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Serenata For Orchestra (Piston)
Walter Piston's Serenata for Orchestra is an orchestral suite or miniature symphony written in 1956. History Piston composed the Serenata in 1956, on commission for the Louisville Orchestra, and is dedicated to conductor Robert Whitney, who led the work's premiere on October 25, 1956. Analysis The work is in three movements. *Con allegrezza *Con sentimento *Con spirito The outer movements of the Serenata are in D major, and the overall form resembles a miniature symphony lasting only twelve minutes. This, the title, and certain melodic gestures make this composition more Mozartean than any of Piston's neoclassical works from the 1930s, though it remains further from 18th-century styles than neoclassical works of Poulenc, Prokofiev, or Stravinsky. The first movement is reminiscent of the ''Ballando'' ("dancing") movement of Piston's Fourth Symphony. The middle movement is dominated by a long-lined tune, and the work closes with a high-spirited, strutting finale. Tonal emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University. Life Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. Although his family was mainly of English origin, his paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from Genoa, Italy. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the Massachusetts Normal Art School, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingvar Lidholm
Ingvar Natanael Lidholm (24 February 1921 – 17 October 2017) was a Swedish composer. Early years: 1921–1940 Ingvar Lidholm was born in Jönköping. The actual family home was in Nässjö, some 40 kilometers to the southeast. Neither of his parents was particularly musical: his father worked for Swedish Railways and his mother was a homemaker. But the home environment was one in which music was encouraged. Ingvar was the youngest of four children, all of whom made music at home. The family owned a piano, and Lidholm began his "musical explorations" at an early age. By the age of eleven, Lidholm and his family had moved to Södertälje, which lies to the south of Stockholm. Both at school and at home, he rapidly began to develop his musical skills as a performer – and as a composer. By age twelve, he was writing songs in a tonal and romantic idiom, which led gradually to exercises of larger proportions, including music for full orchestra. This early period also included orches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselher Klebe
Giselher Wolfgang Klebe (28 June 19255 October 2009) was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music. Biography Giselher Klebe was born in Mannheim, Germany. He received musical tuition early in his life from his mother, the violinist Gertrud Klebe. The family relocated in 1932 to Munich, where his mother's sister, Melanie Michaelis, continued the training. His father's profession required a further relocation in 1936 to Rostock. Following the separation of his parents, Klebe moved with his mother and sister to Berlin. During 1938, the 13-year-old sketched his first compositions. In 1940, he began studies in violin, viola, and composition, supported by a grant from the city of Berlin. After serving his Reichsarbeitsdienst (labour service), Klebe was conscripted to military service as signalman. After the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Ballif
Claude Ballif (22 May 1924 – 24 July 2004) was a French composer, writer, and pedagogue. He worked at a number of institutions throughout more than 40 years of teaching, one of which he had attended as a student. Among his pupils were Raynald Arseneault, Nicolas Bacri, Gérard Buquet, Joseph-François Kremer, Philippe Manoury, Serge Provost, Mehmet Okonsar, Simon Bertrand, Alexandre Desplat, and Claude Abromont. He was described as a French modernist and as "the product of the exciting and turbulent post World War II years of the Western avant-garde" alongside composers Pierre Boulez and Karlheinz Stockhausen. Biography Ballif was born in Paris on 22 May 1924, the fifth of ten children. He grew up in a bourgeois family but did not recognize the privilege of his childhood as a rarity until much later. His mother Odette was from the Festugière family, forgemasters and owners of the Château de Poissons in Haute-Marne. Her brother was André-Jean Festugière and her first co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Strobel (musicologist)
Heinrich Strobel (31 May 1898 in Regensburg – 18 August 1970 in Baden-Baden) was a German musicologist. Life Strobel, the son of a wholesale merchant, attended the grammar-school in Regensburg, took part in the First World War and worked from 1918 at the Stadt-theater in Regensburg as Répétiteur. After that he studied musicology at the Ludwig Maximilian University of Munich with Adolf Sandberger und Theodor Kroyer. In 1921 he became music critic of the ''Thüringischen Allgemeinen'' in Erfurt. In 1922 he graduated to the degree of Doctor of Philosophy (D. Phil.) with his Dissertation on ''Johann Wilhelm Häßler's Life and Work.'' In 1927–1932 he was occupied as music critic with the Berlin Financial Newspaper. In 1933 and 1934 he was on the editorial staff (Munzinger speaks of him as ''Editor Publisher'') of the Journal for New Music called ''Melos'' and for the successor-journal ''Neues Musikblatt''. Fred K. Prieberg, ''Handbuch Deutsche Musiker 1933–1945'' (The Handboo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Haubenstock-Ramati
