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Sethlans (mythology)
In Etruscan mythology, Sethlans was the god of fire, the forge, metalworking, and by extension craftsmanship in general, the equivalent, though their names share no etymology, to Greek Hephaestus, Egyptian Ptah and the Roman Vulcan. Sethlans is one of the indigenous Etruscan gods. In Etruscan arts Sethlans may be identified by his tools, the hammer and tongs of the blacksmith, and by the '' pileus'' or conical cap he wears. By what appears to be a curious omission,Noted in this context by H.J. Rose, "The Cult of Volkanus at Rome", ''The Journal of Roman Studies'' 23 (1933:46-63) p. 49 his name does not appear on the bronze liver of Piacenza. Notes See also * Etruscan civilization The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, rou ... Etruscan gods Fire gods Smithing gods Etru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Mythology
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptah
Ptah ( egy, ptḥ, reconstructed ; grc, Φθά; cop, ⲡⲧⲁϩ; Phoenician: 𐤐𐤕𐤇, romanized: ptḥ) is an ancient Egyptian deity, a creator god and patron deity of craftsmen and architects. In the triad of Memphis, he is the husband of Sekhmet and the father of Nefertem. He was also regarded as the father of the sage Imhotep. Origin and symbolism Ptah is an Egyptian creator god who conceived the world and brought it into being through the creative power of speech. A hymn to Ptah dating to the Twenty-second Dynasty of Egypt says Ptah "crafted the world in the design of his heart," and the Shabaka Stone, from the Twenty-Fifth Dynasty, says Ptah "gave life to all the gods and their '' ka''s as well, through this heart and this tongue." He bears many epithets that describe his role in ancient Egyptian religion and its importance in society at the time: * ''Ptah the begetter of the first beginning'' * ''Ptah lord of truth'' * ''Ptah lord of eternity'' * ''Ptah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulcan (mythology)
Vulcan ( la, Vulcanus, in archaically retained spelling also ''Volcanus'', both pronounced ) is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans. Vulcan belongs to the most ancient stage of Roman religion: Varro, the ancient Roman scholar and writer, citing the Annales Maximi, records that king Titus Tatius dedicated altars to a series of deities including Vulcan. Etymology The origin of the name is unclear. Roman tradition maintained that it was related to Latin words connected to lightning (), which in turn was thought of as related to flames. This interpretation is supported by Walter William Skeat in his etymological dictionary as meaning ''lustre''. It has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophagi an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pileus (hat)
The pileus (, ; also or in Latin) was a brimless felt cap worn in Ancient Greece, Etruria, Illyria (Pannonia), later also introduced in Ancient Rome. The pileus also appears on Apulian red-figure pottery. The pilos together with the petasos were the most common types of hats in Archaic and Classical era (8th–4th century BC) Greece. In the 5th century BC, a bronze version began to appear in Ancient Greece and it became a popular infantry helmet. It occasionally had a horsehair crest. The Greek pilos resembled the Roman and Etruscan pileus, which were typically made of felt. The Greek () and Latin were smaller versions, similar to a skullcap. Similar caps were worn in later antiquity and the early medieval ages in various parts of Europe, as seen in Gallic and Frankish dress. The Albanian traditional felt cap, the plis, worn today in Albania, Kosovo and adjacent areas, originated from a similar felt cap worn by the ancient Illyrians. A pointed version called ''pileus corn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liver Of Piacenza
The Liver of Piacenza is an Etruscan artifact found in a field on September 26, 1877, near Gossolengo, in the province of Piacenza, Italy, now kept in the Municipal Museum of Piacenza, in the Palazzo Farnese. It is a life-sized bronze model of a sheep's liver covered in Etruscan inscriptions ( TLE 719), measuring 126 × 76 × 60 mm (5 × 3 × 2.4 inches) and dated to the late 2nd century BC, i.e. a time when the Piacenza region would already have been Latin-dominated (Piacenza was founded in 218 BC as a Roman garrison town in Cisalpine Gaul). Description The liver is subdivided into sections for the purposes of performing haruspicy (hepatoscopy); the sections are inscribed with names of individual Etruscan deities. The Piacenza liver is a striking conceptual parallel to clay models of sheep's livers known from the Ancient Near East, reinforcing the evidence of a connection (be it by migration or merely by cultural contact) between the Etruscans and the Anatolian c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Civilization
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4thcenturyBC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, when the Etr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Gods
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fire Gods
This is a list of deities in fire worship. African mythology Yoruba mythology * Ogun, fire god and patron of blacksmiths, iron, warfare, metal tools * Ọya, goddess of fire, wind, transforms into buffalo, fertility * Shango, god of thunder and fire, considered the storm-god * Aggayu, god of volcanoes, magma, sunlight, and heat Egyptian mythology * Ra, fire god of the sun, light, warmth, and growth * Sekhmet, protective lioness goddess of war, along with some elements of disease and curing of disease. Sometimes referenced in relation to the sun and its power, so possibly had to do with upkeep of the sun at times and fire * Wadjet, the protective serpent goddess who sends fire to burn her enemies Asian mythology Ainu mythology * Kamuy-huci, goddess of the fire Chinese mythology * Zhurong (Huoshen, God of Fire) * Huilu (Huoshen, Goddess of Fire) * Yandi (Huozhu, Accident of Fire) * Shennong (Huozhu, Accident of Fire) * Hua Guang Da Di * Ebo (Huozheng, Primary Fire) * Yùyōu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smithing Gods
This is a list of deities associated with blacksmiths and craftspeople. African religions Egyptian mythology * Ptah, patron god of craftsmen and architects Igbo * Ikenga, Alusi of time, success, achievement, farming, blacksmiths, and industry Yoruba * Ogun, patron god of warriors, soldiers, blacksmiths, metal workers, and craftsmen Asian religions Arabian * Qaynan, Sabean patron god of smiths Hindu * Ribhus * Vishvakarman, architect of the gods Japanese * Kagu-tsuchi, patron god of blacksmiths, ceramic workers, and fire Meitei * Pisatao, god of architecture and crafts Ugaritic * Kothar-wa-Khasis, patron god of metalworking European religions Celtic * Brigid, goddess of spring, blacksmiths, fertility, healing, and poetry *Gobannus, Gallo-Roman deity whose name means 'the smith' * Gofannon, Welsh god of blacksmithing, ale, architecture and building * Goibniu, Irish god of blacksmithing, one of the Trí Dée Dána * Lugh, god of craftsmen, games, arts, oaths, truth, and law Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
