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Scanderberg
''Scanderberg'' is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique (the Paris Opera) on 27 October 1735. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Antoine Houdar de La Motte and Jean-Louis-Ignace de La Serre, is based on the life of the Albanian patriot Skanderbeg, who led the resistance against the Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ... in the 15th century. External links Libretto at "Livrets baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 p. 608. French-language operas Tragédies en musique Operas Operas set in the 15th century Operas set in Europe Albania in fiction Operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skanderbeg
, reign = 28 November 1443 – 17 January 1468 , predecessor = Gjon Kastrioti , successor = Gjon Kastrioti II , spouse = Donika Arianiti , issue = Gjon Kastrioti II , royal house = Kastrioti , father = Gjon Kastrioti , mother = Voisava Kastrioti , birth_name = Gjergj ( see Name) , birth_date = 1405 , birth_place = Principality of Kastrioti , death_date = 17 January 1468 (aged 62) , death_place = Alessio, Republic of Venice , place of burial = Church of Saint Nicholas, Lezhë , religion = Islam Catholicism , occupation = Lord of the Principality of Kastrioti, , signature = Dorëshkrimi i Skënderbeut.svg Gjergj Kastrioti ( la, Georgius Castriota; it, Giorgio Castriota; 1405 – 17 January 1468), commonly known as Skanderbeg ( sq, Skënderbeu or ''Skënderbej'', from ota, اسکندر بگ, İskender Bey; it, Scanderbeg), was an Albanian feudal lord and military commander who led a rebellion ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Francoeur
François Francœur (8 September 1698 – 5 August 1787) was a French composer and violinist. Biography François Francœur was born in Paris, the son of Joseph Francœur, a basse de violon player and member of the '' 24 violons du roy''. Francœur was instructed in music by his father and joined the Académie Royale de Musique as a violinist at age 15. After travel and performances in the principal European culture centres, he returned to Paris as a member of the Concert Spirituel. Francœur was appointed to the ''24 violons du roy'' in 1730 and ''Maître de musique'' (music instructor) to the Opera in 1739. In 1744, he and François Rebel, his lifelong colleague and friend, were appointed ''inspecteurs musicaux'' (music directors) of the Paris Opéra—centre of the French music world—becoming responsible for all phases of its management in 1757. Rebel and Francœur faced numerous challenges in their joint roles, including a large financial deficit, lack of discipline, as wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Houdar De La Motte
Antoine Houdar de la Motte (18 January 167226 December 1731) was a French author. De la Motte was born and died in Paris. In 1693 his comedy, ''Les Originaux'' (Les originaux, ou, l'Italien), was a complete failure, and so depressed the author that he contemplated joining the Trappists. Four years later he began writing texts for operas and ballets, e.g. ''L'Europe galante'' (1697), and tragedies, one of which, ''Inès de Castro'' (1723), was an immense success at the Theâtre Français. He was a champion of the moderns in the revived controversy of the ancients and moderns. His ''Fables nouvelles'' (1719) was regarded as a modernist manifesto. Anne Dacier had published (1699) a translation of the ''Iliad'', and La Motte, who knew no Greek, made a translation (1714) in verse founded on her work. He said of his own work: "I have taken the liberty to change what I thought disagreeable in it." He defended the moderns in the ''Discours sur Homère'' prefixed to his translation, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis-Ignace De La Serre
Jean-Louis-Ignace de La Serre, sieur de Langlade, was an 18th-century French novelist and playwright born in Cahors in 1662 and died 30 September 1756. Royal censor, he authored a biography of Molière. He was wrongly attributed some works by Marguerite de Lussan. Works Librettos *1706: ''Polyxène et Pirrhus'' by Pascal Collasse *1710: '' Diomède'' by Toussaint Bertin de la Doué *1723: '' Pirithoüs'' by Jean-Joseph Mouret *1726: '' Pirame et Thisbé'' by François Francoeur and François Rebel *1735: ''Scanderberg'' by François Francoeur and François Rebel *1741: ''Nitétis'' by Charles-Louis Mion Other *1727: ''Hippalque, prince scythe'' *1728: ''Amosis, prince égyptien'' *1734: ''Mémoire sur la vie et les ouvrages de Molière'', in ''Œuvres'' de Molière, in-4°, tome VII Bibliography * Cardinal Georges Grente Georges-François-Xavier-Marie Grente (5 May 1872 – 5 May 1959) was a French Cardinal of the Roman Catholic Church. He served as Archbishop of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In The 15th Century
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of Skanderbeg
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Real People
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albania In Fiction
Albania ( ; sq, Shqipëri or ), or , also or . officially the Republic of Albania ( sq, Republika e Shqipërisë), is a country in Southeastern Europe. It is located on the Adriatic and Ionian Seas within the Mediterranean Sea and shares land borders with Montenegro to the northwest, Kosovo to the northeast, North Macedonia to the east and Greece to the south. Tirana is its capital and largest city, followed by Durrës, Vlorë, and Shkodër. Albania displays varied climatic, geological, hydrological, and morphological conditions, defined in an area of . It possesses significant diversity with the landscape ranging from the snow-capped mountains in the Albanian Alps as well as the Korab, Skanderbeg, Pindus and Ceraunian Mountains to the hot and sunny coasts of the Albanian Adriatic and Ionian Sea along the Mediterranean Sea. Albania has been inhabited by different civilisations over time, such as the Illyrians, Thracians, Greeks, Romans, Byzantines, Venetians, and Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In Europe
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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