Set-through Neck
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Set-through Neck
Set-through neck (or Set-thru neck) is a method of joining the neck and the body of guitar (or similar stringed instrument), effectively combining ''bolt-on'', '' set-in'' and ''neck-through'' methods. It involves: * A pocket in the instrument's body for insertion of neck, as in bolt-on method. However, the pocket is much deeper than usual one. * Long neck plank, comparable to the scale length, as in the ''neck-through'' method. * Glueing (setting) the long neck inside the deep pocket, as in the ''set-neck'' method. The result is usually told to have combined advantages of all these methods, mostly eliminating their disadvantages. Luthiers frequently cite: * improved tone and sustain (due to deep insertion and body made of single piece of wood, not laminated as in neck-through), * brighter tone (due to set joint) * comfortable access to top frets (due to lack of hard heel and bolt plate), * better wood stability. The main disadvantage is relatively complex construction that lead ...
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Guitar Neck
The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the violin family, and the mandolin family are examples of instruments which have necks. Necks are also an integral part of certain woodwind instruments, like for instance the saxophone. The word for neck also sometimes appears in other languages in musical instructions. The terms include ''manche'' (French), ''manico'' (Italian), and ''Hals'' (German). Guitar The neck of a guitar includes the guitar's frets, fretboard, tuners, headstock, and truss rod. The wood used to make the fretboard will usually differ from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Strings and tuning), and the ability of the neck to resist bending (see Truss rod) is important to the gu ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Bolt-on Neck
Bolt-on neck is a method of guitar (or similar stringed instrument) construction that involves joining a guitar neck and body using screws or bolts, as opposed to glue and joinery as with set-in neck joints. Methods The "bolt-on" method is used frequently on solid body electric guitars and on acoustic flattop guitars. In the typical electric guitar neck joint, the body and neck cross in horizontal plane, the neck is inserted in a pre-routed "pocket" in the body, and they are joined using four or sometimes three (rarely, five or more) screws. As the pressure of screw heads damages the wood surfaces, and the undistributed stress could put the instrument body at structural risk, typically a rectangular metal plate (or a pair of smaller plates) is used to secure the joint and re-distribute the screw pressure more evenly. Such a plate is usually criticized for making playing on top frets uncomfortable, so manufacturers sometimes employ some kind of more intricate method to hide a ...
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Set-in Neck
A set-in neck (often shortened to ''set neck'') is the traditional form of joining the neck of a stringed instrument with its body. This is typically done with a tightly fitted mortise-and-tenon or dovetail joint, secured with hot hide glue. Among its qualities are a warm tone, long sustain, and a large surface area to transmit string vibration, leading to a "live" feeling instrument. In guitars it also often allows superior access to top frets closest to the body. It is a common belief that this yields a stronger body-to-neck connection than an inexpensive mechanically joined bolt-on neck, though some luthiers believe a well-executed bolt-on neck joint is equally strong and provides similar neck-to-body contact. However, neither of these joints is as strong as a neck-through construction, the third of the common methods of neck attachment, which requires more material and is usually found only on high-end solid body guitars. Set-in necks are the most popular on acoustic gu ...
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Neck-through
Neck-through-body (commonly neck-thru or neck-through) is a method of electric guitar construction that combines the instrument's guitar neck, neck and core of its body into a single unit. This may be made of a solid piece of wood, or two or more laminated together. The strings, fretboard, pickups and bridge are all mounted on it, with additional body side components (if any) filling out its full shape glued or mechanically attached. The technique is also used on electric bass guitars. Neck-through-body construction is considerably more expensive than the traditional glued set-in neck and least costly bolt-on neck, but less than the rare and difficult "one-piece" fabrication out of a single piece of material. History The first electric bass guitar, the solid-body "Audiovox 736" created by Paul Tutmarc circa 1937, had a neck-through construction. "The Log", a prototype solid-body guitar built by Les Paul in 1941, can be considered as a forerunner of neck-through designed i ...
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Scale (string Instruments)
The scale length of a string instrument is the maximum vibrating length of the strings that produce sound, and determines the range of tones that string can produce at a given tension. It is also called string length. On instruments in which strings are not "stopped" (typically by frets or the player's fingers) or divided in length (such as in the piano), it is the actual length of string between the nut and the bridge. String instruments produce sound through the vibration of their strings. The range of tones these strings can produce is determined by three primary factors: the linear density of the string, that is its mass per unit length (which is determined by its thickness and the density of the material), the tension placed upon it, and the instrument's scale length. Generally, a string instrument has all strings approximately the same length, so the scale length can be expressed as a single measurement, e.g., the violin and most guitars. Bowed strings Violin family The t ...
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Floyd Rose
The Floyd Rose Locking Tremolo, or simply Floyd Rose, is a type of locking vibrato arm for a guitar. Floyd D. Rose invented the locking vibrato in 1976, the first of its kind, and it is now manufactured by a company of the same name. The Floyd Rose gained popularity in the 1980s through guitarists like Eddie Van Halen, Neal Schon, Brad Gillis, Joe Satriani, Steve Vai, and Alex Lifeson, who used its ability to stay in tune even with extreme changes in pitch. Its tuning stability comes through the double-locking design that has been widely regarded as revolutionary; the design has been listed on ''Guitar World''s "10 Most Earth Shaking Guitar Innovations" and ''Guitar Player''s "101 Greatest Moments in Guitar History 1979–1983." History Floyd D. Rose first started working on what became the Floyd Rose Tremolo in 1976. He was playing in a rock band at the time, inspired by Jimi Hendrix and Deep Purple. He frequently used the vibrato bar but could not make his guitars stay in tun ...
