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Saranagati Gadyam
Sharanagati Gadyam () is a Sanskrit prayer, written by the Hindu philosopher Ramanuja towards the end of the 11th century. It is one of the first ''bhakti'' prayers in the Sri Vaishnava school of thought and is the basis for many prayers, like the ''Raghuveera gadyam,'' also of this style. It is recited in the 108 ''Divya Desam'' temples, including Srirangam. Composition According to Sri Vaishnava tradition, Ramanuja and his disciples once visited the Ranganatha temple in Srirangam on ''panguni uttiram'', a day in the Tamil calendar month of ''panguni'' (in spring) on the day of the ascension of the star called Uttiram. According to this tradition, the star Uttiram was in ascent when the goddess of the temple, Sri Ranganayaki Tayar, (Lakshmi) was born, and also the day she married the god Ranganatha (Vishnu). Ramanuja is regarded to have been inspired by the festivities of the day and subsequently composed the Sriranga Gadyam, Sharanagati Gadyam, and the Vaikuntha Gadyam. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranganayaki
Ranganayaki, is the presiding goddess of the Sri Ranganathaswami Temple at Srirangam. Affectionately called ''Thayar'' ("Holy Mother" in Tamil), she is the consort of Ranganatha, the presiding deity of Srirangam. She is regarded as the manifestation of Lakshmi, while Ranganatha is considered as a manifestation of Vishnu. She is also called Ranganayaki Nachiyar and Periya Piratti. Ranganayaki is held in high reverence by the people of Srirangam and by Vaishnavites. Acharyas that sang the grace of Ranganatha venerate her. She is the feminine aspect of the universe and Vaishnavite traditions regard her co-equal to Ranganatha himself; she is both the means and the end of worship to them. All Vaishanvites revere her as ''Thayar''. Temple The shrine has 2 main idols (moola murtis) and 1 processional idol (utsava murti), due to the fact that the processional idol was buried under a tree near her shrine during the invasion of the temple by Malik Kafur of the Khalji Dynasty, a wall was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantras
A mantra (Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers.Georg Feuerstein, Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word Om, ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moksha
''Moksha'' (; sa, मोक्ष, '), also called ''vimoksha'', ''vimukti'' and ''mukti'', is a term in Hinduism, Buddhism, Jainism and Sikhism for various forms of emancipation, enlightenment, liberation, and release. In its soteriology, soteriological and eschatology, eschatological senses, it refers to freedom from ''saṃsāra'', the cycle of death and Reincarnation, rebirth. In its epistemology, epistemological and psychological senses, ''moksha'' is freedom from ignorance: self-realization, self-actualization and self-knowledge. In Hindu traditions, ''moksha'' is a central concept and the utmost aim of human life; the other three aims being ''dharma'' (virtuous, proper, moral life), ''artha'' (material prosperity, income security, means of life), and ''kama'' (pleasure, sensuality, emotional fulfillment). Together, these four concepts are called Puruṣārtha in Hinduism. In some schools of Indian religions, ''moksha'' is considered equivalent to and used interchange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karma
Karma (; sa, कर्म}, ; pi, kamma, italic=yes) in Sanskrit means an action, work, or deed, and its effect or consequences. In Indian religions, the term more specifically refers to a principle of cause and effect, often descriptively called the principle of karma, wherein intent and actions of an individual (cause) influence the future of that individual (effect): Good intent and good deeds contribute to good karma and happier rebirths, while bad intent and bad deeds contribute to bad karma and bad rebirths. As per some scripture, there is no link of rebirths with karma. The concept of karma is closely associated with the idea of rebirth in many schools of Indian religions (particularly Hinduism, Buddhism, Jainism and Sikhism), as well as Taoism.Eva Wong, Taoism, Shambhala Publications, , pp. 193 In these schools, karma in the present affects one's future in the current life, as well as the nature and quality of future lives—one's '' saṃsāra''. This concept has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana
