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Seefeel
Seefeel are a British electronic and post-rock band formed in the early 1990s by Mark Clifford (guitar, programming), Daren Seymour (bass), Justin Fletcher (drums, programming), and Sarah Peacock (vocals, guitar). Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica. Initially forming as a more conventional rock band, Seefeel soon embraced electronic production and gained recognition for their 1993 debut EP ''More Like Space'' and first album '' Quique'' (1993), both on the British independent label Too Pure. The band subsequently released music on electronic labels Warp Records and Rephlex, and then went on an extended hiatus in 1997, with members pursuing the side-projects Scala and Disjecta. Following the reissue of ''Quique'' in 2007, Clifford and Peacock relaunched Seefeel and were joined by Shigeru Ishihara ( DJ Scotch Egg) on bass, and former Boredoms drummer Iida Kazuhisa (E-Da). In 2010 they releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quique (album)
''Quique'' is the debut album by British music group Seefeel. It was released through Too Pure in October 1993. A predominantly instrumental record which utilises elements of both rock and electronic music, it blends styles including techno, dream pop, ambient, and dub. Guitarist Mark Clifford worked continually on tracks while other members either completed them or provided component ideas. The album was met with positive reviews from critics, and reached number twelve in the UK independent albums chart. It was followed by the EP ''Starethrough'' on Warp in 1994. ''Quique'' was re-released in 2007 in a deluxe format that included unreleased, re-mixed tracks and other music that was only released on compilations. The album continued to receive praise on its re-issue. Background and production Mark Clifford formed Seefeel in 1992 after posting advertisements for potential group members. After performing a few shows and recording demos, Seefeel signed to the Too Pure label in la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Clifford
Mark Clifford is a British musician and producer known primarily for his involvement with his band Seefeel. He has been involved in a number of solo and collaborative projects which have resulted in a wide range of material released on many different labels including Warp Records, Rephlex Records, Bella Union, Editions Mego and his own Polyfusia label. Seefeel Seefeel was formed in 1992: Clifford advertising in local classifieds for members. In its earliest incarnation Sarah Peacock, Justin Fletcher and Mark Van Hoen represented guitar/vocals, drums and bass respectively, with Daren Seymour supplanting Van Hoen as the bassist early on. Too Pure signed Seefeel and published their first EPs and LP in 1993. Seefeel decamped to Warp Records in 1994 where they remain signed to this day, having released two LPs and three EPs with them thus far. 1996 also saw the release of a mini album, (CH-VOX) on Rephlex Records. Around 1999 Seefeel went on an indefinite hiatus only to reconvene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
More Like Space
''More Like Space'' is an EP by Seefeel. It was released in 1993 by Too Pure Records. The EP was later included on the compilation album '' Polyfusia'' which was released in 1994 by Astralwerks. Production The tracks on ''More Like Space'' were recorded around the same time as the material for Seefeel's album '' Quique''. Mark Clifford stated that the tracks on ''More Like Space'' were simpler while the tracks on ''Quique'' were more involved and took longer to create. The track "Blue Easy Sleep" was described as "essentially instrumental" "Time to Find Me (Come Inside)" features Sarah Peacock's on vocals while "Come Alive" features vocals from Mark Clifford. Release ''More Like Space'' was released on compact disc by Too Pure Records in 1993. This EP was later combined with the ''Pure, Impure'' EP and released by Astralwerks as the compilation album ''Polyfusia'' on July 22, 1994. Reception Jack Rabid described the title track as having "production hat isspacious and near- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scala (band)