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Dean Guitars
Dean Guitars, commonly referred to simply as Dean, is an American importer and maker of stringed instruments and musical products with its headquarters in Tampa, Florida. Its products include solid-body electric guitars, bass guitars, and acoustic guitars. The company also distributes resonators, basses, banjos, mandolins, ukuleles, amplifiers, guitar cases, accessories, and custom guitar pickups. The company was founded in Chicago, Illinois, in 1976 by Dean Zelinsky, but came to prominence under Elliott Rubinson in 1997 after his company, Armadillo Enterprises, purchased the business. History Dean Guitars started in 1976 and made instruments used by bands such as Heart, Kansas, the Cars, Molly Hatchet, Triumph and ZZ Top. With the advent of the Superstrat and grunge music, Dean Zelinsky sold the business to Oscar Medeiros of Tropical Music, who gained ownership of the brand from 1986, and until 1995 focused on selling to Latin bands overseas. The company had all but dis ...
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ESP Guitars
is a Japanese guitar manufacturer, primarily focused on the production of electric guitars and Bass guitar, basses. They are based in both Tokyo and Los Angeles, with distinct product lines for each market. ESP Company manufactures instruments under several names, including "ESP Standard", "ESP Custom Shop", "LTD Guitars and Basses", "Navigator", "Edwards Guitars and Basses", and "Grassroots". History In 1975, Hisatake Shibuya opened a shop called Electric Sound Products (ESP) in Tokyo, Japan, which provided custom replacement parts for guitars. At this time, ESP also began making guitars under the ESP and Navigator brand in the Japanese market. ESP replacement parts were first introduced into the US in 1983 and began crafting custom instruments for local New York artists between 1984 and 1985. Among these artists were Page Hamilton (Helmet (band), Helmet), Vernon Reid (Living Colour), Vinnie Vincent and Bruce Kulick (Kiss (band), KISS), Sid McGinnis of ''Late Night w ...
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Benjamin Burnley
Benjamin Jackson Burnley IV (born March 10, 1978) is an American musician, singer, songwriter, and record producer, best known as the founder and frontman of the American rock band Breaking Benjamin. As the sole constant of the group, Burnley has served as its principal songwriter, lead vocalist, and guitarist since its inception in 1999. Since signing with Hollywood Records in 2002, Burnley has composed six studio albums under the name Breaking Benjamin, three of which have reached platinum and two of which have reached gold in the United States. Outside of Breaking Benjamin, Burnley has also collaborated with acts such as Adam Gontier and Red. Burnley's lyrical content frequently and most recently consists of cryptic, angst-ridden themes that "waffle between being plaintive and aggressive." Burnley has the range of a dramatic tenor and occasionally utilizes death growls and screams in his singing. ''IGN'' described him as having a "somewhat innocuous voice that is crystal cle ...
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Atreyu (band)
Atreyu is an American metalcore band from Yorba Linda, California, formed in 1998. The band currently consists of clean vocalist Brandon Saller, guitarists Dan Jacobs and Travis Miguel, bassist and unclean vocalist Marc "Porter" McKnight, and drummer Kyle Rosa. The band have released eight studio albums: '' Suicide Notes and Butterfly Kisses'' (2002), '' The Curse'' (2004), '' A Death-Grip on Yesterday'' (2006), ''Lead Sails Paper Anchor'' (2007), ''Congregation of the Damned'' (2009), ''Long Live'' (2015), ''In Our Wake'' (2018) and ''Baptize'' (2021). History Independent years (1998–2000) Originally named Retribution, the band changed their name to "Atreyu" after the character of the same name from Michael Ende's fantasy book ''The Neverending Story''. The name change came because of a change of members and a progression in their musical styling. In 1998, Atreyu released an independent seven-track EP titled ''Visions''. The album was sold at their live performances. Thei ...
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Pick Up (music Technology)
A pickup is a transducer that captures or senses mechanical vibrations produced by musical instruments, particularly stringed instruments such as the electric guitar, and converts these to an electrical signal that is amplified using an instrument amplifier to produce musical sounds through a loudspeaker in a speaker enclosure. The signal from a pickup can also be recorded directly. Most electric guitars and electric basses use magnetic pickups. Acoustic guitars, upright basses and fiddles often use a piezoelectric pickup. Magnetic pickups A typical magnetic pickup is a transducer (specifically a variable reluctance sensor) that consists of one or more permanent magnets (usually alnico or ferrite) wrapped with a coil of several thousand turns of fine enameled copper wire. The magnet creates a magnetic field which is focused by the pickup's pole piece or pieces. The permanent magnet in the pickup magnetizes the guitar string above it. This causes the string to generate a ...
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