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Saruman
Saruman, also called Saruman the White, is a fictional character of J. R. R. Tolkien's fantasy novel ''The Lord of the Rings''. He is leader of the Istari, wizards sent to Middle-earth in human form by the godlike Valar to challenge Sauron, the main antagonist of the novel, but eventually he desires Sauron's power for himself and tries to take over Middle-earth by force from his base at Isengard. His schemes feature prominently in the second volume, ''The Two Towers''; he appears briefly at the end of the third volume, ''The Return of the King''. His earlier history is summarized in the posthumously published ''The Silmarillion'' and ''Unfinished Tales''. Saruman is one of several characters in the book illustrating the corruption of power; his desire for knowledge and order leads to his fall, and he rejects the chance of redemption when it is offered. The name ''Saruman'' () means "man of skill or cunning" in the Mercian dialect of Anglo-Saxon; he serves as an example of te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orthanc
In J. R. R. Tolkien's fantasy writings, Isengard () is a large fortress in Nan Curunír, the Wizard's Vale, in the western part of Middle-earth. In the fantasy world, the name of the fortress is described as a translation of Angrenost, a word in the elvish language, Sindarin, that Tolkien invented. (In fact it is an Old English word meaning "iron enclosure".) In ''The Lord of the Rings'', Orthanc, a tower at the centre of Isengard, is the home of the Wizard Saruman. He had been ensnared by the Dark Lord Sauron through the tower's '' palantír'', a far-seeing crystal ball able to communicate with others like it. Saruman had bred Orcs in Isengard, in imitation of Sauron's forces, to be ready for war with Rohan. The Orcs cut down many trees in the forest of the Ents, who retaliated by destroying Isengard while the army of Orcs was away attacking Rohan at Helm's Deep. However, the Ents were unable to harm the tower of Orthanc. Saruman, isolated in the tower, was visited by some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isengard
In J. R. R. Tolkien's fantasy writings, Isengard () is a large fortress in Nan Curunír, the Wizard's Vale, in the western part of Middle-earth. In the fantasy world, the name of the fortress is described as a translation of Angrenost, a word in the elvish language, Sindarin, that Tolkien invented. (In fact it is an Old English word meaning "iron enclosure".) In ''The Lord of the Rings'', Orthanc, a tower at the centre of Isengard, is the home of the Wizard Saruman. He had been ensnared by the Dark Lord Sauron through the tower's '' palantír'', a far-seeing crystal ball able to communicate with others like it. Saruman had bred Orcs in Isengard, in imitation of Sauron's forces, to be ready for war with Rohan. The Orcs cut down many trees in the forest of the Ents, who retaliated by destroying Isengard while the army of Orcs was away attacking Rohan at Helm's Deep. However, the Ents were unable to harm the tower of Orthanc. Saruman, isolated in the tower, was visited by some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wizard (Middle-earth)
The Wizards or Istari in J. R. R. Tolkien's fiction were powerful angelic beings, Maiar, who took the form of Men to intervene in the affairs of Middle-earth in the Third Age, after catastrophically violent direct interventions by the Valar, and indeed by the one god Eru Ilúvatar, in the earlier ages. Two Wizards, Gandalf the Grey and Saruman the White, largely represent the order, though a third Wizard, Radagast, appears briefly. Saruman is installed as the head of the White Council, but falls to the temptation of power. He imitates and is to an extent the double of the Dark Lord Sauron, only to become his unwitting servant. Gandalf ceaselessly assists the Company of the Ring in their quest to destroy the Ring and defeat Sauron. He forms the double of Saruman, as Saruman falls and is destroyed, while Gandalf rises and takes Saruman's place as the White Wizard. Gandalf resembles the Norse god Odin in his guise as Wanderer. He has been described as a figure of Christ. All thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Environmentalism In The Lord Of The Rings
The theme of environmentalism in ''The Lord of the Rings'' has been remarked upon by critics since the 1970s. The Hobbits' visions of Saruman's industrial hell of Isengard and Sauron's desolate polluted land of Mordor have been interpreted as comments on modern society, while the destruction of Isengard by the tree-giant Ents, and "The Scouring of the Shire" by the Hobbits, have a strong theme of restoration of the natural environment after such industrial pollution and degradation. However, Tolkien's love of trees and unspoilt nature is apparent throughout the novel. Context J. R. R. Tolkien was brought up as a boy first in rural Warwickshire at Sarehole, at that time just outside Birmingham, and then inside that industrial city. An art exhibition entitled "The Making of Mordor" at the Wolverhampton Art Gallery (2014) claimed that the steelworks and blast furnaces of the West Midlands near Tolkien's childhood home inspired his vision of Mordor, and the name that he gave i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Council
Gandalf is a protagonist in J. R. R. Tolkien's novels ''The Hobbit'' and ''The Lord of the Rings''. He is a wizard, one of the ''Istari'' order, and the leader of the Fellowship of the Ring. Tolkien took the name "Gandalf" from the Old Norse "Catalogue of Dwarves" (''Dvergatal'') in the ''Völuspá''. As a wizard and the bearer of one of the Three Rings, Gandalf has great power, but works mostly by encouraging and persuading. He sets out as Gandalf the Grey, possessing great knowledge and travelling continually. Gandalf is focused on the mission to counter the Dark Lord Sauron by destroying the One Ring. He is associated with fire; his ring of power is Narya, the Ring of Fire. As such, he delights in fireworks to entertain the hobbits of the Shire, while in great need he uses fire as a weapon. As one of the Maiar, he is an immortal spirit from Valinor, but his physical body can be killed. In ''The Hobbit'', Gandalf assists the 13 dwarves and the hobbit Bilbo Baggins with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandalf
Gandalf is a protagonist in J. R. R. Tolkien's novels ''The Hobbit'' and ''The Lord of the Rings''. He is a Wizards (Middle-earth), wizard, one of the ''Istari'' order, and the leader of the Fellowship of the Ring (characters), Fellowship of the Ring. Tolkien took the name "Gandalf" from the Old Norse Dvergatal, "Catalogue of Dwarves" (''Dvergatal'') in the ''Völuspá''. As a wizard and the bearer of one of the Three Rings, Gandalf has great power, but works mostly by encouraging and persuading. He sets out as Gandalf the Grey, possessing great knowledge and travelling continually. Gandalf is focused on the mission to counter the Dark Lord Sauron by destroying the One Ring. He is associated with fire; his ring of power is Narya, the Ring of Fire. As such, he delights in fireworks to entertain the hobbits of the Shire, while in great need he uses fire as a weapon. As one of the Maiar, he is an immortal spirit from Valinor, but his physical body can be killed. In ''The Hobbit' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heraldry Of Middle-earth
J. R. R. Tolkien invented heraldic devices for many of the characters and nations of Middle-earth. His descriptions were in simple English rather than in specific blazon. The emblems correspond in nature to their bearers, and their diversity contributes to the richly-detailed realism of his writings. Scholars note that Tolkien went through different phases in his use of heraldry; his early account of the Elvish heraldry of Gondolin in ''The Book of Lost Tales'' corresponds broadly to heraldic tradition in the choice of emblems and colours, but that later when he wrote ''The Lord of the Rings'' he was freer in his approach, and in the complex use of symbols for Aragorn's sword and banner, he clearly departs from tradition to suit his storytelling. In his ''The Lord of the Rings'' film trilogy, Peter Jackson and his concept designers took inspiration from traditional representations of men-at-arms on horseback with banners and armour, especially Albrecht Altdorfer's 1529 oil pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Two Towers
''The Two Towers'' is the second volume of J. R. R. Tolkien's high fantasy novel ''The Lord of the Rings''. It is preceded by ''The Fellowship of the Ring'' and followed by ''The Return of the King''. Title and publication ''The Lord of the Rings'' is composed of six "books", aside from an introduction, a prologue and six appendices. However, the novel was originally published as three separate volumes, due to post-World War II paper shortages and size and price considerations. ''The Two Towers'' covers Books Three and Four. Tolkien wrote: "''The Two Towers'' gets as near as possible to finding a title to cover the widely divergent Books Three and Four; and can be left ambiguous." At this stage he planned to title the individual books. The proposed title for Book Three was ''The Treason of Isengard''. Book Four was titled ''The Journey of the Ringbearers'' or ''The Ring Goes East''. The titles ''The Treason of Isengard'' and ''The Ring Goes East'' were used in the ''Millennium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Addiction To Power In The Lord Of The Rings
The theme of addiction to power in ''The Lord of the Rings'' is central, as the Ring, made by the Dark Lord Sauron to enable him to take over the whole of Middle-earth, progressively corrupts the mind of its owner to use the Ring for evil. The corrupting power of the Ring has been compared to the Ring of Gyges in Plato's ''Republic'', which gave the power of invisibility and so tempted its owner, but there is no evidence that Tolkien modelled ''The Lord of the Rings'' on that story. Scholars such as Tom Shippey consider the theme to be modern, since in earlier times, power was considered to reveal character, not to alter it, recalling the English politician Lord Acton's 1887 statement that "power tends to corrupt, and absolute power corrupts absolutely". The corrupting effect of power in the book is not limited to the Ring. Sauron was already corrupted when he chose to put much of his power into the Ring to gain further control of Middle-earth. Some other characters are of an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle-earth
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the ''Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, ''The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Earth (Arda) in an imaginary period of the Earth's past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This part of Middle-earth is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christianity In The Lord Of The Rings
Christianity is a central theme in J. R. R. Tolkien's fictional works about Middle-earth, but always a hidden one. This allows the book to be read at different levels, and its meaning to be applied by the reader, rather than forcing a single meaning on the reader. J. R. R. Tolkien was a devout Roman Catholic from boyhood, and he described ''The Lord of the Rings'' in particular as “unconsciously” a "fundamentally religious and Catholic work". While he insisted it was not an allegory, it contains numerous themes from Christian theology. These include the battle of good versus evil, the triumph of humility over pride, and the activity of grace. A central theme is death and immortality, with light as a symbol of divine creation, but Tolkien's attitudes to mercy and pity, resurrection, the Eucharist, salvation, repentance, self-sacrifice, free will, justice, fellowship, authority and healing can also be detected. Divine providence appears indirectly as the will of the Valar, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maia (Middle-earth)
The Maiar (singular: Maia) are a fictional class of beings from J. R. R. Tolkien's high fantasy Tolkien's legendarium, legendarium. Supernatural and angelic, they are "lesser Ainur (Middle-earth), Ainur" who entered the cosmos of ''Middle-earth cosmology, Eä'' in the beginning of time. The name ''Maiar'' is in the Quenya tongue (one of several languages invented by Tolkien, languages constructed by Tolkien) from the Elvish languages, Elvish root maya- "excellent, admirable".J. R. R. Tolkien, Tolkien, J. R. R., "Words, Phrases and Passages", ''Parma Eldalamberon'' 17, p. 174. Commentators have noted that since the Maiar are immortals but can choose to incarnate fully in Men's bodies on Middle-earth, they can be killed; Tolkien did not explain what happened to them then. Others have observed that their semi-divine nature and the fact that they can be sent on missions to work out the divine purpose makes them much like the angels of Christianity. Description Lesser Ainur Tolkien s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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