San Marco, Florence
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San Marco, Florence
San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, Renaissance philosopher and so called father of humanism. History Sylvestrines The present convent occupies the site where a Sylvestrine monastery existed in the 13th century, which later passed to the Sylvestrine monks. The church was used both for monastic liturgical functions and as a parish church. From this initial period there have recently been rediscovered some traces of frescoes below floor level. In 1418 the Sylvestrines, accused of laxity in their observance of the Rule, were pressured to leave, but it took a direct intervention of Pope Eugene IV and the Council of Basel before finally in 1437 the build ...
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Giovanni Pico Della Mirandola
Giovanni Pico della Mirandola (24 February 1463 – 17 November 1494) was an Italian Renaissance nobleman and philosopher. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, natural philosophy, and magic against all comers, for which he wrote the ''Oration on the Dignity of Man'', which has been called the "Manifesto of the Renaissance", and a key text of Renaissance humanism and of what has been called the "Hermetic Reformation". He was the founder of the tradition of Christian Kabbalah, a key tenet of early modern Western esotericism. The ''900 Theses'' was the first printed book to be universally banned by the Church.Hanegraaff p. 54 Pico is sometimes seen as a proto-Protestant, because his 900 theses anticipated many Protestant views. Biography Family Giovanni was born at Mirandola, near Modena, the youngest son of Gianfrancesco I Pico, Lord of Mirandola and Count of Concordia, by his wife Giulia, daugh ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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Palazzo Medici-Riccardi
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence and a museum. Overview The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry, which includes architectural elements of rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the ...
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Pier Francesco Silvani
Pier Francesco Silvani (1620–1685) was an Italian architect and designer, active during the Baroque period, in Florence and other sites in Tuscany. He was the son of the Sienese architect Gherardo Silvani. After the confiscation of goods decree in 1536, introduced by Cosimo I, the Grand Duke of Tuscany, Silvani was forced to pursue a modest commercial career. He had three sons, Silvano Silvani, Salvatore Silvani and Gherardo Silvani. Pier Francesco worked on San Gaetano and in the refurbishment of San Marco in Florence, as well as in collaboration with Giovanni Battista Foggini, the aisle and high altar for the Church of Santo Stefano dei Cavalieri in Pisa. He also added Baroque touches to Bernardo Buontalenti Bernardo Buontalenti (), byname of Bernardo Delle Girandole ( 1531 – June 1608), was an Italian stage designer, architect, theatrical designer, military engineer and artist and inventor of italian ice cream. Biography Buontalenti was born in ...'s garden behind the ...
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Giambologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders ( then and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. Giambologna spent his most ...
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Florin (Italian Coin)
The Florentine florin was a gold coin struck from 1252 to 1533 with no significant change in its design or metal content standard during that time. It had 54 grains (3.499 grams, 0.113 troy ounce) of nominally pure or 'fine' gold with a purchasing power difficult to estimate (and variable) but ranging according to social grouping and perspective from approximately 140 to 1,000 modern US dollars. The name of the coin comes from the ''Giglio bottonato'' ( it), the floral emblem of the city, which is represented at the head of the coin. History The ''fiorino d'oro'' (gold florin) was used in the Republic of Florence and was the first European gold coin struck in sufficient quantities since the 7th century to play a significant commercial role. The florin was recognized across large parts of Europe. The territorial usage of the '' lira'' and the florin often overlapped, where the lira was used for smaller transactions (wages, food purchases), the florin was for larger transactions ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by , in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a major rol ...
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Council Of Florence
The Council of Florence is the seventeenth ecumenical council recognized by the Catholic Church, held between 1431 and 1449. It was convoked as the Council of Basel by Pope Martin V shortly before his death in February 1431 and took place in the context of the Hussite Wars in Bohemia and the rise of the Ottoman Empire. At stake was the greater conflict between the conciliar movement and the principle of papal supremacy. The Council entered a second phase after Emperor Sigismund's death in 1437. Pope Eugene IV convoked a rival Council of Ferrara on 8 January 1438 and succeeded in drawing some of the Byzantine ambassadors who were in attendance at Basel to Italy. The remaining members of the Council of Basel first suspended him, declared him a heretic, and then in November 1439 elected an antipope, Felix V. After becoming the Council of Florence (having moved to avoid the plague in Ferrara), the Council concluded in 1445 after negotiating unions with the various eastern ch ...
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San Lorenzo, Florence
The Basilica di San Lorenzo (Basilica of St. Lawrence) is one of the largest churches of Florence, Italy, situated at the centre of the main market district of the city, and it is the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at which time it stood outside the city walls. For three hundred years it was the city's cathedral, before the official seat of the bishop was transferred to Santa Reparata. San Lorenzo was the parish church of the Medici family. In 1419, Giovanni di Bicci de' Medici offered to finance a new church to replace an eleventh-century Romanesque rebuilding. Filippo Brunelleschi, the leading Renaissance architect of the first half of the fifteenth century, was commissioned to design it, but the building, with alterations, was not completed until after his death. The church is part of a larger monast ...
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Palazzo Medici Riccardi
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence and a museum. Overview The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry, which includes architectural elements of rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the ...
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