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Sandesa Kavya
Sanskrit Kavya literature has a long history of its development. The idea of sending of a message, through a messenger, from one person to another is not to be found wanting in the Hindu epics but it was taken up as an independent theme for a poem firstly by Ghatakarpara and later on by Kalidasa, Dhoyi, Udaya, Bhavabhuti and many other poets of note. sandesh kavya also called DutaKavya or message poem Sandesha Kavya (IAST: sandeśa-kāvya) belongs to the category of Khandakavya. Overview In Sanskrit language, ''sandeśa'' (संदेश) means "message", and ''kāvya'' (काव्य) means "poem" or "poetry". Sandesha kavya deals with the sending of a message through the agency of a messenger (Duta). The idea of sending a message through a messenger (Duta) is old and familiar in literature. Ghatakarpara’s Sandesha Kavya The fore-runner of ''Sandesha Kavya'' is a small poem bearing the title - "Poem of the Broken-jug" which is a poem by Ghatakarpara on the message sent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauda (region)
{{Disambiguation, geo ...
Gauda may refer to: * Gauda, a caste of Odisha * Gauḍa (city), Bengal * Gauḍa (region), Bengal * Gauda Kingdom, a kingdom during the 5th to 7th century in Bengal (present-day Gauda city) * Gauda (king), ruler of Numidia during 1st century BC * Gauḍa brahmins, part of Pancha-Gauda, India * Gaudu, Nepal, a village in the Gandaki Zone See also * Gaudiya Nritya, a Bengali school of Indian dance * Gavdos, an island in the Mediterranean Sea * Gouda (other) Gouda may refer to: * Gouda, South Holland, a city in the Netherlands ** Gouda (pottery), style of pottery manufactured in Gouda ** Gouda cheese, type of cheese originally made in and around Gouda ** Gouda railway station * Gouda, Western Cape, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayalam
Malayalam (; , ) is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé district) by the Malayali people. It is one of 22 scheduled languages of India. Malayalam was designated a "Classical Language of India" in 2013. Malayalam has official language status in Kerala, and Puducherry ( Mahé), and is also the primary spoken language of Lakshadweep, and is spoken by 34 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari, district of Tamil Nadu. It is also spoken by the Malayali Diaspora worldwide, especially in the Persian Gulf countries, due to large populations of Malayali expatriates there. There are significant population in each cities in India including Mumbai, Bengaluru, Delhi, Kolkata, Pune etc. The origin of Malayalam remains a matter of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unnuneeli Sandesham
''Uli Sandam'' is among the oldest works in Malayalam language. It is a '' sandesa kavyam'' (message poem), a message written in poetry, on the lines of the famous ''Meghadūta'' of Kalidasa. In the case of this work, it is a message written by a lover to his lady-love staying at a far-off place. The message is therefore written as if it is sent through a messenger. The work was written in the 14th century AD, when transport and communications were very limited in Kerala. The messenger in the poem is, therefore, a carrier pigeon. Apart from the message proper, the poem gives detailed instructions to the messenger pigeon, including the route to be taken and the landmarks in route. Besides the literary value of the work, it throws light on the geography of Kerala of that period. It, therefore, reads in part like a travelogue too. The journey starts in Thiruvananthapuram, the capital of the Venad (Travancore) Kingdom of that day, and ends at Kaduthuruthy, a pod bodies mentioned in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kālidāsa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandākrāntā
(Sanskrit: ) is the name of a metre commonly used in classical Sanskrit poetry. The name in Sanskrit means "slow-stepping" or "slowly advancing". It is said to have been invented by India's most famous poet Kālidāsa, (5th century CE), who used it in his well-known poem ("the Cloud-Messenger"). The metre characterises the longing of lovers who are separated from each other, expressed in the Sanskrit word "separation (of lovers), parting". Metrical pattern Modern analysis A line in has 17 syllables, divided into three sections, each separated by a pause. The first section consists of four long syllables, the second of 5 short syllables and one long, and the third a mixture of long and short alternating, in this pattern: :, – – – – , u u u u u – , – u – – u – x , As with other Sanskrit metres, the length of the final syllable is indifferent. Deo (2007) argues that the metre is basically trochaic (i.e. consisting of a "strong-weak, strong-weak" rhythm). Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsa-sandesha
