Sante Monachesi
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Sante Monachesi
Sante Monachesi (1910–1991), was an Italian painter belonging to the modern movement of the ''Scuola romana (Roman School)'' and founder in 1932 of the ''Movimento Futurista nelle Marche (Futurist Movement of Marche)''. Life and career Monachesi studied at the ''Centro Sperimentale di Cinematografia'' (Experimental film centre or Italian National film school) in Rome. In the 1930s he embraced Futurism with spiralist and diagonal shapes both in painting and in sculpture, experimenting with aluminium in a mobile light. An important representative of ''Aeropittura'' (Aeropainting), in 1936 he exhibited at Biennale di Venezia and in 1937 at the World Expo of Paris. Immediately after World War II, Monachesi did expressionist and fauve painting, also as a member of the ''Scuola Romana'', becoming part of the group of "Balduina" with David Grazioso and Ferdinando Bellorini, but it was especially in plastic sculpture that his research became innovative. He explored new materials ...
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Macerata
Macerata () is a city and ''comune'' in central Italy, the county seat of the province of Macerata in the Marche region. It has a population of about 41,564. History The historical city centre is on a hill between the Chienti and Potenza rivers. It first consisted of the Picenes city named Ricina (''Helvia Recina''), then, after its romanization, Recina and Helvia Recina. After the destruction of Helvia Recina by the barbarians, the inhabitants took shelter in the hills and eventually began to rebuild the city, first on the top of the hills, before descending again later and expanding. The newly rebuilt town was Macerata. It became a municipality (or comune in Italian) in August 1138. 20th century The ''comune'' of Urbisaglia was the location of an internment camp for Jews and refugees, and a prisoner-of-war camp (PG53, at Sforzacosta) during World War II. 21st century According to Jason Horowitz of ''The New York Times'', Macerata was initially welcoming to migrants coming ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Figurative Art
Figurative art, sometimes written as figurativism, describes artwork (particularly paintings and sculptures) that is clearly derived from real object sources and so is, by definition, representational. The term is often in contrast to abstract art: Since the arrival of abstract art the term figurative has been used to refer to any form of modern art that retains strong references to the real world. Painting and sculpture can therefore be divided into the categories of figurative, representational and abstract, although, strictly speaking, abstract art is derived (or abstracted) from a figurative or other natural source. However, "abstract" is sometimes used as a synonym for non-representational art and non-objective art, i.e. art which has no derivation from figures or objects. Figurative art is not synonymous with figure painting (art that represents the human figure), although human and animal figures are frequent subjects. Formal elements The formal elements, those aestheti ...
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Poly(methyl Methacrylate)
Poly(methyl methacrylate) (PMMA) belongs to a group of materials called engineering plastics. It is a transparent thermoplastic. PMMA is also known as acrylic, acrylic glass, as well as by the trade names and brands Crylux, Plexiglas, Acrylite, Astariglas, Lucite, Perclax, and Perspex, among several others ( see below). This plastic is often used in sheet form as a lightweight or shatter-resistant alternative to glass. It can also be used as a casting resin, in inks and coatings, and for many other purposes. Although not a type of familiar silica-based glass, the substance, like many thermoplastics, is often technically classified as a type of glass, in that it is a non-crystalline vitreous substance—hence its occasional historic designation as ''acrylic glass''. Chemically, it is the synthetic polymer of methyl methacrylate. It was developed in 1928 in several different laboratories by many chemists, such as William Chalmers, Otto Röhm, and Walter Bauer, and first brought ...
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Rubber Foam
Foam rubber (also known as cellular rubber, sponge rubber, or expanded rubber) refers to rubber that has been manufactured with a foaming agent to create an air-filled matrix structure. Commercial foam rubbers are generally made of synthetic rubber, natural latex or polyurethane. Latex foam rubber, used in mattresses, is well known for its endurance. Polyurethane is a thermosetting polymer that comes from combination of Methyl di-isocyanate and polyethylene and some other chemical additives. Manufacturing history Foam rubber was first produced in 1929 by Dunlop Rubber researcher chemists E. A. Murphy and Eric Owen using whipped latex. In 1937 isocyanate based materials were first used for the formation of foam rubbers, after World War II styrene-butadiene rubber replaced many natural types of foam. Foam rubbers have been used commercially for a wide range of applications since around the 1940s. Polyether polyurethane rubber was discovered and patented in the 1950s by Charles C. ...
