, p. 77. In August, 225, at about the age of sixteen, she wed the Roman emperor Severus Alexander, in an arrangement organized by the emperor's mother, Julia Avita Mamaea.Hopkins, ''The Life of Severus Alexander''pp. 57, 58Vagi, ''Coinage and Histor ...
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Julia Domna
Julia Domna (; – 217 AD) was Roman empress from 193 to 211 as the wife of Emperor Septimius Severus. She was the first empress of the Severan dynasty. Domna was born in Emesa (present-day Homs) in Roman Syria to an Arab family of priests of the deity Elagabalus. In 187, she married Severus, who at the time was governor of the Roman province of Gallia Lugdunensis. They had two sons, Caracalla and Geta. A civil war over the Roman throne broke out in 193, and shortly afterwards Severus declared himself emperor. The war ended in 197 with the defeat of the last of Severus's opponents. As empress, Domna was famous for her political, social, and philosophical influence. She received titles such as "Mother of the Invincible Camps".; la, Mater invictorum castrorum. After the elder of her sons, Caracalla, started ruling with his father, she was briefly co-empress with Caracalla's wife, Fulvia Plautilla, until the latter fell into disgrace. Following the death of Severus in 211, Domn ...
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Portrait Of Treboniano Gallo
A portrait is a painting, photograph, sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ..., or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, Personality type, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. ...
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Portrait Of Decius
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical p ...
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Portrait Of Philip The Arab
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical p ...
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Portrait Of Gordian III
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical p ...
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Portrait Of Maximinus Thrax
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical p ...
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Bust Of Severus Alexander
The Bust of Severus Alexander is a Roman marble sculpture of the emperor Severus Alexander aged around 18. Now in the Uffizi in Florence, it is 70 cm tall and is comparable with coins minted in 226. Sculpture style It follows a new style of official imperial portraiture, characterised by the well-balanced volume of the head and the more psychological portrayal of the subject. His first official portrait, it may have been produced during its subject's second consulate (he wears the insignia of a consul) or more probably to mark his marriage to Sallustia Orbiana. His short hair also follows a new fashion and refers to his military career. The surface of hair and the very short beard are created with a few chisel strokes as in other busts of the time such as that of Severus' mother Julia Mamea. The expression is reminiscent of 'inspired' portraits in Hellenistic art, but in a more measured, less dramatic form.{{in lang, it Ranuccio Bianchi Bandinelli and Mario Torelli ...
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Portrait Of Caracalla
The best known portrait of Caracalla is that held at the Vatican Museums and of which several copies are known. Judging by the large number of copies and comparison with medieval copies, the type was first created on his assuming full responsibility for the empire after his murder of Geta in 212. He is shown with an unusual twist in the neck towards the left and an accentuation of psychological character, inspired by Hellenistic prototypes but with added Roman feeling. The bust on which the head rests is 18th-century, but probably similar to the original. It inspired Michelangelo in his portrait of ''Brutus'' at the Bargello museum in Florence. Bibliography * Ranuccio Bianchi Bandinelli Ranuccio Bianchi Bandinelli (19 February 1900 – 17 January 1975) was an Italian archaeologist and art historian. Biography Bianchi Bandinelli was born in Siena to Mario Bianchi Bandinelli (1859–1930) and Margherita Ottilie "Lily" von Korn ... and Mario Torelli, ''L'arte dell'antichi ...
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Physiognomy
Physiognomy (from the Greek , , meaning "nature", and , meaning "judge" or "interpreter") is the practice of assessing a person's character or personality from their outer appearance—especially the face. The term can also refer to the general appearance of a person, object, or terrain without reference to its implied characteristics—as in the physiognomy of an individual plant (see plant life-form) or of a plant community (see vegetation). Physiognomy as a practice meets the contemporary definition of pseudoscience and it is so regarded among academic circles because of its unsupported claims; popular belief in the practice of physiognomy is nonetheless still widespread. The practice was well-accepted by ancient Greek philosophers, but fell into disrepute in the Middle Ages while practised by vagabonds and mountebanks. It revived and was popularised by Johann Kaspar Lavater, before falling from favor in the late 19th century.
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