''Hansa-Sandesha'' (Sanskrit: ; IAST: ) or "The message of the Swan" is a Sanskrit love poem written by Vedanta Desika in the 13th century AD. A short lyric poem of 110 verses, it describes how Rama, hero of the ''Ramayana'' epic, sends a message via a swan to his beloved wife, Sita, who has been abducted by the demon king Ravana. The poem belongs to the ' "messenger poem" genre and is very closely modeled upon the ''Meghadūta'' of Kālidāsa. It has particular significance for Srivaishnavites, whose god, Vishnu, it celebrates. Sources The ''Hansa-Sandesha'' owes a great deal to its two poetic predecessors, Kālidāsa's ''Meghadūta'' and Valmīki's '' Ramāyana''. Vedanta Desika's use of the ''Meghaduta'' is extensive and transparently deliberate; his poem is a response to one of India's most famous poems by its most celebrated poet. Vedanta Desika's debt to Valmīki is perhaps more pervasive but less obvious, and possibly less deliberate too. Where the poet consciously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavan (Hindu God)
Vayu (, sa, वायु, ), also known as Vata and Pavana, is the Hindu god of the winds as well as the divine massenger of the gods. In the ''Vedic scriptures'', Vayu is an important deity and is closely associated with Indra, the king of gods. He is mentioned to be born from the breath of Supreme Being Vishvapurusha and also the first one to drink Soma. The ''Upanishads'' praise him as ''Prana'' or 'life breath of the world'. In the later Hindu scriptures, he is described as a Dikpala (guardians of the direction), who looks over the North-west direction. The Hindu epics describe him as the father of the god Hanuman and Bhima.https://books.google.co.in/books?id=1HMXN9h6WX0C&q=Indra+wife&pg=RA1-PA260&redir_esc=y#v=snippet&q=Vayu&f=false The followers of the 13th-century saint Madhva believe their guru as an incarnation of Vayu. They worship the wind deity as Mukhyaprana and consider him as the son of the god Vishnu. Connotations The word for air (''vāyu'') or wind (''pavan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sena Dynasty
The Sena dynasty was a Hindu dynasty during the early medieval period on the Indian subcontinent, that ruled from Bengal through the 11th and 12th centuries. The empire at its peak covered much of the north-eastern region of the Indian subcontinent. The rulers of the Sena Dynasty traced their origin to the south Indian region of Karnataka. The dynasty's founder was Samanta Sena. After him came Hemanta Sena who usurped power and styled himself, king, in 1095 AD. His successor Vijaya Sena (ruled from 1096 AD to 1159 AD) helped lay the foundations of the dynasty, and had an unusually long reign of over 60 years. Ballala Sena conquered Gaur from the Pala, became the ruler of the Bengal Delta, and made Nadia the capital as well. Ballala Sena married Ramadevi a princess of the Western Chalukya Empire which indicates that the Sena rulers maintained close social contact with south India. Lakshmana Sena succeeded Ballala Sena in 1179, ruled Bengal for approximately 20 years, and expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmana Sena
Lakshmana Sena (reign: 1178–1206), also called Lakshman Sen in modern indian languages, was the ruler from the Sena dynasty of the Bengal region on the Indian subcontinent. His rule lasted for 28 years; and extended to much of the eastern regions of the Indian subcontinent, notably Bengal and Bihar regions. His reign ended with the invasion of Muhammad bin Bakhtiyar Khilji. Reign Lakshmana Sena succeeded his brother Ballala Sena. The history of his reign can be reconstructed from the epigraphs of his time that include the Deopara Prashasti stone inscriptions and copper plates from his successors. '' Tabaqt-i-Nasiri'', composed by 1260, is another source of information about his reign. In his youth, Lakshmana Sen led military campaigns against Gauḍa, Kamarupa, Kalinga and Varanasi (under the rule of Gahadavala King Jayachandra), and helped his grandfather Vijaya Sena and father Ballala Sena to expand the borders of the Sena kingdom. However, he ascended to the throne of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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