San Martino Chapel
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San Martino Chapel
San Martino Chapel (Italian: ''Cappella di san Martino'') is a chapel in the Lower Basilica of San Francesco in Assisi, Umbria, central Italy. Commissioned and funded by Cardinal Gentile Portino da Montefiore, it features a cycle of frescoes by Simone Martini (1313–1318), portraying the life of Saint Martin of Tours in 4th-century France. The frescoes are neither dated nor signed, but art historians tend to agree in identifying Martini as their author, based on stylistic and historical reasons. History Gentile Portino da Montefiore was the Cardinal of the Basilica of Santi Silvestro e Martino ai Monti in Rome. A document dating to March 1312 testifies to the funding by the Cardinal of 600 golden florins for the construction and fresco decoration of a chapel in the Lower Basilica of San Francesco in Assisi. According to recent hypotheses, the unnamed sculptor-architect who built and decorated this chapel was also responsible for creating the monumental tomb of Gentile Portino' ...
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Simone Martini 038
Simone may refer to: * Simone (given name), a feminine (or Italian masculine) given name of Hebrew origin * Simone (surname), an Italian surname Simone may also refer to: * ''Simone'' (1918 film), a French silent drama film * ''Simone'' (1926 film), a French silent drama film * ''Simone'' (2002 film), a 2002 science-fiction drama film * ''Simone'' (2013 film), a 2013 Brazilian drama * Simone (actress) (born 1962), stage name of Lisa Celeste Stroud, daughter of Nina Simone * Nina Simone (1933–2003), stage name of Eunice Kathleen Waymon, singer, songwriter, musician, arranger, and civil rights activist * Simone (born 1966), Egyptian singer and actress * Simone (character), a fictional character in the ABC Family show ''The Nine Lives of Chloe King'' * Simone Bittencourt de Oliveira (born 1949), Brazilian singer and performer, better known by her mononym Simone * Simone Egeriis (born 1992), Danish singer, better known by her mononym Simone * Tropical Storm Simone (disambigu ...
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Maestà
Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine Mosaics. ''Maria Regina'' is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child. In the West, the image seems to have developed, based perhaps on Byzantine precedents such as the coin of Constantine's Empress Fausta, crowned and with their sons on her lap and on literary examples, such as Flavius Cresconius Corippus's celebration of Justin II's coronation in 565. Paintings depicting the ''Maestà'' came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centuries ...
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Paintings By Simone Martini
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1310s Paintings
131 may refer to: *131 (number) *AD 131 * 131 BC * 131 (album), the album by Emarosa *131 (MBTA bus) The Massachusetts Bay Transportation Authority bus division operates bus routes in the Boston, Massachusetts metropolitan area. All routes connect to MBTA subway, MBTA Commuter Rail, and/or other MBTA bus services. Many routes are descendants ..., the Massachusetts Bay Transportation Authority bus. For the MBTA bus, see 131 (MBTA bus). * 131 (New Jersey bus), the New Jersey Transit bus {{numberdis ...
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Frederick II, Holy Roman Emperor
Frederick II (German language, German: ''Friedrich''; Italian language, Italian: ''Federico''; Latin: ''Federicus''; 26 December 1194 – 13 December 1250) was King of Sicily from 1198, King of Germany from 1212, King of Italy and Holy Roman Emperor from 1220 and King of Jerusalem from 1225. He was the son of emperor Henry VI, Holy Roman Emperor, Henry VI of the House of Hohenstaufen, Hohenstaufen dynasty and Queen Constance, Queen of Sicily, Constance of Sicily of the Hauteville family, Hauteville dynasty. His political and cultural ambitions were enormous as he ruled a vast area, beginning with Sicily and stretching through Italy all the way north to Germany. As the Crusades progressed, he acquired control of Jerusalem and styled himself its king. However, the Papacy became his enemy, and it eventually prevailed. Viewing himself as a direct successor to the Roman emperors of antiquity, he was Holy Roman Emperor, Emperor of the Romans from his papal coronation in 1220 until hi ...
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Capetian House Of Anjou
The Capetian House of Anjou or House of Anjou-Sicily, was a royal house and cadet branch of the direct French House of Capet, part of the Capetian dynasty. It is one of three separate royal houses referred to as ''Angevin'', meaning "from Anjou" in France. Founded by Charles I of Anjou, the youngest son of Louis VIII of France, the Capetian king first ruled the Kingdom of Sicily during the 13th century. Later the War of the Sicilian Vespers forced him out of the island of Sicily, leaving him with the southern half of the Italian Peninsula — the Kingdom of Naples. The house and its various branches would go on to influence much of the history of Southern and Central Europe during the Middle Ages, until becoming defunct in 1435. Historically, the House ruled the counties of Anjou, Maine, Touraine, Provence and Forcalquier, the principalities of Achaea and Taranto, and the kingdoms of Sicily, Naples, Hungary, Croatia, Albania, and Poland. Rise of Charles I and his sons A you ...
