Ingvar Lidholm
Ingvar Natanael Lidholm (24 February 1921 – 17 October 2017) was a Swedish composer. Early years: 1921–1940 Ingvar Lidholm was born in Jönköping. The actual family home was in Nässjö, some 40 kilometers to the southeast. Neither of his parents was particularly musical: his father worked for Swedish Railways and his mother was a homemaker. But the home environment was one in which music was encouraged. Ingvar was the youngest of four children, all of whom made music at home. The family owned a piano, and Lidholm began his "musical explorations" at an early age. By the age of eleven, Lidholm and his family had moved to Södertälje, which lies to the south of Stockholm. Both at school and at home, he rapidly began to develop his musical skills as a performer – and as a composer. By age twelve, he was writing songs in a tonal and romantic idiom, which led gradually to exercises of larger proportions, including music for full orchestra. This early period also included orches ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heinrich Isaac
Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin des Prez, Isaac influenced the development of music in Germany. Several variants exist of his name: Ysaac, Ysaak, Henricus, Arrigo d'Ugo, and Arrigo il Tedesco among them. (''Tedesco'' means "Flemish" or "German" in Italian.) Early life Little is known about Isaac's early life (or indeed what he called himself), but it is probable that he was born in Flanders, probably in Brabant. During the late 15th century, standards of music education in the region were excellent, and he was probably educated in his homeland, although the location is not known.New Grove Dictionary of Music and Musicians. December 2001. Stanley Sadie Sixteenth-century Swiss music theorist and writer Heinrich Glarean claimed Isaac for Germany by dubbing him "Henricus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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August Strindberg
Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his '' The Red Room'' (1879) has frequently been described as the first modern Swedish novel. In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Birgit Åkesson
Anna Ida Birgit Åkesson, born March 24, 1908, in Malmö, died March 24, 2001, in Stockholm, was a choreographer, dancer and dance researcher. Biography Birgit Åkesson trained as a dancer at Mary Wigman's school in Dresden from 1929 to 1931. After having danced with her a few years, Åkesson knew she wanted something else from this art, but she could not quite put her finger on it yet. She wanted to explore the body's possibilities and limitations. She then decided to go to Paris and start from zero. According to her, she listened to her body and the memories that were stored in it. In 1934 she made her debut with her very own choreography at the Comédie-Française in Paris, but her real breakthrough came only in 1951, when she performed two solos, one in complete silence. After these performances the press went wild and she soon became one of the leading figures in European avant-garde dance. In the 1950s, she worked together with text and music printer Erik Lindegren and Karl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Studio Di Fonologia Musicale Di Radio Milano
The was established 1955 in Milan following a joint initiative by Luciano Berio and Bruno Maderna. The aim was to create a third European facility for experimental electronic contemporary classical music after the Studio für elektronische Musik des WDR in Cologne and the Groupe de Recherches Musicales in Paris. The studio closed on 28 February 1983. (Chatting with Marino uccheri by Giovanni Belletti, 8 July 2013 The refurbished equipment is now exhibited at the Museum of Musical Instruments in the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Natur & Kultur
Natur & Kultur is a Swedish publishing foundation with head office in Stockholm known for an extensive series of teaching materials. Its logotype is an apple tree. Overview The publishing house was founded in 1922 by Johan Hansson and his wife Jenny Bergqvist Hansson, with a focus on educational and didactic works of literature. During the Second World War World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ..., it published anti-Nazi literature. It was transformed into a foundation in 1947. In the 1980s and 1990s, Natur & Kultur bought a number of other publishing houses, such as Askild & Kärnekull Förlag AB, (later renamed to Legenda) and LTs Förlag. In addition to textbooks for different levels of education, Natur & Kultur also publishes literary classics and mainstream litera ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Luigi Dallapiccola
Luigi Dallapiccola (February 3, 1904 – February 19, 1975) was an Italian composer known for his lyrical twelve-tone compositions. Biography Dallapiccola was born in Pisino d'Istria (at the time part of Austria-Hungary, current Pazin, Croatia), to Italian parents. Unlike many composers born into highly musical environments, his early musical career was irregular at best. Political disputes over his birthplace of Istria, then part of the Austro-Hungarian empire, led to instability and frequent moves. His father was headmaster of an Italian-language school – the only one in the city – which was shut down at the start of World War I. The family, considered politically subversive, was placed in internment at Graz, Austria, where the budding composer did not even have access to a piano, though he did attend performances at the local opera house, which cemented his desire to pursue composition as a career. Once back in his hometown Pisino after the war, he travelled f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guildhall School Of Music And Drama
The Guildhall School of Music and Drama is a conservatoire and drama school located in the City of London, United Kingdom. Established in 1880, the school offers undergraduate and postgraduate training in all aspects of classical music and jazz along with drama and production arts. The school has students from over seventy countries. Widely regarded as one of the leading performing arts institutions in the world, it was ranked first in both the Guardian’s 2022 League Table for Music and the Complete University Guide's 2023 Arts, Drama and Music league table. It is also ranked the sixth university in the world for performing arts in the 2022 QS World University Rankings. Based within the Barbican Centre in the City of London, the school currently numbers just over 1,000 students, approximately 800 of whom are music students and 200 on the drama and technical theatre programmes. The school is a member of Conservatoires UK, the European Association of Conservatoires and the Fede ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mátyás Seiber
Mátyás György Seiber (; 4 May 190524 September 1960) was a Hungarian-born British composer who lived and worked in the United Kingdom from 1935 onwards. His work linked many diverse musical influences, from the Hungarian tradition of Bartók and Kodály, to Schoenberg and serial music, to jazz, folk song, and lighter music. Early life Seiber was born in Budapest. His mother, Berta Patay was a reputed pianist and teacher, so the young Seiber gained considerable skill with that instrument first. At the age of ten, he began to learn to play the cello. After attending grammar school, where he was regarded as "outstanding" in mathematics and Latin according to the almanacs of the Franz Liszt Academy of Music, he studied the cello and composition from 1918 to 1925, and composition with Zoltán Kodály from 1921 to 1925. For his degree, he wrote his String Quartet No. 1 (in A minor). Pieces composed at this time, such as the ''Serenade for Six Wind Instruments'' of 1925, show him ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |