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Satanic Film
A Satanic film is a subgenre of horror film, and at times other film genres, that involves the Devil as a concept or a character. Common themes/characters in Satanic film include the Antichrist, demonic possession, exorcism, and witchcraft. List of Satanic films pre-1960s } a.k.a. ''A Bargain with Satan'', , Stellan Rye , , Paul Wegener John Gottowt Grete Berger, , 1913 , , German Empire , , based on " William Wilson" and Faust legend. , - , ''Rapsodia satanica'' , , Nino Oxilia , , Lyda Borelli , , 1915 , , Italy , , , - , ''Faust'' (German: ''Faust – Eine deutsche Volkssage'') , , F. W. Murnau , , Gösta EkmanEmil JanningsCamilla Horn , , 1926 , , Weimar Republic , , , - , ''Häxan'' (''Witchcraft Through the Ages'') , , Benjamin Christensen , , Benjamin ChristensenClara PontoppidanOscar Stribolt , , 1929 , , SwedenDenmark , , Pilkington, Mark ''Haxan: Witchcraft Through the Ages'' Fortean Times, Dennis Publishing Ltd., October 2007 ...
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Satanic (other)
Satanic may refer to: * Satan * Satanism * ''Satanic'' (2006 film), a 2006 American horror film * ''Satanic'' (2016 film), a 2016 American horror film * Operation Satanic, when the DGSE bombed the Rainbow Warrior in Auckland Harbour See also * * * * Satan (other) * Satanic panic (other) * Satanic verses (other) * Satanism (other) * Satanist (other) A Satanist is an adherent of Satanism. Satanist may also refer to: Literature * ''The Satanist'' (Wheatley novel), a 1960 spy horror novel by Dennis Wheatley *''The Satanist'', a 1912 gothic novel by Mrs Hugh Fraser Music * ''The Satanist'' (al ...
{{disambiguation ...
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The Damnation Of Faust (film)
''Faust aux enfers'', released in the United States as ''The Damnation of Faust'' and in Britain as ''The Condemnation of Faust'', is a 1903 French short silent film directed by Georges Méliès. Production Méliès had previously filmed two other adaptations of the Faust legend: '' Faust and Marguerite'' (1897) and '' Damnation of Faust'' (1898). The 1903 ''Damnation of Faust'' was his third version. In 1904, he would make a fourth and last straightforward adaptation, '' Faust and Marguerite'', but his later films '' The Merry Frolics of Satan'' (1905) and '' The Knight of the Snows'' (1912) are also inspired by the legend. According to Méliès's American catalogue, the direct inspiration for the 1903 version was Hector Berlioz's musical work ''La damnation de Faust''. Méliès plays Mephistopheles in the film. The dancing masked demons have the same costumes as those in '' The Infernal Cake Walk'', a Méliès film made earlier in 1903. The elaborate painted scenery for the f ...
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Gösta Ekman (senior)
Frans Gösta Viktor Ekman (28 December 1890 – 12 January 1938) was a Swedish actor, director and singer. Generally spoken of as Swedish theatre's most legendary stage actor, Gösta Ekman enjoyed a prolific stage career during his short life, becoming the first real star of Swedish theatre. His boyish good looks attracted both sexes, helping to create a massive cult following and elevating him to the status of a living legend. Combined with a beautiful voice and a powerful stage presence, Ekman was able to captivate his audiences. Biography Career He was known as a self-taught master of disguise with theatre make-up and costumes, Gösta Ekman was equally convincing as a farmer's son, an 18th-century middle-aged aristocrat, or an 80-year-old lunatic. His talent allowed him to act in comedies, tragedies, dramas, and operettas. He was convincing in all genres and as all types of characters. At different times, he also ran and supervised several private theatres in Stockholm, ...
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Faust (1926 Film)
''Faust – A German Folktale'' (German: ) is a 1926 silent film produced by Ufa, directed by F. W. Murnau, starring Gösta Ekman as Faust, Emil Jannings as Mephisto, Camilla Horn as Gretchen/Marguerite, Frida Richard as her mother, Wilhelm Dieterle as her brother and Yvette Guilbert as Marthe Schwerdtlein, her aunt. Murnau's film draws on older traditions of the legendary tale of Faust as well as on Goethe's classic 1808 version. Ufa wanted Ludwig Berger to direct ''Faust'', as Murnau was engaged with ''Variety''; Murnau pressured the producer and, backed by Jannings, eventually persuaded Erich Pommer to let him direct the film. ''Faust'' was Murnau's last German film, and directly afterward he moved to the US under contract to William Fox to direct '' Sunrise: A Song of Two Humans'' (1927); when the film premiered in the Ufa-Palast am Zoo in Berlin, Murnau was already shooting in Hollywood. It has been praised for its special effects and is regarded as an example of Germa ...
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Lyda Borelli
Lyda Cini, Countess of Monselice (née Borelli, 22 March 1884 – 2 June 1959) was an Italian actress of cinema and theatre. Her career in theatre started when she was a child, acting on stage with Paola Pezzaglia in the French drama ''I due derelitti''. Biography Lyda Borelli was born on 22 March 1884, the second child to stage actors Napoleone Borelli and Cesira Banti Borelli. She had an older sister, Alda (1879–1964), who also became an actress. Borelli made her stage debut in 1902, and, by the age of 18, she was already receiving lead roles and had become a favorite actress of Gabriele D’Annunzio. In 1904, she starred in D’Annunzio's La Figlia di Jorio, and D'Annunzio dedicated his books ''Il ferro'' and ''Più che l’amore'' to her. By 1908, Borelli was considered a fashion icon; Borellismo and Borelleggiare both became terms used to describe how women tried to pose, dress, and move like Lyda Borelli. In 1913, Borelli made her film debut in '' Ma l'amor ...
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Nino Oxilia
Nino Oxilia (13 November 1889 – 18 November 1917) was an Italian playwright, screenwriter and film director.Moliterno p. 258 His 1911 play '' Goodbye Youth'' was turned into several films. He also wrote the first lyrics for the song "Giovinezza" in 1909. He died in combat during the First World War. Selected filmography * '' Blue Blood'' (1914) * ''Rapsodia satanica ''Rapsodia Satanica'' is a 1915 Italian silent film directed by Nino Oxilia featuring Lyda Borelli in a female version of Faust based on poems by . Pietro Mascagni wrote his only film music for the film and conducted the first performance in Ju ...'' (1915) * '' Flower of Evil'' (1915) References Bibliography * Moliterno, Gino: ''The A to Z of Italian Cinema''. Scarecrow Press, 2009. External links * 1889 births 1917 deaths 20th-century Italian male writers 20th-century Italian screenwriters Italian film directors Italian male screenwriters Italian military personnel killed in World War ...
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Rapsodia Satanica
''Rapsodia Satanica'' is a 1915 Italian silent film directed by Nino Oxilia featuring Lyda Borelli in a female version of Faust based on poems by . Pietro Mascagni wrote his only film music for the film and conducted the first performance in July 1917. Mascagni was keen to take commission for the film music due to the financial burden of supporting two sickening brothers.Alan Mallach ''Pietro Mascagni and His Operas'' 2002 1555535240 -Page 214 "With few other immediate sources of income at hand, the forty-five thousand lire from Cines for Rapsodia satanica, as well as the fifty thousand promised for a second film score, were much on his mind." The French-German TV channel Arte restored the film in 2006 and Staatsphilharmonie Rheinland-Pfalz, conducted by Frank Strobel recorded Mascagni's score. Cast * Lyda Borelli as Contessa Alba d'Oltrevita * Andrea Habay Andrea Habay (1883–1941) was a French film actor. Habay appeared in more forty films during the silent era, mostly in ...
