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Sant'Eufemia, Giudecca
Sant'Eufemia ( it, Chiesa di Sant'Eufemia) is a Roman Catholic church located in the island of Giudecca in Venice, Veneto, Italy and dedicated to saint Euphemia. It was initially built in the 9th century in the Venetian-Byzantine style. It was restored and rebuilt several times, finally in the 18th century, when the façade was altered, stucco applied to the central nave and the ceiling vaults of the interior and three altarpieces added - 'Jesus among the Doctors' in the Chapel of St Francis, a 1771 'Visitation of the Virgin' by Giambattista Canal and 'The Adoration of the Magi' by Jacopo Marieschi (the third of these has now been moved elsewhere). The ceiling painting is also by Canal in the style of Tiepolo and shows scenes relating to the church's patron saint - her baptism in the left aisle, the saint in glory in the central nave and episodes from her life in the right aisle. Its right side overlooks the Giudecca canal and has a portico with Doric style columns, taken fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Style
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Dori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Vivarini
Bartolomeo or Bartolommeo Vivarini (c. 1432c. 1499) was an Italian Renaissance painter, known to have worked from 1450 to 1499. Biography Bartolomeo's brother Antonio Vivarini, and his nephew (also possibly his pupil) Alvise Vivarini, were also painters. He learned oil painting from Antonello da Messina, and is said to have produced, in 1473, the first oil picture done in Venice. Housed in the basilica of San Zanipolo, it is a large altar-piece in nine divisions, representing Augustine and other saints. Most of his works, however, are in tempera. His outline is always hard, and his colour good; the figures have much dignified and devout expression. As "vivarino" means in Italian a goldfinch, he sometimes drew a goldfinch as the signature of his pictures. The Getty Museum, Harvard University Art Museums, the Honolulu Museum of Art, the Louvre, the Museum of Fine Arts, Boston, the National Gallery of Art (Washington D.C.), the National Gallery, London, the New Orlea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Roch
Roch (lived c. 1348 – 15/16 August 1376/79 (traditionally c. 1295 – 16 August 1327, also called Rock in English, is a Catholic saint, a confessor whose death is commemorated on 16 August and 9 September in Italy; he is especially invoked against the plague. He has the designation of Rollox in Glasgow, Scotland, said to be a corruption of Roch's Loch, which referred to a small loch once near a chapel dedicated to Roch in 1506. He is a patron saint of dogs, invalids, falsely accused people, bachelors, and several other things. He is the patron saint of Dolo (near Venice) and Parma, as well as Casamassima, Cisterna di Latina and Palagiano (Italy). He is also the patron saint of the town of Albanchez, in Almeria, southern Spain. Saint Roch is known as "São Roque" in Portuguese, as "Sant Roc" in Catalan, as "San Roque" in Spanish (including in former colonies of the Spanish colonial empire such as the Philippines) and as "San Rocco" in Italian. Etymology Roch is given diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianmaria Morlaiter
Giovanni Maria Morlaiter (15 February 1699 – 22 February 1781) was an Italian sculptor of the Rococo or late-Baroque, active mainly in his native Venice. Biography Almost all the sculpture in the church of the Gesuati, Venice is the work of Morlaiter, whom Hugh Honour describes as "one of the ablest sculptors in eighteenth century Venice" and Semenzato as "the most brilliant interpreter of the rococo in Venetian sculpture" adding that "His work shows great dynamism" and "an inexhaustible felicity of invention". There is more of his work in the church than anywhere else in Venice.Semenzato pp.62-3 His first work for the church was the ''Glory of Angels'' (1738) on the second altar on the right, and after this Massari engaged him for all the other principal works of sculpture, ending with the statue of Melchisedek (1755). Clockwise from the entrance, the statues in six niches and coupled bas reliefs above are: ''Abraham'' (1754) and ''Jesus and the Centurion'' (1754); ''Aaron'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blessed Giuliana Of Collalto
Blessed Giuliana of Collalto (c. 1186 in Collalto, Susegana – September 1, 1262 in Venice) was an Italian Benedictine nun. She was beatified in 1743 by Pope Benedict XIV. Life She was the daughter of Rambaldo VI di Collalto, count of Treviso, and his wife Giovanna, from the Mantuan house of the counts of Sant'Angelo. She was born in the family seat of the house of Collalto in the town of the same name. She became a nun at a young age and met Beatrice I d'Este in the Santa Margherita Convent on mount Salarola (Calaone). She moved to the convent on the Giudecca in Venice where she rebuilt the church of San Cataldo with its monastic annex and became its abbess. She died in 1262 and was buried in the church's cemetery, although her body was translated to its current resting place in the church of Sant'Eufemia, Venice in 1822. A church dedicated to the blessed Giuliana can be found in Brtnice, Czech Rep. on the former fideicommissum A ''fideicommissum'' is a type of bequest in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Biagio E Cataldo
Santi Biagio e Cataldo or San Biagio e Cataldo was a church on the western corner of the Giudecca island in Venice, Italy. It was dedicated to saint Blaise and saint Catald. History The original building dates back to the end of the 10th century and was consecrated in 1188. In 1222 a monastery was built adjoining it. The church has been restored twice. The first time was a radical restructuring in 1593 by Michele Sanmicheli Michele Sanmicheli (also spelled ''Sanmmicheli'', ''Sanmichele'' or ''Sammichele'') (1484–1559), was a Venetian architect and urban planner of Mannerist-style, among the greatest of his era. A tireless worker, he was in charge of designing bui ..., demolished the roof of the choir and sending its columns to the nearby church of Sant'Eufemia, Venice, Sant'Eufemia. Matthäus Merian, Merian's plan of 1635 probably shows the original church prior to that restoration, on a Romanesque architecture, Romanesque three-nave basilica church, basilica plan with a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Marieschi
Jacopo Marieschi (1711–1794) was a Venetian history painter. Formerly he was confused with the prominent vedute painter, Michele Marieschi, his close contemporary.Martineau, Jane, and Robison, Andrew, ''The Glory of Venice: Art in the Eighteenth Century'', p. 466, 1994, Yale University Press/Royal Academy of Arts The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpo ..., (Catalogue for exhibition in London and Washington) He was also called ''Giacomo Marieschi''. He painted allegorical figures of Faith, Hope, and Charity at San Francesco della Vigna. References * 18th-century Italian painters Italian male painters Painters from Venice 1711 births 1794 deaths 18th-century Italian male artists {{Italy-painter-18thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Canal
Giovanni Battista Canal or Canale (1745 – 5 December 1825) was an Italian painter of the late Baroque and early Neoclassical era, active mainly depicting history and sacred subjects in his native Venice. Biography His father, Fabio Canal, was a fresco painter that was a follower of Tiepolo. Giovanni Battista was criticized for his celeritude in fresco painting, which led to a nickname of ''fa presto''. He too was strongly echoed by the light colors of Tiepolo, but lacked the skill in design of the great master. Giovanni Battista was initially trained by his father and then at the Academy of Fine Arts, Venice, where he would also teach from 1783 to 1807. He was made an academic in 1776. He was active throughout the Veneto, and also in Ferrara and Udine. Among his works were the ceiling of the church of Sant'Eufemia in the Giudecca. In 1776, he painted for the church of Fonte in Asolo. He painted ''Storia d'amore'' in villa Viola of Treviso; frescoes (1790) for the Palazzo Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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