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Scottish Literature In The Eighteenth Century
Scottish literature in the eighteenth century is literature written in Scotland or by Scottish writers in the eighteenth century. It includes literature written in English, Scottish Gaelic and Scots, in forms including poetry, drama and novels. After the Union in 1707 Scottish literature developed a distinct national identity. Allan Ramsay led a "vernacular revival", the trend for pastoral poetry and developed the Habbie stanza. He was part of a community of poets working in Scots and English who included William Hamilton of Gilbertfield, Robert Crawford, Alexander Ross, William Hamilton of Bangour, Alison Rutherford Cockburn, and James Thomson. The eighteenth century was also a period of innovation in Gaelic vernacular poetry. Major figures included Rob Donn Mackay, Donnchadh Bàn Mac an t-Saoir, Uillean Ross and Alasdair mac Mhaighstir Alasdair, who helped inspire a new form of nature poetry. James Macpherson was the first Scottish poet to gain an international reput ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PG 1063Burns Naysmith
PG or P.G. may refer to: *Parental Guidance (PG), a content rating in motion picture content rating systems and television content rating systems *Paying Guest (PG), also called homestay, a type of accommodation Businesses and organisations * P.G. Cigars, a cigar brand named after Paul Garmirian * PG Tips, a British brand of tea * Bangkok Airways, a Thai regional airline, IATA airline designator PG * Procter & Gamble (P&G), an American multi-national consumer goods corporation * Left Party (France) (''Parti de gauche''), a French democratic socialist political party * Partido Galeguista (1931), a Galician nationalist political party in Galicia, Spain * Partido Galeguista (1978), a Galician nationalist political party in Galicia, Spain *Peoples Gazette, a Nigerian online newspaper * PlatinumGames, a Japanese video game developer * Porter-Gaud School, Charleston, South Carolina, U.S. People * PG, student in a postgraduate year after high school (secondary school) * P.G., Brazili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donnchadh Bàn Mac An T-Saoir
Donnchadh Bàn Mac an t-Saoir, anglicized as ''Duncan Ban MacIntyre'' (20 March 1724 – 14 May 1812), was one of the most renowned of Scottish Gaelic poets. He formed an integral part of one of the golden ages of Gaelic poetry in Scotland during the 18th century. Life Born in Druim Liaghart in Glen Orchy, he went on to work in various occupations, including as a soldier in the Argyll Regiment of Militia, as a forester, and as a constable of Edinburgh City Guard. While a soldier in the Argyll regiment he fought for the Hanoverian forces during the Jacobite rising of 1745–6. He took part in the Battle of Falkirk as a substitute for a local gentleman, Archibald Fletcher of Crannach, and managed to lose his sword during the fighting — an event which would later lead to the composition of a humorous poem about the battle. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rule, Britannia!
"Rule, Britannia!" is a British patriotic song, originating from the 1740 poem "Rule, Britannia" by James Thomson and set to music by Thomas Arne in the same year. It is most strongly associated with the Royal Navy, but is also used by the British Army. ''Alfred'' The song was originally the final musical number in Thomas Arne's ''Alfred'', a masque about Alfred the Great, co-written by James Thomson and David Mallet and first performed at Cliveden, the country home of Frederick, Prince of Wales, on 1 August 1740. Lyrics This version is taken from ''The Works of James Thomson'' by James Thomson, Published 1763, Vol II, p. 191, which includes the entire text of ''Alfred''. "Married to a Mermaid" In 1751 Mallet re-used the text of "Rule, Britannia!", omitting three of the original six stanzas and adding three new ones by Lord Bolingbroke, to form the repeated chorus of a comic song "Married to a Mermaid". This became extremely popular when Mallet produced his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque Of Alfred
''Alfred'' is a sung stage work about Alfred the Great with music by Thomas Arne and libretto by David Mallet and James Thomson. The work was initially devised as a masque in 1740 and was first performed at Cliveden, country home of Frederick, Prince of Wales, on 1 August 1740 to commemorate the accession of his grandfather George I and the birthday of the Princess Augusta. Arne later revised the work turning it into an all-sung oratorio in 1745 and then an opera in 1753. It is best known for its finale "Rule, Britannia!". Background and performance history Frederick, Prince of Wales made considerable efforts to demonstrate his British nationality and identity, to distinguish himself from his German father George II, with whom he was on very poor terms. Sleeve notes to McGegan recording on CD The masque ''Alfred'', to a text by David Mallet and James Thomson, was first performed at Frederick's country home at Cliveden on 1 August 1740. It was the ideal entertainment for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurydice