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William Wilson (short Story)
"William Wilson" is a short story by American writer Edgar Allan Poe, first published in 1839, with a setting inspired by Poe's formative years on the outskirts of London. The tale features a doppelgänger. It also appeared in the 1840 collection ''Tales of the Grotesque and Arabesque'', and has been adapted several times. Plot summary The story follows a man of "a noble descent" who calls himself William Wilson because, although denouncing his profligate past, he does not accept full blame for his actions, saying that "man was never thus ... tempted before". After several paragraphs, the narration then segues into a description of Wilson's boyhood, which is spent in a school "in a misty-looking village of England". William meets another boy in his school who has the same name and roughly the same appearance, and who was even born on the same date (January 19, Poe's own birthday). William's name (he asserts that his actual name is only similar to "William Wilson") embarrasses h ...
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German Empire
The German Empire (),Herbert Tuttle wrote in September 1881 that the term "Reich" does not literally connote an empire as has been commonly assumed by English-speaking people. The term literally denotes an empire – particularly a hereditary empire led by an emperor, although has been used in German to denote the Roman Empire because it had a weak hereditary tradition. In the case of the German Empire, the official name was , which is properly translated as "German Empire" because the official position of head of state in the constitution of the German Empire was officially a "presidency" of a confederation of German states led by the King of Prussia who would assume "the title of German Emperor" as referring to the German people, but was not emperor of Germany as in an emperor of a state. –The German Empire" ''Harper's New Monthly Magazine''. vol. 63, issue 376, pp. 591–603; here p. 593. also referred to as Imperial Germany, the Second Reich, as well as simply Germany, ...
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Grete Berger
Grete Berger (born Margarethe Berg; 11 February 1883 – 23 May 1944) was an Austrian-German stage and film actress whose career came to an end following the rise of the Nazi Party in 1933. Berger was murdered at Auschwitz concentration camp in 1944 shortly after her arrival. Career Grete Berger was born Margarethe Berg into a Jewish family in Austrian Silesia. She began her education under acting teacher Rosa Roth in Vienna. She made her stage debut on 1 September 1903 in Berlin at the Deutsches Theater. In 1904 she began an engagement at the Deutsches Theater under theatre director and pedagogue Max Reinhardt where she performed in youthful character roles. In 1911 she performed with Reinhardt's ensemble in Sophocles's ''Oedipus Rex'' on guest tours of Prague and St. Petersburg. Other notable roles in Berlin included Puck in Shakespeare's ''A Midsummer Night's Dream'', the title role of Hugo von Hofmannsthal's drama '' Elektra'', Désirée in Richard Beer-Hofmann's ''The Cou ...
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John Gottowt
John Gottowt (15 June 1881 – 29 August 1942) was an Austrian actor, stage director and film director for theatres and silent movies. He was born as Isidor Gesang in Lemberg, Austria-Hungary (present-day Lviv, Ukraine) into a Jewish family. After his education in Vienna, he joined the Deutsches Theater in Berlin in 1905, working for Max Reinhardt as an actor and director. Gottowt was mainly active in different theatres in Berlin as a character actor and director. His first silent film appearance was in Paul Wegener’s '' Der Student von Prag'' ("The Student of Prague") (1913). In 1920 he appeared in Robert Wiene's '' Genuine'' and took the main role in the early science fiction film ''Algol''. In 1921 he played Professor Bulwer (Abraham van Helsing) in the classic silent film ''Nosferatu'' directed by F.W. Murnau. Gottowt made also several films with his brother-in-law Henrik Galeen but, as a Jew, was banned in 1933 from working as a professional actor. After a few years in ...
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Paul Wegener
Paul Wegener (11 December 1874 – 13 September 1948) was a German actor, writer, and film director known for his pioneering role in German expressionist cinema. Acting career At the age of 20, Wegener decided to end his law studies and concentrate on acting, touring the provinces before joining Max Reinhardt's acting troupe in 1906. In 1912, he turned to the new medium of motion pictures and appeared in the 1913 version of '' The Student of Prague''. It was while making this film that he first heard the old Jewish legend of the Golem and proceeded to adapt the story to film, co-directing and co-writing the script with Henrik Galeen. His first version of the tale '' The Golem'' (1915, now lost) was a success and firmly established Wegener's reputation. In 1917, he made a parody of the story called ''Der Golem und die Tänzerin'', but it was his reworking of the tale, '' The Golem: How He Came into the World'' (1920) which stands as one of the classics of German cinema and help ...
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