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''Samson'' ( HWV 57) is a three-act
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
by George Frideric Handel, considered one of his finest dramatic works. It is usually performed as an oratorio in
concert A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variet ...
form, but on occasions has also been staged as an
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ...
. The well-known arias "Let the bright Seraphim" (for soprano), "Total eclipse" (for tenor) and "Let their celestial concerts" (the final chorus) are often performed separately in concert.


Background and composition

The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. His opportunities to set English texts to music had been more limited. He had spent the years 1717 to 1719 as composer in residence to the wealthy Duke of Chandos, where he had written church anthems and two stage works, '' Acis and Galatea'' and ''
Esther Esther is the eponymous heroine of the Book of Esther. In the Achaemenid Empire, the Persian king Ahasuerus seeks a new wife after his queen, Vashti, is deposed for disobeying him. Hadassah, a Jewess who goes by the name of Esther, is chose ...
''. He had composed vocal music to English words for various royal occasions, including a set of Coronation anthems for George II in 1727, which had made a huge impact. In 1731, a performance of the 1718 version of ''Esther'', a work in English based on a Biblical drama by
Jean Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradit ...
, was given in London without Handel's participation and had proved popular. He thus revised the work and planned to present it at the theatre where his Italian operas were being presented. However, the
Bishop of London A bishop is an ordained clergy member who is entrusted with a position of Episcopal polity, authority and oversight in a religious institution. In Christianity, bishops are normally responsible for the governance of dioceses. The role or offic ...
would not permit a drama based on a Biblical story to be acted out on the stage; Handel therefore presented ''Esther'' in concert form, thus giving birth to the English oratorio. ''Esther'' in its revised form proved a popular work, and Handel, though still continuing to focus on composition of Italian operas, followed it with two more sacred dramas with English words to be presented in concert form, ''
Deborah According to the Book of Judges, Deborah ( he, דְּבוֹרָה, ''Dəḇōrā'', "bee") was a prophetess of the God of the Israelites, the fourth Judge of pre-monarchic Israel and the only female judge mentioned in the Bible. Many scholars c ...
'', and '' Athalia'' (which, like ''Esther'', was also based on a Biblical drama by Racine), both in 1733. Such was the success of his oratorios in English that eventually Handel abandoned Italian opera, his last being Deidamia in 1741, and produced a string of masterpieces of oratorio in English. Handel began the composition of ''Samson'' immediately after completing ''
Messiah In Abrahamic religions, a messiah or messias (; , ; , ; ) is a saviour or liberator of a group of people. The concepts of '' mashiach'', messianism, and of a Messianic Age originated in Judaism, and in the Hebrew Bible, in which a ''mashiach ...
'' on 14 September 1741. It uses a libretto by Newburgh Hamilton, who based it on Milton's '' Samson Agonistes'', which in turn was based on the figure
Samson Samson (; , '' he, Šīmšōn, label= none'', "man of the sun") was the last of the judges of the ancient Israelites mentioned in the Book of Judges (chapters 13 to 16) and one of the last leaders who "judged" Israel before the institution ...
in Chapter 16 of the
Book of Judges The Book of Judges (, ') is the seventh book of the Hebrew Bible and the Christian Old Testament. In the narrative of the Hebrew Bible, it covers the time between the conquest described in the Book of Joshua and the establishment of a kingdom ...
. Handel completed the first act on 20 September 1741, the second act on 11 October that year, and the whole work on 29 October. Shortly after that he travelled to
Dublin Dublin (; , or ) is the capital and largest city of Ireland. On a bay at the mouth of the River Liffey, it is in the province of Leinster, bordered on the south by the Dublin Mountains, a part of the Wicklow Mountains range. At the 2016 ...
to put on the premiere of ''Messiah'', returning to London at the end of August 1742 and thoroughly revising ''Samson''. The
premiere A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its f ...
was given at
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist sit ...
in
London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...
on 18 February 1743, with the incidental organ music probably the recently completed concerto in A major (HWV 307). The oratorio was a great success, leading to a total of seven performances in its first season, the most in a single season of any of his oratorios. ''Samson'' retained its popularity throughout Handel's lifetime and has never fallen entirely out of favor since.