Eurydice (; Ancient Greek: Εὐρυδίκη 'wide justice') was a character in Greek mythology and the Auloniad wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Etymology Several meanings for the name ''Eurydice'' have been proposed such as "true judgement" or "profound judgement" from the Greek: ''eur dike''. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the latter etymological meaning. Adriana Cavarero, in the book ''Relating Narratives: Storytelling and Selfhood'', wrote that "the etymology of Eurydice seems rather to indicate, in the term ''eurus'', a vastness of space or power, which, joining to ''dike'' nd thus ''deiknumi'', to show designates her as 'the one who judges with breadth' or, perhaps, 'she who shows herself amply'". In some accounts, she was instead called Agriope, which means "savage face". Mythology Marriage to Orpheus, death and afterlife Eurydice was the Auloniad wife of musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mallet (writer)
David Mallet (or Malloch) ( 1705–1765) was a Scottish poet and dramatist. He was educated at the University of Edinburgh, and went to London in 1723 to work as a private tutor. There he became friendly with Alexander Pope, James Thomson, and other literary figures including Henry St John, Viscount Bolingbroke. His best-known work was written in the same year: '' William and Margaret'', adapted from a traditional ballad. In 1740, he collaborated with Thomson on a masque, ''Alfred'', which was the vehicle for "Rule, Britannia!". His other plays and poetry (e.g. ''Amyntor and Theodora''), popular at the time, are largely forgotten, but Bolingbroke's writings were edited and published by Mallet in 1754. Life Mallet was probably the second son of James Malloch of Dunruchan, a well-to-do tenant farmer on Lord Drummond's Perthshire estate, a Roman Catholic, and a member of the outlawed Clan MacGregor. The household suffered during the Jacobite Rebellion of 1715. Mallet gave his age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson (Handel)
''Samson'' ( HWV 57) is a three-act oratorio by George Frideric Handel, considered one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim" (for soprano), "Total eclipse" (for tenor) and "Let their celestial concerts" (the final chorus) are often performed separately in concert. Background and composition The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. His opportunities to set English texts to music had been more limited. He had spent the years 1717 to 1719 as composer in residence to the wealthy Duke of Chandos, where he had written church anthems and two stage works, '' Acis and Galatea'' and ''Esther''. He had composed vocal music to English words for various royal occasions, including a set of Coronation anthems for George II in 1727, which had made a huge impact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newburgh Hamilton
Newburgh Hamilton (1691–1761) was an Irish author and librettist. He was born in County Tyrone, Ireland (now Northern Ireland) and entered Trinity College, Dublin, in 1708, aged sixteen, but (as was common in those days) he left without obtaining a degree. He is known to have been George Frederick Handel's librettist for three works: '' Alexander's Feast'' (1736), ''Samson'' (1743) and the ''Occasional Oratorio'' (1746). In writing the libretto for Handel's ''Samson'' (1743), he followed John Milton's ''Samson Agonistes'' rather than creating it from the story found in the Book of Judges. His comedy ''The Petticoat-Plotter'' was presented at Drury Lane on 5 June 1712 and ''The Doating Lovers'' was premièred at Lincoln's Inn Fields Theatre on 23 June 1715. His work is discussed in Terence Tobin, ''Plays by Scots 1660-1800'' (University of Iowa Press, 1974) and by Adrienne Scullion in Bill Findlay, ''A History of Scottish Theatre'' (Edinburgh: Polygon, 1998) See also * Ale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Trotter
Catharine Trotter Cockburn (16 August 1679 – 11 May 1749) was an English novelist, dramatist, and philosopher. She wrote on moral philosophy, theological tracts, and had a voluminous correspondence. Trotter's work addresses a range of issues including necessity, the infinitude of space, and the substance, but she focuses on moral issues. She thought that moral principles are not innate, but discoverable by each individual through the use of the faculty of reason endowed by God. In 1702, she published her first major philosophical work, ''A Defence of Mr. Lock's ic.An Essay Concerning Human Understanding''. John Locke was so pleased with this defence that he made gifts of money and books to his young apologist acting through Elizabeth Burnet who had first made Locke aware of Trotter's "Defence". Her work attracted the attention of William Warburton, who prefaced her last philosophical work. She also had a request from the biographer Thomas Birch to aid him in compiling a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Poet
A national poet or national bard is a poet held by tradition and popular acclaim to represent the identity, beliefs and principles of a particular national culture. The national poet as culture hero is a long-standing symbol, to be distinguished from successive holders of a bureaucratically-appointed poet-laureate office. The idea and honoring of national poets emerged primarily during Romanticism, as a figure that helped consolidation of the nation states, as it provided validation of their ethno-linguistic groups. Most national poets are historic figures, though a few contemporary writers working in relatively new or revived national literatures are also considered "national poets." Though not formally elected, national poets play a role in shaping a country's understanding of itself. Some nations may have more than one national poet; the idea of a single one is always a simplification. It has been argued that a national poet "must write poetry that close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Burns
Robert Burns (25 January 175921 July 1796), also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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