Scala was an electronic rock band from London, UK formed in 1996 by members of the band Seefeel. They released two singles, three albums, and two EPs over the following two years. History The disintegration of the post-rock band Seefeel in 1996-1997 led to its lead member Mark Clifford continuing as essentially a solo act. The remaining members of Seefeel—Sarah Peacock, Justin Fletcher, and Daren Seymour—collaborated with former Seefeel member Mark Van Hoen to form the group Scala. Scala released their debut album '' Beauty Nowhere'' in 1997 followed by two albums in 1998: ''To You in Alpha'' and ''Compass Heart''. After working with Scala, Peacock continued work in the group January. Style ''Exclaim!'' described the band's sound as "a crystal clear instrumental sound made of finely textured synths, guitar and drum machine patterns that should appeal to jaded listeners of both pop and 'electronica.'" ''Side Line'' wrote that 'Scala take the rhythmic, ambient guitar sonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Van Hoen
Mark Van Hoen (born September 1966, Croydon, London, England) is an English electronic music artist. He has created music under his own name as well as Locust, and Autocreation. Pitchfork said, "Musically, Van Hoen belongs to a distinguished family tree. Originally influenced by the likes of Brian Eno and Tangerine Dream, and later presaging both Autechre's glitch and Boards of Canada's pastoral IDM, with his latest album Van Hoen would fit in just as well alongside White Rainbow or Atlas Sound on a current label like Kranky: He combines oceanic drone with pop lyricism, using technology as a catalyst." In 1993, Van Hoen signed with the Belgian-based record label, R&S. The initial releases were as Locust and used vintage analogue synthesizers and tape recorders. As the Locust sound moved towards an increasingly more vocal oriented approach in the late 1990s, Van Hoen also began to release music under his own name. In October 2013, Black Hearted Brother, Van Hoen's collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warp (record Label)
Warp Records (or simply Warp) is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon.Southern, Richard (2003) "Label of Love: WARP", X-RAY, April 2003, Swinstead Publishing It is currently based in London. In the early 1990s, the label initially became associated with the UK's northern bleep techno scene, including acts such as LFO, Sweet Exorcist, Forgemasters and Nightmares on Wax. The 1992 label compilation ''Artificial Intelligence'' helped establish the electronic subgenre known as intelligent dance music (IDM). Subsequently, Warp became the home of influential acts such as Aphex Twin, Autechre, Squarepusher, and Boards of Canada. Current artists signed to the label include Flying Lotus, Oneohtrix Point Never, Danny Brown, Brian Eno, Hudson Mohawke, Kelela and Yves Tumor. In 2004, Warp opened the online store Bleep.com, which sells downloadable music free of digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warp Records
Warp Records (or simply Warp) is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon.Southern, Richard (2003) "Label of Love: WARP", X-RAY, April 2003, Swinstead Publishing It is currently based in London. In the early 1990s, the label initially became associated with the UK's northern bleep techno scene, including acts such as LFO, Sweet Exorcist, Forgemasters and Nightmares on Wax. The 1992 label compilation ''Artificial Intelligence'' helped establish the electronic subgenre known as intelligent dance music (IDM). Subsequently, Warp became the home of influential acts such as Aphex Twin, Autechre, Squarepusher, and Boards of Canada. Current artists signed to the label include Flying Lotus, Oneohtrix Point Never, Danny Brown, Brian Eno, Hudson Mohawke, Kelela and Yves Tumor. In 2004, Warp opened the online store Bleep.com, which sells downloadable music free of digital r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rephlex Records
Rephlex Records was a record label launched in 1991 in Cornwall by electronic musician Richard D. James (aka Aphex Twin) and Grant Wilson-Claridge. The label coined the term ''braindance'' to describe the output of Aphex Twin and fellow artists. History In 1989, Grant Wilson-Claridge met Richard D. James (a.k.a. Aphex Twin) DJing at The Bowgie, a club located just along the coast from Newquay, Cornwall. According to Wilson-Claridge, back in 1989, "the Bowgie was the best club ever...this was before Newquay turned into the Cornish Ibiza" and it was very difficult to hear new and interesting music. Wilson-Claridge and James used to DJ on alternate weeks. When he noticed that James was playing his own tapes rather than records, Wilson-Claridge suggested that they press up some records. In the beginning, committing Aphex Twin recordings to vinyl was a way of making music the duo's friends wanted to hear. Due to their geographical dis-location they did not have access to the music th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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