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Feel Every Beat
"Feel Every Beat" was the third single by the English band Electronic. It was released in the UK on 9 September 1991 (see 1991 in music) by Factory Records and was a modest commercial success. Composition The A-side is a combination of rock and house music, and is a favourite of both the two members Johnny Marr and Bernard Sumner. Marr began an early version of "Feel Every Beat" with the intention of releasing it on a solo album. Sumner's lyrics are about the criminalisation of rave culture in Britain. The two B-sides, "Lean to the Inside" (an instrumental that used sampled drums from the ABC song "Fear of the World") and "Second to None," are included on the 2013 Special Edition bonus disc of the Electronic album re-release. Both tracks are listed as "2013 edit". The disc also features a "2013 edit" of ''Feel Every Beat''. Artwork The single was packaged by 3a, and featured a contemporary design with stars and a minimalist colour scheme, which differed subtly from format to fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of The Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassette Single
A cassette single (CS), also known by the trademark cassingle, or capitalised as the trademark Cassette Single, is a music single supplied in the form of a Compact Cassette. The cassette single was first introduced in 1980. History The debut single "C·30 C·60 C·90 Go" from Bow Wow Wow (catalogue number TCEMI 5088) was the first cassette single released worldwide, issued by EMI in the United Kingdom in 1980. In the United States of America, the first cassette single was released by A&M and I.R.S. Records in 1982 with the Go-Go's "Vacation", which contained two songs available on both sides of the tape. Initially, the cassette single was supplied containing two or three versions of the primary single, sometimes also together with a B-side song. Typically, between 4 and 20 minutes of music were available on the early cassette singles, though later offerings would be available with five or six different versions of songs. The British independent record label ZTT Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DX Coding
DX (Digital indeX) encoding is an ANSI and I3A standard, originally introduced by Kodak in March 1983, for marking 135 and APS photographic film and film cartridges. It consists of several parts, a latent image DX film edge barcode on the film below the sprocket holes, a code on the cartridge used by automatic cameras, and a barcode on the cartridge read by photo-finishing machines. History In order to simplify the handling of 35 mm film in 135 format Kodak introduced the DX encoding method on 3 January 1983. In contrast to former solutions like Fuji's film speed encoding method in 1977, which was already using electrical contacts for film speed detection on 135 format cartridges, Kodak's later DX code system immediately met success in the marketplace. The first DX encoded film was the color negative film Kodacolor VR-1000 in March 1983. The first cameras to use the technology was the Konica TC-X SLR (1985), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Farrow
Mark Farrow was named Designer of the Year in the Creative Review Peer Poll in 2004, voting him ‘the most important graphic designer working today’. His career began in the early 1980s designing experimental sleeves and posters for Factory Records, and The Haçienda, which placed him at the forefront of contemporary music graphic design. This has since continued with a longstanding creative partnership with Pet Shop Boys, and other bands such as Spiritualized. He designed the cover for ''Everything Must Go (Manic Street Preachers album), Everything Must Go'' (1996), the breakthrough album by the Manic Street Preachers. His minimalist approach, and a rigorous, highly precise attention to detail defines his aesthetic, and appeals to a broad spectrum of clients, from museums and galleries to pop music and retail, product designers and architects, to restaurateurs and artists. In 2009 he was given the honour of Royal Designer for Industry (RDI) by the RSA. References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC (band)
ABC are an English pop band formed in Sheffield in 1980. Their classic line-up consisted of lead singer Martin Fry, guitarist and keyboardist Mark White, saxophonist Stephen Singleton and drummer David Palmer. Developed from an earlier band, Vice Versa, ABC achieved ten UK and five US Top 40 hit singles between 1981 and 1990, and their 1982 debut album, ''The Lexicon of Love'', was a UK number one. Their early-1980s success in the US saw them associated with the Second British Invasion. Now essentially a solo project for Fry, ABC continues to tour and released a ninth studio album, ''The Lexicon of Love II'', in 2016. History Formation ABC has its roots in the band Vice Versa, a Sheffield band formed in 1977 by synthesizer-players Stephen Singleton and Mark White. Their debut gig was as the support to Wire at the Outlook club in Sheffield.Frame, Pete. (1999) Pete Frame's Rockin' Around Britain: Rock'n'roll Landmarks of the UK and Ireland, Omnibus Press They founded their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
