San Stefano Alla Lizza, Siena
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San Stefano Alla Lizza, Siena
Santo Stefano alla Lizza is a Baroque style, Roman Catholic church located on Via dei Gazzani, in the city of Siena, region of Tuscany, Italy. It belongs to the Roman Catholic Archdiocese of Siena-Colle di Val d'Elsa-Montalcino. Overview A Romanesque style building documented to exist since the 12th-century, was reconstructed in 1671–75. The façade is crowned with a tympanum with an oculus, and preceded by a flight of stairs in brick. The interior once housed a ''Madonna with child and Saints'' by Andrea Vanni and a complete predella by Giovanni di Paolo (six scenes from the ''Life of St Stephen'' with a central ''Crucifixion with Saints Jerome and Bernard''), now in the Baptistery of Siena. On the right altar was a ''Visitation'' by Rutilio Manetti (also in now kept in the Baptistery). The apse has a fragmentary ''Deposition'' by Antonio Buonfigli.
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Tuscany
Tuscany ( ; it, Toscana ) is a Regions of Italy, region in central Italy with an area of about and a population of about 3.8 million inhabitants. The regional capital is Florence (''Firenze''). Tuscany is known for its landscapes, history, artistic legacy, and its influence on high culture. It is regarded as the birthplace of the Italian Renaissance and of the foundations of the Italian language. The prestige established by the Tuscan dialect's use in literature by Dante Alighieri, Petrarch, Giovanni Boccaccio, Niccolò Machiavelli and Francesco Guicciardini led to its subsequent elaboration as the language of culture throughout Italy. It has been home to many figures influential in the history of art and science, and contains well-known museums such as the Uffizi and the Palazzo Pitti. Tuscany is also known for its wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano, Brunello di Montalcino and white Vernaccia di San Gimignano. Having a strong linguisti ...
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Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ...
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Roman Catholic Churches In Siena
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμα ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Touring Club Italiano
The Touring Club Italiano (TCI) (Italian Touring Club or Touring Club of Italy) is the major Italian national tourist organization. The Touring Club Ciclistico Italiano (TCCI) was founded on 8 November 1894 by a group of bicyclists to promote the values of cycling and travel; its founding president was . It published its first maps in 1897. By 1899, it had 16,000 members. With the new century, it promoted tourism in all its forms – including auto tourism – and the appreciation of the natural and urban environments. Under fascism, starting in 1937, it was forced to Italianize its name to the Consociazione Turistica Italiana. Through the years, it has produced a wide variety of maps, guidebooks, and more specialized studies, and is known for its high standard of cartography. Its detailed road maps of Italy are published at 1:200,000, one per region. Publishing activity Its most prestigious guidebooks are the "Guide Rosse" (not to be confused with the Michelin Red Guides), ...
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Antonio Buonfigli
Antonio or Antonio d'Ariodante Buonfigli (1680 - circa 1750) was an Italian painter of the late-Baroque period. Biography He was born and active in Siena. Leonardo Massimiliano de Vegni, an engraver, was one of his pupils. Buonfigli painted a ''Baptism of St Trofimo'' found in the Pinacoteca Nazionale di Siena. An inventory of works in Siena from 1840, listed the following works: *Paintings, Sacristy of the Oratorio del Rosario. *Paintings, Educatorio di Santa Maria Maddalena *Crucifix, Badia Nuova *''Dead Jesus'' altarpiece, Parish church of Santo Stefano alla Lizza *Painting, Oratorio degli Artisti, Church of San Vigilio *''Santa Cecilia'', Sacristy of Siena Cathedral Siena Cathedral ( it, Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. It was the episcopal seat of the Diocese of Siena, and ... *Painting, Pieve di San Giovanni An Antonio Buonfigli (1794 ...
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Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ...
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Battistero Di San Giovanni (Siena)
The Battistero di San Giovanni (Italian: "Baptistry of St. John") is a religious building in Siena, Italy. It is in the square with the same name, near the final spans of the choir of the city's cathedral. It was built between 1316 and 1325 by Camaino di Crescentino, the father of Tino di Camaino. The façade, in Gothic style, is unfinished in the upper part, such as the apse of the cathedral. In the interior, the rectangular hall, divided into a nave and two aisles by two columns, contains a hexagonal baptismal font in bronze, marble and vitreous enamel, realized in 1417-1431 by the main sculptors of the time: Donatello (panel of "Herod's Banquet" and statues of the "Faith" and "Hope"), Lorenzo Ghiberti, Giovanni di Turino, Goro di Neroccio and Jacopo della Quercia (statue of John the Baptist and other figures). The panels represent the Life of John the Baptist, and include: * "Annunciation to Zacharias" by Jacopo della Quercia (1428-1429) * "Birth of John the Baptist" by Gi ...
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Giovanni Di Paolo
Giovanni di Paolo di Grazia (''c.'' 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic ''Miracle of St. Nicholas of Tolentino'' painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly ''Last Judgment, Heaven, and Hell'' from about 1465 and ''Assumption'' painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in ...
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Andrea Vanni
Andrea Vanni (1332 – c. 1414) was an Italian painter of the early Renaissance, active mainly in his native Siena. Biography Vanni was born in about 1332 in Siena. The first notice of him as a painter comes from 1353 when he was associated with Bartolo di Fredi, though it is uncertain if Vanni was a painter or assistant. His last activities date around 1400 and scholars have put his death to be around 1414 (although no documentary evidence). He was also involved in the foundation of the new government of Siena in 1368 and for twenty years held several different offices, including being elected to Great Council in 1370, Gonfaloniero in 1371, and sent on Envoys to the Pope in 1372 and again in 1384. Works Vanni is less known than his contemporaries. He appears influenced by his fellow Sienese Simone Martini and Pietro Lorenzetti. In Siena, only one work by his hand remains: an Enthroned Madonna in the transept of S. Francesco. Prior to 2002, there was also a painting of St. Paul ...
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Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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