Roman Haubenstock-Ramati ( he, רוֹמן האובּנשׁטוֹק-רָמָתִי; 27 February 1919 – 3 March 1994) was a composer and music editor who worked in Kraków, Tel Aviv and Vienna. Life Haubenstock-Ramati was born in Kraków. He studied composition, music theory, violin and philosophy there from 1934 to 1938, and in Lemberg from 1939 to 1941. Among his teachers were Artur Malawski and Józef Koffler. From 1947 to 1950 he was head of the music department of Kraków Radio, and from 1950 to 1956 he was director of the State Music Library in Tel Aviv. In 1957 he was awarded a six-month stipend for the Academy for musique concrète. From 1957 to 1968 he was an editor of new music for Universal Edition in Vienna. In addition he gave guest lectures and composition seminars in Tel Aviv, Stockholm, Darmstadt, Bilthoven (the Netherlands) and Buenos Aires, and from 1973 held a professorship at the Musikhochschule in Vienna. He died in Vienna in 1994. Haubenstock-Ramati was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Nilsson
Bo Nilsson (1 May 1937 – 25 June 2018) was a Swedish composer and lyricist. Career Bo Nilsson was born in Skellefteå, and first drew notice as a composer at the age of 18 when his ''Zwei Stücke'' (Two Pieces) for flute, bass clarinet, percussion, and piano were performed in a 1956 West German Radio (WDR) “Musik der Zeit” concert in Cologne. He had taught himself composition by listening to the radio, having previously had only basic training from a local music teacher and some experience as a jazz pianist. Though his early style owes much to Pierre Boulez and Karlheinz Stockhausen, it also displays a number of personal features: the use of bright percussion sounds behind finely wrought vocal or flute (usually alto flute) lines, a “nervous” fluttering of tonal nuances, and a feeling for miniature, calculated forms. Because he has chosen to live in the small town of Malmberget, he received the journalistic epitethet "the genius from Malmberget". By 1957 Nilsson rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Arbor, Michigan
Ann Arbor is a city in the U.S. state of Michigan and the county seat of Washtenaw County, Michigan, Washtenaw County. The 2020 United States census, 2020 census recorded its population to be 123,851. It is the principal city of the Ann Arbor List of metropolitan statistical areas, Metropolitan Statistical Area, which encompasses all of Washtenaw County. Ann Arbor is also included in the Metro Detroit, Greater Detroit Combined statistical area, Combined Statistical Area and the Great Lakes megalopolis, the most populated and largest Megaregions of the United States, megalopolis in North America. Ann Arbor is home to the University of Michigan. The university significantly shapes Ann Arbor's economy as it employs about 30,000 workers, including about 12,000 in the University of Michigan Health System, medical center. The city's economy is also centered on high technology, with several companies drawn to the area by the university's research and development infrastructure. Ann A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Schwarz
Gerard Schwarz (born August 19, 1947), also known as Gerry Schwarz or Jerry Schwarz, is an American symphony conductor and trumpeter. As of 2019, Schwarz serves as the Artistic and Music Director of Palm Beach Symphony and the Director of Orchestral Activities and Music Director of the Frost Symphony Orchestra at the Frost School of Music at the University of Miami. Early life Schwarz was born in Weehawken, New Jersey, to Jewish parents. His parents were both physicians and took him to concerts and opera performances. Schwarz began his trumpet career at age 8. By 12 years of age, he dedicated his life to becoming a musician. He graduated from New York City's High School of Performing Arts and Juilliard School of Music and began his musical career as a trumpeter, performing until 1973 as principal of the New York Philharmonic under Pierre Boulez. He began conducting in 1966. Schwarz champions American composers, past and present. He has made more than 100 recordings with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seattle Symphony
The Seattle Symphony is an American orchestra based in Seattle, Washington. Since 1998, the orchestra is resident at Benaroya Hall. The orchestra also serves as the accompanying orchestra for the Seattle Opera. History Beginnings The orchestra gave its first performance on December 29, 1903, with Harry West conducting. Known from its founding as the Seattle Symphony, it was renamed in 1911 as the Seattle Philharmonic Orchestra. In 1919, the orchestra was reorganized with new bylaws under the name Seattle Symphony Orchestra. The 1921–22 season was cancelled due to financial problems. The orchestra was revived in 1926 under the direction of Karl Krueger. Pacific Northwest Symphony Orchestra In 1947, the Seattle Symphony merged with the Tacoma Philharmonic to form the Pacific Northwest Symphony Orchestra. Performances were held in Seattle, Tacoma, and Olympia, with conducting duties split between Carl Bricken and Eugene Linden. This arrangement ceased after one season, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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