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Sarod Players
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarod MET DP-14177-002
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah
Shah (; fa, شاه, , ) is a royal title that was historically used by the leading figures of Iranian monarchies.Yarshater, EhsaPersia or Iran, Persian or Farsi, ''Iranian Studies'', vol. XXII no. 1 (1989) It was also used by a variety of Persianate societies, such as the Ottoman Empire, the Kazakh Khanate, the Khanate of Bukhara, the Emirate of Bukhara, the Mughal Empire, the Bengal Sultanate, historical Afghan dynasties, and among Gurkhas. Rather than regarding himself as simply a king of the concurrent dynasty (i.e. European-style monarchies), each Iranian ruler regarded himself as the Shahanshah ( fa, شاهنشاه, translit=Šâhanšâh, label=none, ) or Padishah ( fa, پادشاه, translit=Pâdešâh, label=none, ) in the sense of a continuation of the original Persian Empire. Etymology The word descends from Old Persian ''xšāyaθiya'' "king", which used to be considered a borrowing from Median, as it was compared to Avestan ''xšaθra-'', "power" and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rewa, India
Rewa district is a district of the Madhya Pradesh state in central India. The city of Rewa is the district headquarters. Rewa is known for world famous beetle nut toys. Rewa is also known as the 'Land of White Tigers' as the first White Tiger was discovered here by Maharaja of the province, Martand Singh in 1951 in the nearby jungle of Govindgarh. In the memory of Maharaja Martand singh Ju deo and the first white tiger mohan the very first white tiger safari has been opened in 2018 in mukundpur Rewa. Madhya Pradesh's only Sainik School is also situated in Rewa. Rewa was capital city of Vindhya Pradesh. History Present day Rewa was part of Baghelkhand region which expanded from present day Prayagraj in North to Ratanpur in South, Jabalpur in West to Surajpur in East. Baghel Dynasty Baghel Dynasty was founded by Bhimaldev (son of Vyaghradev, the chieftain of Vyaghrapalli) in 1236 CE. Baghelas are basically Chalukyans of Anhilwara (Gujarat). The region was earlier governe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amjad Ali Khan
Ustad Amjad Ali Khan (born 9 October 1945) is an Indian classical ''sarod'' player, best known for his clear and fast ekhara taans. Khan was born into a classical musical family and has performed internationally since the 1960s. He was awarded India's second highest civilian honor Padma Vibhushan in 2001. Career and recognition Khan first performed in the United States in 1963 and continued into the 2000s, with his sons. He has experimented with modifications to his instrument throughout his career. Khan played with the Hong Kong Philharmonic Orchestra and worked as a visiting professor at the University of New Mexico. In 2011, he performed on Carrie Newcomer's album ''Everything is Everywhere''. In 2014, along with his two sons, Ayaan Ali Khan and Amaan Ali Khan, he performed 'Raga For Peace' in 2014 Nobel Peace Prize Concert. Khan was awarded 21st Rajiv Gandhi National Sadbhavna Award. Khan received Padma Shri in 1975, Padma Bhushan in 1991, and Padma Vibhushan in 2001, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surasingar
The sursingar (IAST: ), sursringar or surshringar (Sringara: Pleasure in Sanskrit), is a musical instrument originating from the Indian subcontinent having many similarities with the sarod. It is larger than the sarod and produces a deeper sound. It precedes the sarod chronologically. In Dhrupad style, it was used as a solo instrument in the 19th and 20th centuries. It is regarded as a further development of the Dhrupad-Rabab that has more or less disappeared today. Its neck has a metal fingerboard and the steel and bronze strings are played with a metal pick, while the bridge is made of a flat horn. It has two resonant boxes; the main box is made from a cut gourd, on which a wooden cover is attached.Ram Avtar Vir. Musical Instruments of India. Construction and Playing style The main body is made of wood and not leather (the material used in earlier instruments). The sound producing mechanism of the instrument is formed by a gourd. The gourd is attached to a hollow wooden han ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatiya Sangeet Vadya
''Bharatiya Sangeet Vadya'' (Indian Musical Instruments) is a book () written by Lalmani Misra. It was published under the Lokodya Granthmala series (Granthak / Volume No.: 346) of Bharatiya Jnanpith, New Delhi. The first edition was published in 1973, the second in 2002. The book was written in Hindi. It was described in a 1974 review in ''Ethnomusicology'', the journal of the Society for Ethnomusicology, as "the most complete, authoritative work ever published on the history of Indian musical instruments." The book carries an exhaustive documentation of musical instruments, right from the ancient to modern times, with an emphasis on establishing that modern Indian instruments have their origins in ancient Indian, rather than in Muslim and Western, culture. The book has always been in great demand by scholars and musicians for it also gives insight into fundamentals of playing instruments and traces the development in content along with that of the instrument. Chapters The book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalmani Misra