Narayana (Sanskrit: नारायण, IAST: ''Nārāyaṇa'') is one of the forms and names of Vishnu, who is in yogic slumber under the celestial waters, referring to the masculine principle. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilisation, prior to his syncretism with Vishnu. To this end, he states that the etymology of the deity is associated with the Dravidian ''nara'', meaning water, ''ay'', which in Tamil means "to lie in a place", and ''an'', which is the masculine termination in Dravidian languages. He asserts that this is also the reason why Narayana is represented as lying on a serpent in the sea. He quotes, "This Nārāyana of the Āryan pantheon seems to be the supreme being of the Mohenjo-Darians, a god who was probably styled Ān, a name still kept in Tamil literature as Āndivanam, the prototype ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaikuntha Gadyam
Vaikuntha Gadyam () is a Sanskrit prayer written by the Hindu philosopher Ramanuja towards the end of the 11th century. It is one of the first bhakti prayers in the Sri Vaishnava school of thought and is the basis for many prayers of this style. It is recited in the 108 Divya Desam temples, including Srirangam. Context Ramanuja and his disciples visited the Ranganatha temple in Srirangam on Panguni Uttiram, a day in spring of the Tamil calendar month of Panguni (in spring) on the day of the ascension of the star called Uttiram. In Tamil mythology, Uttiram was in ascent when the goddess of the temple, Sri Ranganayaki Tayar, Lakshmi, was born. Ramanuja was inspired by the festivities of the day and composed Sriranga Gadyam and Sharanagati Gadyam. According to tradition, the deity Ranganatha is regarded to have been moved by these compositions, and gave Ramanuja a vision of his abode, Vaikuntha. This inspired Ramanuja to compose the Vaikuntha Gadyam. Content Vaikuntha Gadyam, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sriranga Gadyam
{{Unreferenced, date=May 2007 Sriranga Gadyam is a Sanskrit prayer written by the Srivaishnavism philosopher Swami Ramanuja towards the end of the 11th century. It is one of the first bhakti prayers in this school of thought and is the basis for many prayers, like Raghuveera gadyam of this style. It is recited in the 108 divya desam temples including Srirangam. Context Ramanuja and his disciples visited the Ranganathaswamy Temple in Srirangam on Panguni Uttiram, a day in the Tamil calendar month of Panguni (in spring) on the day of the ascension of the star called Uttiram. In Tamil mythology, Uttiram was in ascent when the goddess of the temple, Sri Ranganayaki Tayar, Lakshmi, was born. Ramanuja was inspired by the festivities of the day and composed of Sriranga Gadyam and Saranagati Gadyam. Content Sriranga Gadyam, unlike the commentaries of Ramanuja on Vedanta, does not have detailed philosophical debates. Instead it is a pure expression of bhakti and gives a detailed descript ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranganatha
Ranganatha, also known as Ranganathar, Rangan, Aranganathar, Sri Ranga, and Thenarangathan, is a Hindu deity with his origin in South India, serving as the chief deity of the Sri Ranganathaswamy Temple, Srirangam. The deity is a resting form of Vishnu, recumbent on the great form of the serpent demigod Adishesha, the king of the serpents. His primary consort is the Goddess Lakshmi, also known as Ranganayaki. His two other consorts seen next to his recumbent figure are Bhudevi and Nila Devi. Most of the deities portray a 'smiling' lord in a sleeping or reclining position over the celestial serpent Adishesha in the sea of cosmic dissolution (pralaya). This is the form in which he is open to listening to all of his devotees' woes, and blesses them. Apart from being worshipped by all Hindus, this form is of particular importance to the Sri Vaishnava community. His name in Sanskrit means "leader of the place of assembly", coined from the two Sanskrit words ''ranga'' (place) and ''natha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy (''shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. The eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uttara Ashadha
Uttara Ashadha (lit. "latter victory", "latter unconquered") is the twenty-first of the 27 Nakshatra (constellations) in Hindu astrology. It is situated on the lower part of Lyra and spans from 26°40" in Sagittarius to 10°00" in Capricorn in the sidereal Vedic zodiac. It has 4 quarters (padas), the first one falls in Sagittarius and the last three padas fall in Capricorn. The sun (Surya) is the lord of Uttara Ashadha. It has a shape of a stage. This nakshatra is symbolised by a tusk of an elephantDennis M. Harness. "The Nakshatras: The Lunar Mansions of Vedic Astrology." Lotus Press: 1999. pg. 83 or by a small bed. The individuals born in this nakshatra are believed to be one of the most attractive, well-mannered and known for their absolute calmness towards greatest aggression. Due to their sense of independence they are loners and sometimes face difficulties in marriage, the loneliness is also depicted by the animal of this star which is mongoose with no female counterp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
