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San Giovanni Crisostomo Di Venezia
San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the ''sestiere'' or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the ''Tentori'' (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting '' Saints Christopher, Jerome and Louis of Toulouse'' (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of '' Saints John Chrysostom, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosary
The Rosary (; la, , in the sense of "crown of roses" or "garland of roses"), also known as the Dominican Rosary, or simply the Rosary, refers to a set of prayers used primarily in the Catholic Church, and to the physical string of knots or beads used to count the component prayers. When referring to the prayer, the word is usually capitalized ("the Rosary", as is customary for other names of prayers, such as "the Lord's Prayer", and "the Hail Mary"); when referring to the prayer beads as an object, it is written with a lower-case initial letter (e.g. "a rosary bead"). The prayers that compose the Rosary are arranged in sets of ten Hail Marys, called "decades". Each decade is preceded by one Lord's Prayer ("Our Father"), and traditionally followed by one Glory Be. Some Catholics also recite the " O my Jesus" prayer after the Glory Be; it is the most well-known of the seven Fátima prayers that appeared in the early 20th century. Rosary prayer beads are an aid for saying these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches Completed In 1525
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμα ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Early Modern Period Domes
Domes built in the 16th, 17th, and 18th centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the time, but the study of dome structures changed radically due to developments in mathematics and the study of statics. Analytical approaches were developed and the ideal shape for a dome was debated, but these approaches were often considered too theoretical to be used in construction. The Gothic ribbed vault was displaced with a combination of dome and barrel vaults in the Renaissance style throughout the sixteenth century. The use of lantern towers, or timburios, which hid dome profiles on the exterior declined in Italy as the use of windowed drums beneath domes increased, which introduced new structural difficulties. The spread of domes in this style outside of Italy began with central Europe, although there was often a stylistic delay of a century or two. Use of the oval dome spread quickly through Italy, Spain, France, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Italian Renaissance Domes
Italian Renaissance domes were designed during the Renaissance period of the fifteenth and sixteenth centuries in Italy. Beginning in Florence, the style spread to Rome and Venice and made the combination of dome, drum, and barrel vaults standard structural forms. Notable architects during the Italian Renaissance were Filippo Brunelleschi, builder of the dome of Florence Cathedral, Donato Bramante, Andrea Palladio, and Michelangelo, designer of the dome of St. Peter's Basilica. Fifteenth century Florence Cathedral After years of considering options, Filippo Brunelleschi and Lorenzo Ghiberti were made joint leaders of the project to build the dome for Florence Cathedral in 1420. Brunelleschi's plan to use suspended scaffolding for the workers won out over alternatives such as building a provisional stone support column in the center of the crossing or filling the space with earth. The octagonal brick domical vault was built between 1420 and 1436, with Ghiberti resigning in 1433. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Medieval Arabic And Western European Domes
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Diamantini
Giuseppe Diamantini (1621–11 November 1705) was an Italian painter and printmaker of the Baroque period, active mainly in Venice. Some sources cite varying dates for his life span including 1660–1722. Biography He was born in Fossombrone. His early training is not well documented, but he arrived in Venice by c. 1650. He appears to have been a pupil or follower of Carracci. by Augusto Vernarecci, page 13. He is known to have designed the title page of a libretto for the opera '' L’inganno riconosciuto'' by Camillo Contarini from 1666. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Lombardo
Tullio Lombardo (c. 1455 – November 17, 1532), also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic churches and tombs. The church of Santi Giovanni e Paolo contains the Monument to Doge Pietro Mocenigo, executed with his father and brother, and the Monument to Doge Andrea Vendramin, See also Pope-Hennessy and other standard works. an evocation of a Roman triumphal arch encrusted with decorative figures. Tullio also likely completed the funereal monument to Marco Cornaro in the Church of Santi Apostoli and the frieze in the Cornaro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Of The Virgin
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject. The subject became common as part of a ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deposition From The Cross
The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary. Other figures not mentioned in the Gospels who are often included in depictions of this subject include John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including The Three Marys, (Mary Salome being mentioned in ), and also that the Virgin Mary and Mary Magdalene saw the burial (). These and further women and unnamed male ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Contarini
The House of Contarini is one of the founding families of Venicehttps://archive.org/details/teatroaraldicose02tett, Leone Tettoni. ''Teatro araldico ovvero raccolta generale delle armi ed insegne gentilizie delle piu illustri e nobili casate che esisterono un tempo e che tutora fioriscono in tutta l'italia'', 1841. pagina 578 - 591 and one of the oldest families of the Italian Nobility. In total eight Doges to the Republic of Venice emerged from this family, as well as 44 Procurators of San Marco, numerous ambassadors, diplomats and other notables. Among the ruling families of the republic, they held the most seats in the Great Council of Venice from the period before the Serrata del Maggior Consiglio when Councillors were elected annually to the end of the republic in 1797. The Contarini claimed to be of Roman origin through their patrilineal descendance of the Aurelii Cottae, a branch of the Roman family Aurelia, and traditionally trace their lineage back to Gaius Aurel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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