Lalmani Misra (11 August 1924 – 17 July 1979) was an Indian classical musician. Initiation into music Lalmani learnt ''Dhruvapada (Dhrupad) Dhamar'' in the tradition of Shankar Bhatt and Munshi Bhrigunath Lal. He learnt ''Khayal'' singing with Ustad Mehndi Hussain Khan, a disciple of Ustad Vazir Khan of Rampur Seni Gharana. He received training in Dhruvpad, Bhajan and Tabla from Swami Pramodanand; in sitar from Shri Shukdev Roy. Under the tutelage of Ustad Amir Ali Khan, he perfected several other musical instruments. Lalmani was appointed on the post of assistant music director in Shehanshahi Recording Company, Calcutta at the age of twelve. He worked in several films for the next two years. His interaction with these two kindled an interest for orchestration in Lalmani. Making music work He returned to Kanpur in 1940 after his father's death. A musical prodigy himself, he experimented with ways of imparting musical training to children, at a time and place where learning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (instrument)
A bass ( /beɪs/) musical instrument produces tones in the low-pitched range C4- C2. Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest instruments in their families or instrument classes. As seen in the musical instrument classification article, categorizing instruments can be difficult. For example, some instruments fall into more than one category. The cello is considered a tenor instrument in some orchestral settings, but in a string quartet it is the bass instrument. Examples grouped by general form and playing technique include: * Plucked string instruments, primary bass guitar and to a lesser extent acoustic bass guitar and even less often, folk instruments like contrabass guitar, guitarrón mexicano, tololoche, bass banjo or bass balalaika, instruments shaped, constructed and held (or worn) like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afghanistan
Afghanistan, officially the Islamic Emirate of Afghanistan,; prs, امارت اسلامی افغانستان is a landlocked country located at the crossroads of Central Asia and South Asia. Referred to as the Heart of Asia, it is bordered by Pakistan to the Durand Line, east and south, Iran to the Afghanistan–Iran border, west, Turkmenistan to the Afghanistan–Turkmenistan border, northwest, Uzbekistan to the Afghanistan–Uzbekistan border, north, Tajikistan to the Afghanistan–Tajikistan border, northeast, and China to the Afghanistan–China border, northeast and east. Occupying of land, the country is predominantly mountainous with plains Afghan Turkestan, in the north and Sistan Basin, the southwest, which are separated by the Hindu Kush mountain range. , Demographics of Afghanistan, its population is 40.2 million (officially estimated to be 32.9 million), composed mostly of ethnic Pashtuns, Tajiks, Hazaras, and Uzbeks. Kabul is the country's largest city and ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Asia
Central Asia, also known as Middle Asia, is a subregion, region of Asia that stretches from the Caspian Sea in the west to western China and Mongolia in the east, and from Afghanistan and Iran in the south to Russia in the north. It includes the former Soviet Union, Soviet republics of the Soviet Union, republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan, which are colloquially referred to as the "-stans" as the countries all have names ending with the Persian language, Persian suffix "-stan", meaning "land of". The current geographical location of Central Asia was formerly part of the historic region of Turkestan, Turkistan, also known as Turan. In the pre-Islamic and early Islamic eras ( and earlier) Central Asia was inhabited predominantly by Iranian peoples, populated by Eastern Iranian languages, Eastern Iranian-speaking Bactrians, Sogdians, Khwarezmian language, Chorasmians and the semi-nomadic Scythians and Dahae. After expansion by Turkic peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swarabat
The Swarabat, Swarbat or Swaragat is a rare plucked string instrument of the classical Carnatic music genre of South India. It belongs to the chordophone, lute family of musical instruments, and is closely related to the ''veena'' and ''yazh'' instruments of the ancient South Asian orchestral ensemble. Etymology Although popularly known as Swarabat, its correct pronunciation is Swaragat. ''Swara'' from Sanskrit connotes a note in the successive steps of the octave, ''ghat'' refers to steps leading down towards a river, while ''bhat'' in the language means scholar. Construction Like its Carnatic cousin, the veena, it has frets, a feature that also distinguishes it from their ancestor, the Yazh harp (ancient veena). Part of the chordophonic lute family of instruments, the Swarabat body is made of wood on which a skin is stretched. On top of this skin, a bridge is placed upon which silk strings pass, which are plucked with a plectrum carved out of horn. There is a resonator and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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