Sant'Antonio, Faenza
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Sant'Antonio, Faenza
The Church of Sant'Antonio is a late Baroque church in Faenza, Italy. History The present structure was built in 1702 using designs by Carlo Cesare Scaletta. It was built atop an earlier 1400s church, near ''San Giacomo della Penna'', using many of the original external walls. The onion-topped bell tower was also designed by Scaletta, and completed in 1728. Among the artworks inside are a canvas of the ''Martyrdom of St Catherine of Alexandria'' (1580) by Marco Marchetti. This replaces the original baroque engraved wooden and golden altarpiece which was destroyed in a fire on 25 August 1989. In addition, there are paintings by Francesco Bosi from Brisighella (known as “Il Gobbino dei Sinibaldi”), Giovanni Battista Bertucci Giovanni Battista da Faenza, called Bertucci (the Monkey), who painted in the style of Perugino and Pinturicchio, flourished in the early part of the 16th century at Faenza. In the Pinacoteca of that city there are various works ascribed to him, ..., and ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Giovanni Battista Bertucci
Giovanni Battista da Faenza, called Bertucci (the Monkey), who painted in the style of Perugino and Pinturicchio, flourished in the early part of the 16th century at Faenza. In the Pinacoteca of that city there are various works ascribed to him, of which the most remarkable is a ''Majesty,'' signed by him and bearing the date 1506. Crowe and Cavalcaselle also claim for Bertucci an ''Adoration of the Magi'' in the Berlin Gallery, there ascribed to Pinturicchio, and a ''Glorification of the Virgin'' in the National Gallery, given in the catalogue to Lo Spagna Lo Spagna (died ''c.'' 1529), "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as ''Lo Spagna'' because he was born in Spain. After Raphael, he was a ma ..., who was a pupil of Perugino. His last will and testament, dated 1594, was collected in Gualandi's ''Memori''.
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Baroque Architecture In Faenza
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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