Santa Maria Di Castello (Genoa)
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Santa Maria Di Castello (Genoa)
Santa Maria di Castello is a church and religious complex in Genoa, Italy. Administrated for a long time by the Dominicans, it is located in the ''Castello'' hill of the city, where in the Middle Ages a bishop's fortified castle existed. The church is flanked by the large Tower of the Embriaci. The church, in Romanesque style, was erected before 900 AD. It houses many artworks commissioned by the main noble families of Genoa, by artists such as Francesco Maria Schiaffino, Lorenzo Fasolo, Alessandro Gherardini, Giuseppe Palmieri, Francesco Boccaccino, Pier Francesco Sacchi, Bernardo Castello, Aurelio Lomi and Tommaso Orsolino. Notable are the frescoes with ''Stories of David'' and the painted majolicas from the 16th century Genoese school. The high altar is decorated by a marble group of the "Assumption" by Domenico Parodi (late 17th century), while the chapel to the left of the presbytery has a ''Santa Rosa da Lima'' by Domenico Piola and a marble cover by Taddeo Carlone. ...
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Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ...
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Roman Catholic Churches In Genoa
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαá ...
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Embriaco Family
The Embriaco were a prominent Genoese family, who played an important role in the history of the Crusader states. It also gave consuls, admirals and ambassadors to the Republic of Genoa. The family ruled the city of Byblos (in present-day Lebanon), styling themselves "Lord (Signore) of Gib(e)let" or "Gibelletto", the name which the city was called at the time. Their rule lasted for almost 200 years, from 1100 to the late 13th century. History They arrived in the Kingdom of Jerusalem as early as 1099, with Guglielmo Embriaco and his brother Primo di Castello. They had Byblos, given to Ugo I Embriaco by Bertrand of Toulouse, from about 1110, thanks to Embriaco's military assistance in the creation of the Crusader states, on behalf of the Republic of Genoa. Guglielmo Embriaco's son, Ugo I, was the first administrator of "Gibelletto" in the name of the Genoese republic, he then obtained the city as a hereditary fief, undertaking to pay an annual fee to Genoa and to the church of ...
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Embriaci Tower
The Torre Embriaci, also called Torre degli Embriaci, located in the oldest area of Genoa, where the Castello o Castrum stood. It is the only one of the numerous towers that were located in the current historic center of Genoa to have been spared by the edict of 1196 which wanted to cut all the city towers to 80 palms. History The construction of the tower is linked to the name of the famous Guglielmo Embriaco who, together with his brother Primo di Castello's fleet, distinguished himself in the Christian conquest of Jerusalem in 1099, during First Crusade. The construction of the tower dates back to the early 12th century. The massive structure in large blocks of rusticated stone, 41 meters high, has slits in the curtain walls for lighting and at the top is crowned by a triple frame of increasingly projecting hanging arches. The motif of the hanging arches on stone shelves, surmounted by the sawtooth frame, is found in almost all the churches of the time, but its repetition in ...
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Domenico Gagini
Domenico Gagini ( Bissone, c. 1425–30 - Palermo, 29–30 September 1492) was a Swiss-Italian sculptor who was active in Northern as well as Southern Italy.Hanno-Walter Kruft. "Gagini." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 January 2017 Life He was the son of Pietro Gagini. The Gagini were a family of sculptors and painters working during the Middle Ages and Renaissance. First recorded in Genoa in the early 15th century, was Domenico's grandfather Beltrame Gagini, and his three sons Pietro, Giovanni and Pace. Domenico Gagini was the first sculptor of this family to achieve international fame. Born at Bissone, in the Ticino (now part of Switzerland) he studied in Florence under Brunelleschi. Returning to Genoa in 1447 he worked on the sculpture of the dome of the church of S. Giovanni Battista. In 1457 he was recorded as working in Naples for Alfonso of Aragon. In 1463 he arrived in Palermo, Sicily where he, and later his family inclu ...
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Giusto Di Alemagna
Joos Amann von Ravensburg (in Italian Giusto di Alemagna, or Justus d'Alemanno), a German painter, who practised at Genoa in the 15th century. He painted in fresco an Annunciation in a cloister of Santa Maria di Castello, in 1451; Lanzi considers it a precious picture of its sort, finished in the manner of the miniaturists, and apparently the precursor of the style of Albrecht Dürer. Justus d'Alemanno is not the same as Justus of Ghent Justus van Gent or Joos van Wassenhove (also: Justus or Jodocus of Ghent, or Giusto da Guanto) (c. 1410 – c. 1480) was an Early Netherlandish painter who after training and working in Flanders later moved to Italy where he worked for the ..., as some writers have supposed. References * Year of birth unknown Year of death unknown 15th-century Italian painters Italian male painters Gothic painters 15th-century German artists Artists from Genoa {{Germany-painter-stub ...
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Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

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Giovanni Battista Paggi
Giovanni Battista Paggi (27 February 1554 – 12 March 1627) was an Italian painter, sculptor, and writer. His style spans the Late-Renaissance and early-Baroque. Life He was born in Genoa into the well-to-do family of his father Pellegrino. In an apparent dispute over pay, he is said to have mortally wounded a patron, and was forced to flee Genoa in 1579, and take refuge in Tuscany, in the towns of Aulla sul Magra, then Pisa, and finally to Florence. He joined the ''Accademia e Compagnia delle Arti del Disegno'' in 1568. He shared a studio in Florence with Federico Zuccari. He maintained contact with his native town and returned to Genoa briefly in 1590 as a guest of the Doria family.Mary Newcome, Review of La Pittura in Liguria, artisti del primo seicento (monographs), In: The Burlington Magazine (1987) 12(1014), p. 602 Giovanni Battista Paggi became renowned among fellow artists throughout Europe when in 1590 he won his case against the Genoese Painters' guild and was allo ...
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Anton Maria Maragliano
Anton Maria Maragliano (18 September 1664 – 7 March 1739) was an Italian sculptor of the Baroque period, known primarily for his wooden statues. He was born in Genoa, where he led an important workshop. He is called also Maraggiano by some ancient authors. He pioneered important developments in the style of sculpting in wood, parallel to those driven by Filippo Parodi in marble sculpture and Domenico Piola in painting. His workshop produced many typical religious sculptures, representing Madonna (art), Madonnas, figures of saints and narrative scenes from the Bible. These are now preserved in many churches and sanctuaries throughout Liguria (mainly in Genoa, Rapallo, Chiavari, Celle Ligure, Savona) and also in Spain. For the ''Casacce'' (the Genoese confraternities) he also produced statues and crucifixes to be carried in processions on feast days. He was called by Casalis, the ''Phidias of Genoa''. His son Giovanni Battista Maragliano was also a wood sculptor in Cadiz a ...
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Taddeo Carlone
Taddeo Carlone (died 25 March 1613) was a Swiss-Italian sculptor and architect. His father, Giovanni, was a sculptor from Como. A native of Rovio, in Ticino, he moved with his father to Genoa. Taddeo's brother Giuseppe was a sculptor with his brother, and later in Lombardy. Taddeo married Geronima Verra in Genoa.Dizionario geografico-storico-statistico-commerciale degli stati del Re di Sardegna
Volume 7, by Goffredo Casalis, Turin (1840), page 727-728. He became the head of an important family of artists, including his sons Giovanni Battista and