|
Sant'Ignazio, Busseto
Sant'Ignazio is a Baroque architecture-style Roman Catholic church, located in Busseto, region of Emilia-Romagna, Italy. History In 1617 Pietro Pettorelli founded the College of the Jesuits in Busseto, building a church that was only completed by 1862. The facade has a broken anterior pediment above the entrance, a Baroque finish to an otherwise sober front, in measured doric pilasters. The interior, in Baroque style, has a single nave with three chapels on each side and was entirely stuccoed and painted by Domenico Dossa and Bernardo Barca. The frescoes, attributed to Giovanni Evangelista Draghi, depict the ''Glory of the Saints Ignatius, Luigi Gonzaga, Francis Xavier, and Francesco Borgia''. The same artist also completed six oil paintings on canvas in stucco frames, which loom over the statues of some Jesuit saints, and contain episodes from the life of the founder of the Jesuits: the conversion of St Ignatius in the castle of Loyola, the holy penitent in Montserrat, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Natali
Giuseppe Natali (1652–1722) was an Italian painter of the Baroque period, active mainly in Cremona and Lombardy. Biography He was born in Casalmaggiore, near Cremona. He was the son of a Giovanni Battista Natali ( Bologna, c 1630 - Cremona, c 1700) and grandson of Carlo Natali (''il Guardolino''), and pupil of Pietro da Cortona in Rome, returned to work in Cremona. He became a noted painter of quadratura, and received his first training locally with Girolamo Pellizoni Crescini. and was influenced by painters of this genre in Rome and Bologna, including Girolamo Curti, Angelo Michele Colonna, and Agostino Mitelli. His brothers Francesco, Lorenzo Lorenzo may refer to: People * Lorenzo (name) Places Peru * San Lorenzo Island (Peru), sometimes referred to as the island of Lorenzo United States * Lorenzo, Illinois * Lorenzo, Texas * San Lorenzo, California, formerly Lorenzo * Lorenzo State ..., and Pietro were assistants in his studio. He had a son and nephew, named G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Church Buildings In Emilia-Romagna
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
