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Scharf-Gerstenberg Collection
The Scharf-Gerstenberg Collection (german: Sammlung Scharf-Gerstenberg) is an art museum in Berlin. Its collection of paintings, graphics and sculptures, spanning the period from French Romanticism to Surrealism, is currently housed in former rooms of the Egyptian Museum of Berlin, Egyptian Museum in Charlottenburg on a ten-year loan. It was founded in 2008, and is part of the National Gallery (Berlin), National Gallery of Berlin. The foundation The works on display are owned by the ''Foundation of the Dieter Scharf Collection in Remembrance of Otto Gerstenberg''. Otto Gerstenberg was an early 20th-century Berlin art collector, whose collection was partly destroyed and partly seized as Looting, plunder (ending up in Russian museums) during the Second World War, war. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ls Aegypt Museum
LS may refer to: Businesses * LS Group, a Korean company * Jet2.com (IATA code: LS), a British airline Latin * Lewis and Short (abbr. "L&S"), authors of the 1879 work ''A Latin Dictionary'' * List_of_Latin_phrases:_L, Lectori Salutem (L.S.), Latin for 'Greetings Reader' and used as opening words to a letter * ''locus sigilli'', Latin for 'place of the seal', used in notarized and legal documents; see: Seal (contract law) Organizations * Liberal Party of Croatia ( hr, Liberalna stranka or LS), a Croatian political party active from 1998–2006 * Lincoln-Sudbury Regional High School, Massachusetts, US * Lok Sabha, the lower house of the Parliament of India * Loyola Schools, the college unit of the Ateneo de Manila University in Quezon City, Philippines Places * Lesotho (ISO 3166-1 country code: LS), a country in southern Africa * LS postcode area, UK, covering Leeds * County Laois, Ireland Science, technology, and mathematics Astronomy * Light-second (ls), a unit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Piranesi
Giovanni Battista (or Giambattista) Piranesi (; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian Classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons" (''Carceri d'invenzione''). He was the father of Francesco Piranesi, Laura Piranesi and . Biography Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in ''Magistrato delle Acque'', the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Meryon
Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum. Meryon's mother was a dancer at the Paris Opera, who moved to London around 1814 to dance there. In 1818 she had a daughter by Viscount Lowther, the future William Lowther, 2nd Earl of Lonsdale, a wealthy aristocrat and politician, and 1821 Charles Meryon by Dr Charles Lewis Meryon, an English doctor, returning to Paris for the birth, and remaining there for the rest of her life. The household in Paris was supported financially by both fathers, but more so by Lowther, whose indirect funding remained important throughout Meryon's l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Klinger
Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil (Youth Style) the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled '' Paraphrase on the Finding of a Glove'' and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.Delevoy, Robert L. (1978) ''Symbolists and Symbolism''. Skira/Rizzoli International Publications, Inc., New York, 247 pp. Cassou, Jean (1979) ''The Concise Encyclopedia of Symbolism''. Chartwell Books, Inc., Secaucus, New Jersey, 292 pp Life Klinger was born in Leipzig, Germany to a wealthy and prominent family. He enrolled in the Academy of Fine Arts in Karlsruhe in 1874 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Hugo
Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the greatest French writers of all time. His most famous works are the novels ''The Hunchback of Notre-Dame'' (1831) and ''Les Misérables'' (1862). In France, Hugo is renowned for his poetry collections, such as (''The Contemplations'') and (''The Legend of the Ages''). Hugo was at the forefront of the Romanticism, Romantic literary movement with his play ''Cromwell (play), Cromwell'' and drama ''Hernani (drama), Hernani''. Many of his works have inspired music, both during his lifetime and after his death, including the opera ''Rigoletto'' and the musicals ''Les Misérables (musical), Les Misérables'' and ''Notre-Dame de Paris (musical), Notre-Dame de Paris''. He produced more than 4,000 drawings in his lifetime, and campaigned for social cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardes Du Corps (Prussia)
The Gardes du Corps (''Regiment der Gardes du Corps'') was the personal bodyguard of the king of Prussia and, after 1871, of the German emperor (in German, the ''Kaiser''). The unit was founded in 1740 by Frederick the Great. Its first commander was Friedrich von Blumenthal, who died unexpectedly in 1745; his brother Hans von Blumenthal, who, with the other officers of the regiment had won the ''Pour le Mérite'' in its first action at the battle of Hohenfriedberg, assumed command in 1747. Hans von Blumenthal was badly wounded leading the regiment in a successful cavalry charge in the battle of Lobositz and had to retire from the military. Initially, the Regiment was used in part as a training unit for officers as part of a programme of expansion of the cavalry. Early officers included the rake and memoirist Friedrich von der Trenck, who described the arduous life of sleep deprivation and physical stress endured by officers, as well as the huge cost of belonging to the unit (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich August Stüler
Friedrich August Stüler (28 January 1800 – 18 March 1865) was an influential Prussian architect and builder. His masterpiece is the Neues Museum in Berlin, as well as the dome of the triumphal arch of the main portal of the Berliner Schloss. Life Stüler was born on 28 January 1800 in Mühlhausen. In 1818 he started studying architecture and became a student of Karl Friedrich Schinkel in Berlin. After travelling to France and Italy together with Eduard Knoblauch in 1829 and 1830 and to Russia together with Heinrich Strack in 1831, Stüler became ''Hofbauinspektor'' (Royal Buildings Inspector), ''Hofbaurat'' (Royal privy councillor for buildings) and director of the commission for the building of the Berliner Stadtschloss in 1832. In 1837, he planned the rebuilding of the Winter Palace in Saint Petersburg, but failed to realise these plans because Tsar Nicholas I of Russia decided to rebuild the original Baroque/Rococo palace instead of Stülers Neo-Renaissance concept. Stüle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
