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Quique (album)
''Quique'' is the debut album by British music group Seefeel. It was released through Too Pure in October 1993. A predominantly instrumental record which utilises elements of both rock and electronic music, it blends styles including techno, dream pop, ambient, and dub. Guitarist Mark Clifford worked continually on tracks while other members either completed them or provided component ideas. The album was met with positive reviews from critics, and reached number twelve in the UK independent albums chart. It was followed by the EP ''Starethrough'' on Warp in 1994. ''Quique'' was re-released in 2007 in a deluxe format that included unreleased, re-mixed tracks and other music that was only released on compilations. The album continued to receive praise on its re-issue. Background and production Mark Clifford formed Seefeel in 1992 after posting advertisements for potential group members. After performing a few shows and recording demos, Seefeel signed to the Too Pure label in la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seefeel
Seefeel are a British electronic and post-rock band formed in the early 1990s by Mark Clifford (guitar, programming), Daren Seymour (bass), Justin Fletcher (drums, programming), and Sarah Peacock (vocals, guitar). Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica. Initially forming as a more conventional rock band, Seefeel soon embraced electronic production and gained recognition for their 1993 debut EP ''More Like Space'' and first album '' Quique'' (1993), both on the British independent label Too Pure. The band subsequently released music on electronic labels Warp Records and Rephlex, and then went on an extended hiatus in 1997, with members pursuing the side-projects Scala and Disjecta. Following the reissue of ''Quique'' in 2007, Clifford and Peacock relaunched Seefeel and were joined by Shigeru Ishihara ( DJ Scotch Egg) on bass, and former Boredoms drummer Iida Kazuhisa (E-Da). In 2010 they releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light In The Attic Records
Light in the Attic Records is an independent record label that was established in 2002 in Seattle, Washington by Matt Sullivan. The label is known for its roster of reissue projects and for its distribution catalog. Light in the Attic has re-released work by The Shaggs, Betty Davis, Serge Gainsbourg, Jim Sullivan, Jane Birkin, Monks and The Free Design. The label has also released albums by contemporary bands The Black Angels and Nicole Willis & The Soul Investigators. History Already in high school, Sullivan was interested in starting his own label. "I always wanted my own label," Sullivan told The Stranger in 2006, "but it was always the wrong time." After high school and college at the University of Arizona, Sullivan interned for Seattle, Washington-based record labels like Sub Pop and the now-defunct Loosegroove Records. Susie Tennant, Sub Pop’s then radio-promotions director, offered Sullivan a chance to intern with Madrid, Spain-based record label, Munster Records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegazing
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CH-VOX
''(CH-VOX)'' is the third studio album by British music group Seefeel. The album was released in 1996 on friend Richard D. James's label Rephlex Records. Release ''(CH-VOX)'' was released on vinyl and compact disc on Rephlex Records on 11 November 1996. The album was made up of tracks recorded two years prior to its release. ''(Ch-Vox) Redux'' was released on 14 May 2021, containing six previously unreleased tracks. Reception Keir Langley of AllMusic called ''(CH-VOX)'' "an especially lush match of aesthetics — sort of a condensed version of the Aphex Twin Richard David James (born 18 August 1971), best known as Aphex Twin, is an Irish-born British musician, composer and DJ. He is known for his idiosyncratic work in electronic music, electronic styles such as techno, ambient music, ambient, and jun ... landmark record, '' Selected Ambient Works II''." '' Option'' called the album "memorable," writing that the band "isn't afraid of harsh textures if needed, but more importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Succour (album)
''Succour'' is the second studio album by British band Seefeel. It was released on 20 March 1995 on Warp and did not receive a release in the United States. Background After the release of '' Quique'', Seefeel left Too Pure Records and signed to the more electronic music-oriented Warp, where they released the EP ''Starethrough'' and were included on Warp's compilation album ''Artificial Intelligence II'' in 1994. Seefeel followed these releases with ''Succour'' in 1995. Philip Sherburne of ''Pitchfork'' contrasted ''Succour'' with the band's previous album ''Quique'', noting that while ''Quique'' contained stylistic traits of shoegaze and ambient dub, ''Succour'' appeared to be more influenced by the likes of Aphex Twin. Sherburne cited the drum programming on "Fracture" and "Vex" as coming "straight out of phex Twin'splaybook", while also comparing the beatless tracks "Meol" and "Utreat" to his 1994 album ''Selected Ambient Works Volume II''. Release Prior to the album's releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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