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Kingdom Of Naples
The Kingdom of Naples ( la, Regnum Neapolitanum; it, Regno di Napoli; nap, Regno 'e Napule), also known as the Kingdom of Sicily, was a state that ruled the part of the Italian Peninsula south of the Papal States between 1282 and 1816. It was established by the War of the Sicilian Vespers (1282–1302), when the island of Sicily revolted and was conquered by the Crown of Aragon, becoming a separate kingdom also called the Kingdom of Sicily. In 1816, it reunified with the island of Sicily to form the Kingdom of the Two Sicilies. The territory of the Kingdom of Naples corresponded to the current Italian regions of Campania, Calabria, Apulia, Basilicata, Abruzzo, Molise and also included some areas of today's southern and eastern Lazio. Nomenclature The term "Kingdom of Naples" is in near-universal use among historians, but it was not used officially by the government. Since the Angevins remained in power on the Italian peninsula, they kept the original name of the Kingdom ...
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Bishop Of Tours
The Roman Catholic Archdiocese of Tours (Latin: ''Archidioecesis Turonensis''; French: ''Archidiocèse de Tours'') is an archdiocese of the Latin Rite of the Roman Catholic Church in France. The archdiocese has roots that go back to the 3rd century, while the formal erection of the diocese dates from the 5th century. The ecclesiastical province of Tours corresponds with the late Roman province of Tertia Lugdunensis. During Breton independence the see of Dol briefly exercised metropolitical functions (mainly tenth century). In 1859 the Breton dioceses except that of Nantes were constituted into a province of Rennes. Tours kept its historic suffragans of Le Mans, Angers together with Nantes and a newly constituted Diocese of Laval. In 2002 Tours lost all connection with its historic province, all its previous suffragans depending henceforth on an expanded province of Rennes (corresponding to the Brittany and Pays de la Loire administrative regions). Tours since 2002 has become the ...
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Martin Of Tours
Martin of Tours ( la, Sanctus Martinus Turonensis; 316/336 – 8 November 397), also known as Martin the Merciful, was the third bishop of Tours. He has become one of the most familiar and recognizable Christian saints in France, heralded as the patron saint of the Third Republic, and is patron saint of many communities and organizations across Europe. A native of Pannonia (in central Europe), he converted to Christianity at a young age. He served in the Roman cavalry in Gaul, but left military service at some point prior to 361, when he became a disciple of Hilary of Poitiers, establishing the monastery at Ligugé. He was consecrated as Bishop of Caesarodunum (Tours) in 371. As bishop, he was active in the suppression of the remnants of Gallo-Roman religion, but he opposed the violent persecution of the Priscillianist sect of ascetics. His life was recorded by a contemporary hagiographer, Sulpicius Severus. Some of the accounts of his travels may have been interpolated into ...
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King Robert I Of Anjou
Robert of Anjou ( it, Roberto d'Angiò), known as Robert the Wise ( it, Roberto il Saggio; 1276 – 20 January 1343), was King of Naples, titular King of Jerusalem and Count of Provence and Forcalquier from 1309 to 1343, the central figure of Italian politics of his time. He was the third son of King Charles II of Naples and Mary of Hungary, and during his father's lifetime he was styled Duke of Calabria (1296–1309). Biography Robert was born around 1276, the third son of the future Charles II of Naples (then heir apparent) and his wife Mary of Hungary. His father was the son of the incumbent King of Naples, Charles of Anjou, who had established an Italian realm a decade earlier in 1266. During the Sicilian Vespers directed against his grandfather Charles, Robert was the hostage of Peter III of Aragon, his grandfather's enemy. In 1285, Robert’s grandfather died at Foggia in Italy, leading to his father (then a hostage) becoming King of Naples as Charles II, with Robert's ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Palazzo Pubblico
The Palazzo Pubblico (''town hall'') is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). Architecture The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone while the upper crenellated stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square, of which the Palace is the focal point. At the top of this facade is a huge round flat bronze plate hristogram the symbol used by Saint Bernardino. It was placed there by the government in 1425 in gratitude to the great preacher, a native Sienese, for his sermons aimed at quelling social and political factionalism and unres ...
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