Premiere cast


Synopsis

Samson, Judge of Israel, married a
Philistine The Philistines ( he, פְּלִשְׁתִּים, Pəlīštīm; Koine Greek ( LXX): Φυλιστιείμ, romanized: ''Phulistieím'') were an ancient people who lived on the south coast of Canaan from the 12th century BC until 604 BC, when ...
woman, Dalila, who discovered that his supernatural strength derived from his never cutting his hair. Dalila shore his hair while he was sleeping and betrayed him to her people, the Philistines, enemy of the Israelites. The Philistines captured Samson and put his eyes out. The scene is set in front of the prison in
Gaza Gaza may refer to: Places Palestine * Gaza Strip, a Palestinian territory on the eastern coast of the Mediterranean Sea ** Gaza City, a city in the Gaza Strip ** Gaza Governorate, a governorate in the Gaza Strip Lebanon * Ghazzeh, a village in ...
. Since it is a festival day in honour of the Philistine god
Dagon Dagon ( he, דָּגוֹן, ''Dāgōn'') or Dagan ( sux, 2= dda-gan, ; phn, 𐤃𐤂𐤍, Dāgān) was a god worshipped in ancient Syria across the middle of the Euphrates, with primary temples located in Tuttul and Terqa, though many at ...
Samson is allowed to come out of his prison cell, albeit in chains, and receive visitors.


Act 1

The Philistines celebrate the holiday in honour of their god as Samson, blind and in chains, bewails his fate. Samson's friend Micah, allowed to visit on this special day, is appalled by how low their once invincible hero has fallen, seeing in Samson's humiliation a symbol of Israel's defeat, but Samson insists it is all his own fault for having been unable to keep the secret of his magical strength from the woman who betrayed him. Samson bitterly laments his loss of sight. Samson's father Manoah finds Samson and is shocked by his transformation. Samson longs for death, but is comforted by the Chorus of Israelites that he will triumph over death and time.


Act 2

Micah and the Israelites implore divine assistance as Samson still wishes to die. Dalila, with a group of young women, appears and tells Samson she is sorry for what she did and that she did not realise how serious the consequences would be. She attempts to convince him that she still loves him, but he angrily repudiates her. The Philistine Harapha comes to insult Samson, who challenges him to a duel. Harapha, however, reviles Samson, claiming it is beneath his dignity to fight with a blind man. Samson mocks him as a braggart. Micah proposes to measure the power of Dagon against that of the god of the Israelites. The Israelite and Philistine choruses both praise their God.


Act 3

Harapha arrives to take Samson to the feast of the Philistines and show him off there. Samson at first refuses to be present at the worship of Dagon, but then thinks of a plan and agrees to go to the festival, though he warns the Israelites to stay away from it. Manoah arrives with plans for the children of Israel, including how to free Samson. From a distance are heard the songs of the Philistines, calling on Dagon. Suddenly these sounds turn to noise and panic. An Israelite messenger arrives and tells the Israelites what has happened: Samson pulled down the building on himself and the Philistines. Samson's dead body is brought out to a funeral march and the children of Israel lament his death. The work ends on a note of thanksgiving as the Israelites praise their God.


Musical features

''Samson'' is richly orchestrated by the standards of its day, calling for strings, two oboes, two bassoons, two horns, two flutes, two trumpets, timpani and continuo instruments. Handel's characterisation through music is much in evidence throughout the work, not only in the music for soloists such as Dalila's would-be seductive aria with alluring violins or in the swagger of Harapha's music, but also in the choruses, with the solemn gravity of the Israelites' music sharply contrasted with the hedonistic carefree choruses with added horns for the Philistines.


Recordings


Bibliography

* Winton Dean: ''Handel's Dramatic Oratorios and Masques''. Clarendon, Oxford 1989, , (Originalausgabe: Oxford University Press, Oxford 1959) * Hans Joachim Marx: ''Händels Oratorien, Oden und Serenaten. Ein Kompendium''. Vandenhoeck & Ruprecht, Göttingen 1998, . * Albert Scheibler, Julia Evdokimova: ''Georg Friedrich Händel. Oratorien-Führer''. Edition Köln, Lohmar 1993, .


References


External links

* * Full-tex
libretto
online
Score
of ''Samson'' (ed.
Friedrich Chrysander Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pi ...
, Leipzig 1861) {{Authority control Oratorios by George Frideric Handel Samson 1741 compositions Oratorios based on the Bible