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Sauguet
Henri-Pierre Sauguet-Poupard (18 May 1901 – 22 June 1989) was a French composer. Born in Bordeaux, he adopted his mother's maiden name as part of his professional pseudonym. His output includes operas, ballets, four symphonies (1945, 1949, 1955, 1971), concertos, chamber and choral music and numerous songs, as well as film music. Although he experimented with musique concrète and expanded tonality, he remained opposed to particular systems and his music evolved little: he developed tonal or modal ideas in smooth curves, producing an art of clarity, simplicity and restraint. Career Sauguet started learning the piano at home when he was five years old. Later he was taught by the organist of the church of Sainte-Eulalie de Bordeaux. On the mobilization of his father in 1914, he was required to earn a living at a very young age. Eventually employed by the Prefecture of Montauban in 1919–1920, he formed a friendship with Joseph Canteloube, a former pupil of Vincent d'Indy. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sauguet02-gr
Henri-Pierre Sauguet-Poupard (18 May 1901 – 22 June 1989) was a French composer. Born in Bordeaux, he adopted his mother's maiden name as part of his professional pseudonym. His output includes operas, ballets, four symphonies (1945, 1949, 1955, 1971), concertos, chamber and choral music and numerous songs, as well as film music. Although he experimented with musique concrète and expanded tonality, he remained opposed to particular systems and his music evolved little: he developed tonal or modal ideas in smooth curves, producing an art of clarity, simplicity and restraint. Career Sauguet started learning the piano at home when he was five years old. Later he was taught by the organist of the church of Sainte-Eulalie de Bordeaux. On the mobilization of his father in 1914, he was required to earn a living at a very young age. Eventually employed by the Prefecture of Montauban in 1919–1920, he formed a friendship with Joseph Canteloube, a former pupil of Vincent d'Indy. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Chartreuse De Parme (opera)
' is a four-act opera in eleven tableaux by Henri Sauguet with a French libretto by Armand Lunel after the 1839 novel of the same name by Stendhal. The composer's third opera, and his first on a serious subject, it was first performed at the Paris Opera in 1939 Hoérée Arthur & Langham Smith R. Henri Sauguet. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. but has not entered the repertoire. Background Armand Lunel was a teacher of philosophy in a lycée in Monaco who also carved out a career as a writer. As well as novels, he also wrote operatic libretti.Klotz, Roger. ''La chartreuse de Parme'' de Henri Sauguet et d'Armand Lunel. ''Recherches Régionales – Alpes-Maritimes et Contrées limitrophes.'' N° 166 (8-page article), Nice 2003. In 1923 he had written the libretto of ''Les Malheurs d'Orphée'' for his friend Darius Milhaud, followed by ''Esther de Carpentras''. Sauguet was introduced to Lunel by Milhaud at the time of the premiere of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Six
"Les Six" () is a name given to a group of six composers, five of them French and one Swiss, who lived and worked in Montparnasse. The name, inspired by Mily Balakirev's '' The Five'', originates in two 1920 articles by critic Henri Collet in '' Comœdia'', (see Bibliography). Their music is often seen as a neoclassic reaction against both the musical style of Richard Wagner and the impressionist music of Claude Debussy and Maurice Ravel. The members were Georges Auric (1899–1983), Louis Durey (1888–1979), Arthur Honegger (1892–1955), Darius Milhaud (1892–1974), Francis Poulenc (1899–1963), and Germaine Tailleferre (1892–1983). ' In 1917, when many theatres and concert halls were closed because of World War I, Blaise Cendrars and the painter Moïse Kisling decided to put on concerts at 6 , the studio of the painter Émile Lejeune (1885–1964). For the first of these events, the walls of the studio were decorated with canvases by Picasso, Matisse, Léger, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Charterhouse Of Parma
''The Charterhouse of Parma'' (french: La Chartreuse de Parme, links=no) is a novel by Stendhal published in 1839. Telling the story of an Italian nobleman in the Napoleonic era and later, it was admired by Honoré de Balzac, Balzac, Leo Tolstoy, Tolstoy, André Gide, Giuseppe Tomasi di Lampedusa, di Lampedusa and Henry James. It was inspired by an inauthentic Italian account of the dissolute youth of Pope Paul III, Alessandro Farnese. The novel has been adapted for opera, film and television. The title refers to a Carthusian monastery, which is only mentioned on the last page of the novel and does not figure significantly in the plot. Plot summary ''The Charterhouse of Parma'' chronicles the adventures of the young Italian nobleman Fabrice del Dongo from his birth in 1798 to his death. Fabrice spends his early years in his family's castle on Lake Como, while most of the rest of the novel is set in a fictionalized Parma (both locations are in modern-day Italy). The book begins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely reinvigorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxime Jacob
Maxime Jacob, or Dom Clément Jacob, (13 January 1906 in Bordeaux – 26 February 1977 in Abbaye En-Calcat, Dourgne, Tarn) was a French composer and organist. Biography Jacob studied at the Paris Conservatory with Charles Koechlin and André Gedalge; an admirer of Darius Milhaud and Erik Satie, he was a member of the École d'Arcueil, a group of young composers sponsored by Satie after his rupture with his previous group of protégés, Les Six. Other members of this short-lived group included Henri Cliquet-Pleyel, Henri Sauguet and Roger Désormière. In 1927, Jacob worked with Antonin Artaud at the '' Théâtre Alfred Jarry'' composing the score for his production of V''entre brûlé; ou La Mère folle'' (1927)''.'':252 In 1929, Jacob converted from Judaism to Catholicism (influenced by Jacques Maritain) and became a Benedictine monk. He would go on to study organ with Maurice Duruflé, as well as Gregorian chant. Jacob also published two books, ''L'art et la grâce'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Désormière
Roger Désormière () (13 September 1898 – 25 October 1963) was a French conductor. He was an enthusiastic champion of contemporary composers, but also conducted performances of early eighteenth century French music. Life and career Désormière was born in Vichy in 1898. He studied at the Paris Conservatoire, where his professors included Philippe Gaubert (flute), Xavier Leroux and Charles Koechlin (composition), and Vincent d'Indy (conducting). In 1922 he won the Prix Blumenthal and in 1923 became part of the Ecole d’Arcueil. Désormière's early conducting experience was largely with the Ballets suédois and Sergei Diaghilev's Ballets Russes. He was conductor of the Ballets suédois's premiere of '' Relâche'' (1924), a film and music presentation by Francis Picabia and Erik Satie, with the film segment, ''Entr'acte'', directed by René Clair. He then worked for the Diaghilev company from 1925 until the impresario's death, conducting the premieres of ''Barabau'' by Vittorio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Koechlin
Charles-Louis-Eugène Koechlin (; 27 November 186731 December 1950), commonly known as Charles Koechlin, was a French composer, teacher and musicologist. He was a political radical all his life and a passionate enthusiast for such diverse things as medieval music, ''The Jungle Book'' of Rudyard Kipling, Johann Sebastian Bach, film stars (especially Lilian Harvey and Ginger Rogers), traveling, stereoscopic photography and socialism. He once said: "The artist needs an ivory tower, not as an escape from the world, but as a place where he can view the world and be himself. This tower is for the artist like a lighthouse shining out across the world." Among his better known works is ''Les Heures persanes'', a set of piano pieces based on the novel ''Vers Ispahan'' by Pierre Loti and The Seven Stars Symphony, a 7 movement symphony where each movement is themed around a different film star (all Silent era stars) who were popular at the time of the piece's writing (1933). Life Charles Koe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous. In Hesiod's ''Theogony'', Aphrodite is born off the coast of Cythera from the foam (, ) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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