Second Nature (Electronic Song)
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Second Nature (Electronic Song)
"Second Nature" is a song by Electronic, released as the group's seventh single. It has an autobiographical lyric by Sumner''Blah Blah Blah'', July 1996 which concerns his youth and growing up, while the music has a groovy shuffle which contrasts with the stricter dance tracks on its parent album ''Raise the Pressure''. "Second Nature" reached #35 on the UK Singles Chart. Releases "Second Nature" was first released in the United States as a CD maxi single of DJ remixes in October 1996, then issued commercially by Parlophone in the UK and by Virgin Records in Germany the following February on two CDs and cassette. Each format had a different photograph on its cover. Unlike every other commercial Electronic single, no music video was made for "Second Nature", although it was promoted by live performances on ''TFI Friday'' and '' Later... with Jools Holland''. Its primary B-side "Turning Point" is an instrumental dance track that includes drum loops and sampled Sample or samples m ...
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Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of The Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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Songs Written By Bernard Sumner
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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1997 Singles
File:1997 Events Collage.png, From left, clockwise: The movie set of ''Titanic (1997 film), Titanic'', the List of highest-grossing films, highest-grossing movie in history at the time; ''Harry Potter and the Philosopher's Stone'', is published; Comet Hale-Bopp passes by Earth and becomes one of the most observed comet, comets of the 20th century; Golden Bauhinia Square, where sovereignty of Hong Kong is Handover of Hong Kong, handed over from the United Kingdom to the People's Republic of China; the 1997 Central European flood kills 114 people in the Czech Republic, Poland, and Germany; Korean Air Flight 801 crashes during heavy rain on Guam, killing 229; Mars Pathfinder and Sojourner (rover), Sojourner land on Mars; flowers left outside Kensington Palace following the death of Diana, Princess of Wales, in a car crash in Paris., 300x300px, thumb rect 0 0 200 200 Titanic (1997 film) rect 200 0 400 200 Harry Potter rect 400 0 600 200 Comet Hale-Bopp rect 0 200 300 400 Death of Diana ...
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1996 Singles
File:1996 Events Collage.png, From left, clockwise: A bomb explodes at Centennial Olympic Park in Atlanta, set off by a radical anti-abortionist; The center fuel tank explodes on TWA Flight 800, causing the plane to crash and killing everyone on board; Eight people die in a blizzard on Mount Everest; Dolly the Sheep becomes the first mammal to have been cloned from an adult somatic cell; The Port Arthur Massacre occurs on Tasmania, and leads to major changes in Australia's gun laws; Macarena, sung by Los del Río and remixed by The Bayside Boys, becomes a major dance craze and cultural phenomenon; Ethiopian Airlines Flight 961 crash-ditches off of the Comoros Islands after the plane was hijacked; the 1996 Summer Olympics are held in Atlanta, marking the Centennial (100th Anniversary) of the modern Olympic Games., 300x300px, thumb rect 0 0 200 200 Centennial Olympic Park bombing rect 200 0 400 200 TWA FLight 800 rect 400 0 600 200 1996 Mount Everest disaster rect 0 200 30 ...
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Electronic (band) Songs
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics or home electronics are electronic (analog or digital) equipment intended for everyday ...
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Feel Every Beat
"Feel Every Beat" was the third single by the English band Electronic. It was released in the UK on 9 September 1991 (see 1991 in music) by Factory Records and was a modest commercial success. Composition The A-side is a combination of rock and house music, and is a favourite of both the two members Johnny Marr and Bernard Sumner. Marr began an early version of "Feel Every Beat" with the intention of releasing it on a solo album. Sumner's lyrics are about the criminalisation of rave culture in Britain. The two B-sides, "Lean to the Inside" (an instrumental that used sampled drums from the ABC song "Fear of the World") and "Second to None," are included on the 2013 Special Edition bonus disc of the Electronic album re-release. Both tracks are listed as "2013 edit". The disc also features a "2013 edit" of ''Feel Every Beat''. Artwork The single was packaged by 3a, and featured a contemporary design with stars and a minimalist colour scheme, which differed subtly from format to fo ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Later With Jools Holland
''Later... with Jools Holland'' (also known as ''Even Later... with Jools Holland'', and previously known as ''Later Live... with Jools Holland'' and ''...Later with Jools Holland'') is a contemporary British music television show hosted by Jools Holland. A spin-off of ''The Late Show'', it has been running in short series since 8 October 1992 and is now part of BBC Two's ''Saturday Night Music'' block, usually broadcast at around 10pm The day of transmission has varied over the years, but it is usually recorded on a Tuesday for Saturday broadcast and features a mixture of both established and new musical artists, from solo performers to bands and larger ensembles. The show is considered an institution, having notched up millions of fans around the world. It is currently broadcast in America on MTV Live (formerly known as Palladia); previously it had been shown on Ovation, BBC America, Fuse, and Dave. The Ovation and Fuse broadcasts leave out several performances (and usual ...
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TFI Friday
''TFI Friday'' is an entertainment show that was broadcast on Channel 4 television in the United Kingdom. It was produced by Ginger Productions, written by Danny Baker, and hosted by Chris Evans, for the first five series. The sixth series was hosted by several guest presenters. The show was broadcast on Fridays at 6pm from 9 February 1996 to 22 December 2000, with a repeat later that night. Its theme tune was Ron Grainer's theme from ''Man in a Suitcase'', in keeping with Evans' frequent use of 1960s television themes in his work. A one-off revival episode of the show was broadcast on Channel 4 on 12 June 2015. The episode was well-received; on 23 June 2015, Channel 4 announced that it had commissioned a full revived series, which began airing on 16 October 2015. In 2016, Channel 4 announced that there were no plans for any further series. A new online series is set to start in September 2022. Format The show regularly featured live music, mostly of the then-popular Bri ...
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