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Secondary Lens
In photography, a secondary lens or accessory lens is a lens designed to be used in conjunction with another lens, called the ''primary lens''. A secondary lens may be designed to be used either in front of the primary lens, between it and the subject, or behind the primary lens, between it and the film. Secondary lenses are typically simpler in mechanical design than other photographic lenses. Normally but not always there is no provision for control of focus or aperture, as these are achieved by the controls on the primary lens. Lenses used in front of the primary lens Examples of secondary lenses designed to be used in front of the primary lens are: * Fisheye adaptors * Corrected wide angle adaptors * Telephoto adaptors such as teleside converters * Close-up lenses All of these lens typically mount on the filter ring of the primary lens. Front-mounting secondary lenses are commonly used to provide wide-angle and telephoto lenses for cameras which lack the facility to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point-and-shoot Camera
A point-and-shoot camera, also known as a compact camera and sometimes abbreviated to P&S, is a still camera designed primarily for simple operation. Most use focus free lenses or autofocus for focusing, automatic systems for setting the exposure options, and have flash units built in. They are popular for vernacular photography by people who do not consider themselves photographers but want easy-to-use cameras for snapshots of vacations, parties, reunions and other events. Most of these compact cameras use small 1/2.3" image sensors, but since 2008, a few non-interchangeable lens compact cameras use a larger sensor such as 1" and even APS-C, such as the Fujifilm X100 series, or full frame format such as the Sony Cyber-shot DSC-RX1 series. They prioritize intelligent Auto, but some high end point-and-shoot cameras have PASM (program, aperture priority, shutter priority, and manual modes) on the mode dial, raw image format, and hot shoe. None have interchangeable lenses, but s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Format Camera
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35 mm photography (though not including 127 sizes), but smaller than (which is considered large format photography). In digital photography, medium format refers either to cameras adapted from medium-format film photography uses or to cameras making use of sensors larger than that of a 35 mm film frame. Some of the benefits of using medium-format digital cameras include higher resolution sensors, better low-light capabilities compared to a traditional 35mm DSLR, and a wider dynamic range. Characteristics Medium-format cameras made since the 1950s are generally less automated than smaller cameras made at the same time. For example, autofocus became available in consumer 35 mm cameras in 1977, but did not reach medium format until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Convertible Lens
A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically. There is no major difference in principle between a lens used for a still camera, a video camera, a telescope, a microscope, or other apparatus, but the details of design and construction are different. A lens might be permanently fixed to a camera, or it might be interchangeable with lenses of different focal lengths, apertures, and other properties. While in principle a simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be present in any lens system. It is the job of the lens designer to balance these and produce a design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barlow Lens
The Barlow lens, named after Peter Barlow, is a diverging lens which, used in series with other optics in an optical system, increases the effective focal length of an optical system as perceived by all components that are after it in the system. The practical result is that inserting a Barlow lens magnifies the image. A real barlow lens is not a single glass element, because that would generate chromatic aberration, and spherical aberration if the lens is not aspheric. More common configurations use three or more elements for achromatic correction or apochromatic correction and higher image quality. Telescope use In its astronomical use, a Barlow lens may be placed immediately before an eyepiece to effectively decrease the eyepiece's focal length by the amount of the Barlow's divergence. Since the magnification provided by a telescope and eyepiece is equal to the telescope's focal length divided by the eyepiece's focal length, this has the effect of increasing the magnificatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back Focal Distance
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flange Focal Distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and source) of a lens mount system is the distance from the mounting flange (the interlocking metal rings on the camera and the rear of the lens) to the film or image sensor plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths, is usually measured to a precision of hundredths of millimetres, and is not to be confused with depth of field. Lenses can be adapted from one mount (and respective FFD) to another. FFD determines whether infinity focus can be accomplished with a simple non-optical adapter. Optics to correct for distance introduce more cost and can lower image quality, so non-optical lens adapters are preferred. A simple non-optical ada ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikon F-mount
