Scanderberg (Francoeur And Rebel)
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Scanderberg (Francoeur And Rebel)
''Scanderberg'' is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique (the Paris Opera) on 27 October 1735. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Antoine Houdar de La Motte and Jean-Louis-Ignace de La Serre, is based on the life of the Albanian patriot Skanderbeg, who led the resistance against the Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ... in the 15th century. External links Libretto at "Livrets baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 p. 608. French-language operas Tragédies en musique Operas Operas set in the 15th century Operas set in Europe Operas set in Albania Ope ...
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François Francoeur
François Francœur (8 September 1698 – 5 August 1787) was a French composer and violinist. Biography François Francœur was born in Paris, the son of Joseph Francœur, a basse de violon player and member of the '' 24 violons du roy''. Francœur was instructed in music by his father and joined the Académie Royale de Musique as a violinist at age 15. After travel and performances in the principal European culture centres, he returned to Paris as a member of the Concert Spirituel. Francœur was appointed to the ''24 violons du roy'' in 1730 and ''Maître de musique'' (music instructor) to the Opera in 1739. In 1744, he and François Rebel, his lifelong colleague and friend, were appointed ''inspecteurs musicaux'' (music directors) of the Paris Opéra—centre of the French music world—becoming responsible for all phases of its management in 1757. Rebel and Francœur faced numerous challenges in their joint roles, including a large financial deficit, lack of discipline, as wel ...
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Cultural Depictions Of Skanderbeg
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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Operas Based On Real People
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Operas Set In Albania
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas Set In Europe
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ...
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Operas Set In The 15th Century
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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François Rebel
François Rebel (19 June 17017 November 1775) was a French composer of the Baroque era. Born in Paris, the son of the leading composer Jean-Féry Rebel, he was a child prodigy who became a violinist in the orchestra of the Paris Opera at the age of 13. As a composer he is best known for his close collaboration with François Francoeur François Francœur (8 September 1698 – 5 August 1787) was a French composer and violinist. Biography François Francœur was born in Paris, the son of Joseph Francœur, a basse de violon player and member of the '' 24 violons du roy''. Franc ... (see that page for further details of their works). Selected recordings * Zélindor, roi des Sylphes Sources *''The Viking Opera Guide'' ed. Holden (1993) External links Biography at hoasm.org* 1701 births 1775 deaths Musicians from Paris French male classical composers French opera composers Male opera composers French Baroque composers French theatre managers and producers Opera manage ...
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Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ...
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Skanderbeg
, reign = 28 November 1443 – 17 January 1468 , predecessor = Gjon Kastrioti , successor = Gjon Kastrioti II , spouse = Donika Arianiti , issue = Gjon Kastrioti II , royal house = Kastrioti , father = Gjon Kastrioti , mother = Voisava Kastrioti , birth_name = Gjergj ( see Name) , birth_date = 1405 , birth_place = Principality of Kastrioti , death_date = 17 January 1468 (aged 62) , death_place = Alessio, Republic of Venice , place of burial = Church of Saint Nicholas, Lezhë , religion = Islam Catholicism , occupation = Lord of the Principality of Kastrioti, , signature = Dorëshkrimi i Skënderbeut.svg Gjergj Kastrioti ( la, Georgius Castriota; it, Giorgio Castriota; 1405 – 17 January 1468), commonly known as Skanderbeg ( sq, Skënderbeu or ''Skënderbej'', from ota, اسکندر بگ, İskender Bey; it, Scanderbeg), was an Albanian feudal lord and military commander who led a rebellion ag ...
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