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Methacrylate
Methacrylates are derivatives of methacrylic acid. * Methyl methacrylate * Ethyl methacrylate * Butyl methacrylate * Hydroxyethyl methacrylate * Glycidyl methacrylate Glycidyl methacrylate (GMA) is an ester of methacrylic acid and glycidol. Containing both an epoxide and an acrylate groups, the molecule is bifunctional. It is a common monomer used in the production of epoxy resins. While typical home epoxies ... {{set index Carboxylate anions Monomers Methacrylate esters ...
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Zero-G
Weightlessness is the complete or near-complete absence of the sensation of weight. It is also termed zero gravity, zero G-force, or zero-G. Weight is a measurement of the force on an object at rest in a relatively strong gravitational field (such as on the surface of the Earth). These weight-sensations originate from contact with supporting floors, seats, beds, scales, and the like. A sensation of weight is also produced, even when the gravitational field is zero, when contact forces act upon and overcome a body's inertia by mechanical, non-gravitational forces- such as in a centrifuge, a rotating space station, or within an accelerating vehicle. When the gravitational field is non-uniform, a body in free fall experiences tidal effects and is not stress-free. Near a black hole, such tidal effects can be very strong. In the case of the Earth, the effects are minor, especially on objects of relatively small dimensions (such as the human body or a spacecraft) and the overall ...
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Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ...
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Moon Landing
A Moon landing is the arrival of a spacecraft on the surface of the Moon. This includes both crewed and robotic missions. The first human-made object to touch the Moon was the Soviet Union's Luna 2, on 13 September 1959. The United States' Apollo 11 was the first crewed mission to land on the Moon, on 20 July 1969. There were six crewed U.S. landings between 1969 and 1972, and numerous uncrewed landings, with no soft landings happening between 22 August 1976 and 14 December 2013. The United States is the only country to have successfully conducted crewed missions to the Moon, with the last departing the lunar surface in December 1972. All soft landings took place on the near side of the Moon until 3 January 2019, when the Chinese Chang'e 4 spacecraft made the first landing on the far side of the Moon. Uncrewed landings After the unsuccessful attempt by Luna 1 to land on the Moon in 1959, the Soviet Union performed the first hard Moon landing – "hard" meaning the ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Plastic Arts
Plastic arts are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics. Less often the term may be used broadly for all the visual arts (such as painting, sculpture, film and photography), as opposed to literature and music. Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal. The term "plastic" has been used to mean certain synthetic organic resins ever since they were invented, but the term "plastic arts" long preceded them. The term should not be confused, either, with Piet Mondrian's concept of "Neoplasticism". History The oldest known plastic arts date to (30,000–34,000 BP). Philosophy In contrast to the limiting of 'plastic arts' to sculpture and architecture by Friedrich Wilhelm Joseph Schelling in 1807, the German critic August Wilhelm Schlegel (1767-1845) applied the concept not only to visual ...
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Scuola Romana
Scuola romana or Scuola di via Cavour was a 20th-century art movement defined by a group of painters within Expressionism and active in Rome between 1928 and 1945, and with a second phase in the mid-1950s. Birth of the movement In November 1927, artists Antonietta Raphaël and Mario Mafai moved to No. 325 of Roman street '' via Cavour'', in a Savoyan palace subsequently demolished in 1930 in order to allow the fascist construction of the ''New Empire Way'' (currently the via dei Fori Imperiali). The apartment's larger room was transformed into a studio. Within a short time, this studio became a meeting point for literati such as Enrico Falqui, Giuseppe Ungaretti, Libero de Libero, Leonardo Sinisgalli, as well as young artists Scipione, Renato Marino Mazzacurati, and Corrado Cagli. Contraposition to the sensibility of the Return to Order Movement The spontaneous confluence of artists at the via Cavour studio does not appear to have been led by true and proper programmes ...
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