|
Selamat Berdjuang, Masku!
''Selamat Berdjuang, Masku!'' (Perfected Spelling: ''Selamat Berjuang, Masku!'', Indonesian for "Fight Well, My Brother!") is a 1951 Indonesian film directed by R.H. Andjar Subyanto and starring Raden Sukarno and Marlia Hardi. It follows a former guerrilla leader who must pursue his love despite the interference of his former comrades. Plot During the Indonesian National Revolution, Herman ( Raden Sukarno) is the leader of a group of guerrillas, including the womanizing artist Wurjanto ( A. Hamid Arief), the arrogant Abdul Rais (Chatir Harro), the trader Amin (A. Bakar), and the former office worker Katsina ( Darussalam). After the war, only Herman maintains his ideology and joins the Indonesian Air Force, whereas his fellow guerrillas return to their respective fields. He also maintains a loving relationship with Parmi ( Marlia Hardi), and stays faithful to her despite intervention from Herman's former colleagues, including Wurjanto, who has stolen the heart of Surti (Netty Hera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malang
Malang (; ) is a landlocked List of regencies and cities of Indonesia, city in the Indonesian Provinces of Indonesia, province of East Java. It has a history dating back to the age of Singhasari, Singhasari Kingdom. It is the second most populous city in the province, with a population of 820,043 at the 2010 Census and 843,810 at the 2020 Census.Badan Pusat Statistik, Jakarta, 2021. Its surrounding (the Greater Malang, metropolitan area) is home to 3,663,691 inhabitants in 2010, spread across two cities and 22 districts (21 in Malang Regency and one in Pasuruan Regency). Malang is the List of Indonesian cities by GDP, third largest city by economy in East Java, after Surabaya and Kediri (city), Kediri, with an estimated 2016 GDP at Indonesian rupiah, Rp. 44.30 trillion. The city is well known for its mild climate. During Dutch colonization, it was a popular destination for European residents. Even now, Malang still holds its position as a popular destination for international t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darah Dan Doa
''Darah dan Doa'' (; Indonesian for ''Blood and Prayer'', released internationally as ''The Long March'') is a 1950 Indonesian war film directed and produced by Usmar Ismail, telling the story of the Siliwangi Division and its leader Captain Sudarto on a march to West Java. Following Ismail's Dutch-produced ''Tjitra'' (1949), ''Darah dan Doa'' is often cited as the first 'Indonesian' film, and the film's first day of shooting – 30 March – is celebrated in Indonesia as National Film Day. Produced on a budget of 350,000 rupiah and intended to be screened at the Cannes Film Festival, financial difficulties led production of ''Darah dan Doa'' to almost stop before the director received financial backing. After raising controversy for its subject material, the film underwent censorship and was finally released to commercial failure. Retrospective analysis has, however, been more positive, and Ismail has been dubbed the "father of Indonesian film". Plot The Siliwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About The Indonesian National Revolution
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
