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Seiz Breur
Seiz Breur was an artistic movement founded in 1923 in Brittany. Although it adopted the symbolic name ''seiz breur'', meaning ''seven brothers'' in the Breton language, this did not refer to the number of members, but to the title of a folk-story. At its height it had fifty members united as the "Unvaniezh Seiz Breur" (Union of the Seven Brothers). Though predominantly dedicated to the visual arts, the group also included writers, composers and architects. It is recognised today as an initiator of modern Celto-Breton art, but its memory has been marred by the association of several of its members with Nazi ideology and collaborationism. Origins A young designer and illustrator, Jeanne Malivel (1895–1926), played an important role in paving the way for the movement's foundation. Her early work revived the tradition of wood engraving to illustrate the book ''L'Histoire de notre Bretagne'' by Jeanne Coroller-Danio. Malivel's work was picked up by the painter and engraver René- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brittany Of The Future
Brittany (; french: link=no, Bretagne ; br, Breizh, or ; Gallo: ''Bertaèyn'' ) is a peninsula, historical country and cultural area in the west of modern France, covering the western part of what was known as Armorica during the period of Roman occupation. It became an independent kingdom and then a duchy before being united with the Kingdom of France in 1532 as a province governed as a separate nation under the crown. Brittany has also been referred to as Little Britain (as opposed to Great Britain, with which it shares an etymology). It is bordered by the English Channel to the north, Normandy to the northeast, eastern Pays de la Loire to the southeast, the Bay of Biscay to the south, and the Celtic Sea and the Atlantic Ocean to the west. Its land area is 34,023 km2 . Brittany is the site of some of the world's oldest standing architecture, home to the Barnenez, the Tumulus Saint-Michel and others, which date to the early 5th millennium BC. Today, the historical pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthetism
Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, ''Synthetism'' has been connected to the term Cloisonnism, and later to Symbolism. The term is derived from the French verb ''synthétiser'' (''to synthesize'' or ''to combine so as to form a new, complex product''). History Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s and early 1890s. Synthetist artists aimed to ''synthesize'' three features: *The outward appearance of natural forms. *The artist's feelings about their subject. *The purity of the aesthetic considerations of line, colour and form. In 1890, Maurice Denis summarized the goals for synthetism as, :''It is well to remember that a picture before being a battle horse, a nude woman, or some anecdote, is essentially a flat surface covered with colours assembled in a certain order.'' The term was first used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embroidery
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. Some of the basic techniques or stitches of the earliest embroidery are chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Those stitches remain the fundamental techniques of hand embroidery today. History Origins The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. Indeed, the remarkable stability of basic embroidery stitches has been noted: The art of embroidery has been found worldwide and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ironwork
Ironwork is any weapon, artwork, utensil, or architectural feature made of iron, especially one used for decoration. There are two main types of ironwork: wrought iron and cast iron. While the use of iron dates as far back as 4000BC, it was the Hittites who first knew how to extract it (see iron ore) and develop weapons. Use of iron was mainly utilitarian until the Middle Ages; it became widely used for decoration in the period between the 16th and 19th century. Wrought iron Wrought ironwork is forged by a blacksmith using an anvil. The earliest known ironwork are beads from Jirzah in Egypt dating from 3500 BC and made from meteoric iron with the earliest use of smelted iron dates back to Mesopotamia. However, the first use of conventional smelting and purification techniques that modern society labels as true iron-working dates back to the Hittites in around 2000 BC. Knowledge about the use of iron spread from the Middle East to Greece and the Aegean region by 1000BC and ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass Window
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stoneware
Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a Vitrification#Ceramics, vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is nonporous (does not soak up liquids);Arthur Dodd & David Murfin. ''Dictionary of Ceramics''; 3rd edition. The Institute of Minerals, 1994. it may or may not be glaze (ceramics), glazed. Historically, around the world, it has been developed after earthenware and before porcelain, and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthenwares are normally fired in a kiln at temperatures in the range of about 1,000 °Celsius, C (1,830 Fahrenheit, °F) to ; stonewares at between about to ; and porcelains at between about to . Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Carving
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery. The making of sculpture in wood has been extremely widely practised, but doesn't survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallic Rooster
The Gallic rooster (french: le coq gaulois) is a national symbol of France as a nation, as opposed to Marianne representing France as a state and its values: the Republic. The rooster is also the symbol of the Wallonia region and the French Community of Belgium. France During the times of Ancient Rome, Suetonius, in The Twelve Caesars, noticed that, in Latin, rooster (''gallus'') and Galli (''Gallus'') were homonyms. However, the association of the Gallic rooster as a national symbol is apocryphal, as the rooster was neither regarded as a national personification nor as a sacred animal by the Gauls in their mythology and because there was no "Gallic nation" at the time, but a loose confederation of Gallic nations instead. But a closer review within that religious scheme indicates that "Mercury" was often portrayed with the cockerel, a sacred animal among the Continental Celts. Julius Caesar in ''De Bello Gallico'' identified some gods worshipped in Gaul by using the names of thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poilu
Poilu (; ) is an informal term for a late 18th century–early 20th century French infantryman, meaning, literally, ''the hairy one''. It is still widely used as a term of endearment for the French infantry of World War I. The word carries the sense of the infantryman's typically rustic, agricultural background, and derives from the bushy moustaches and other facial hair affected by many French soldiers after the outbreak of the war as a sign of masculinity. The poilu was particularly known for his love of pinard, his ration of cheap wine. The image of the dogged, bearded French soldier was widely used in propaganda and war memorials. The stereotype of the Poilu was of bravery and endurance, but not always of unquestioning obedience. At the disastrous Chemin des Dames offensive of 1917 under General Robert Nivelle, they were said to have gone into no man's land making baa'ing noises—a collective bit of gallows humour signalling the idea that they were being sent as lambs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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