The Nikon F-mount is a type of interchangeable lens mount developed by Nikon for its 35mm format single-lens reflex cameras. The F-mount was first introduced on the Nikon F camera in 1959, and features a three-lug bayonet mount with a 44mm throat and a Flange focal distance, flange to focal plane distance of 46.5mm. The company continues, with the 2020 D6 model, to use variations of the same lens mount specification for its film and digital single-lens reflex camera, digital SLR cameras. History The Nikon F-mount is one of only two SLR lens mounts (the other being the Pentax K-mount) which were not abandoned by their associated manufacturer upon the introduction of autofocus, but rather extended to meet new requirements related to light meter, metering, autofocus, and aperture control. The large variety of F-mount compatible lenses makes it the largest system of interchangeable flange-mount photographic lenses in history. Over 400 different Nikkor lenses are compatible with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentax Screw
The M42 lens mount is a screw thread mounting standard for attaching lenses to 35 mm cameras, primarily single-lens reflex models. It is more accurately known as the M42 × 1 mm standard, which means that it is a metric screw thread of 42 mm diameter and 1 mm thread pitch. (The M42 lens mount should not be confused with the T-mount, which shares the 42mm throat diameter, but differs by having a 0.75mm thread pitch.) It was first used by the East German brands VEB Zeiss Ikon in the Contax S of 1949, and KW in the Praktica of the same year. VEB Zeiss Ikon and KW were merged into the Pentacon brand in 1959, along with several other East German camera makers. M42 thread mount cameras first became well known under the Praktica brand, and thus the M42 mount is known as the Praktica thread mount.The M42 mount is sometimes referred to as a "P" thread. See, e.g., Since there were no proprietary elements to the M42 mount, many other manufacturers used it; this ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vignetting
In photography and optics, vignetting is a reduction of an image's brightness or saturation toward the periphery compared to the image center. The word ''vignette'', from the same root as ''vine'', originally referred to a decorative border in a book. Later, the word came to be used for a photographic portrait that is clear at the center and fades off toward the edges. A similar effect is visible in photographs of projected images or videos off a projection screen, resulting in a so-called "hotspot" effect. Vignetting is often an unintended and undesired effect caused by camera settings or lens limitations. However, it is sometimes deliberately introduced for creative effect, such as to draw attention to the center of the frame. A photographer may deliberately choose a lens that is known to produce vignetting to obtain the effect, or it may be introduced with the use of special filters or post-processing procedures. When using superzoom lenses, vignetting may occur all alo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Format
A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape. In the case of motion picture film, the format sometimes includes audio parameters. Other characteristics usually include the film gauge, pulldown method, lens anamorphosis (or lack thereof), and film gate or projector aperture dimensions, all of which need to be defined for photography as well as projection, as they may differ. Motion picture film formats Digital camera formats Photographic film formats See also *Film base * Keykode *Large format *Medium format *Microform Microforms are scaled-down reproductions of documents, typically either films or paper, made for the purposes of transmission, storage, reading, and printing. Microform images are commonly reduced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angle Of View
The angle of view is the decisive variable for the visual perception of the size or projection of the size of an object. Angle of view and perception of size The perceived size of an object depends on the size of the image projected onto the retina. The size of the image depends on the angle of vision. A near and a far object can appear the same size if their edges produce the same angle of vision. With an optical device such as glasses or binoculars, microscope and telescope the angle of vision can be widened so that the object appears larger, which is favourable for the resolving power of the eye (see visual angle). Angle of view in photography In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view. It is important to distinguish the angle of view from the angle of coverage, which describes the angle range that a lens can image. Typically the image ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-number
In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture").Smith, Warren ''Modern Optical Engineering'', 4th Ed., 2007 McGraw-Hill Professional, p. 183. It is also known as the focal ratio, f-ratio, or f-stop, and is very important in photography. It is a dimensionless number that is a quantitative measure of lens speed; increasing the f-number is referred to as ''stopping down''. The f-number is commonly indicated using a lower-case hooked f with the format ''N'', where ''N'' is the f-number. The f-number is the reciprocal of the relative aperture (the aperture diameter divided by focal length). Notation The f-number is given by: N = \frac \ where f is the focal length, and D is the diameter of the entrance pupil (''effective aperture''). It is customary to write f-numbers preceded by "", which forms a mathematical expression of the entrance pupil diameter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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