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San Giovanni Battista Decollato
San Giovanni Decollato (''the Beheaded John the Baptist'') is a Roman Catholic church in Rome, sited on ''via di San Giovanni Decollato'' in the Ripa rione, a narrow road named after the church. Its construction took most of the 16th century. It was controlled by a confraternity from Florence, where John the Baptist was the city's patron saint, and Florentines, including popes, sponsored much of the important art in the church, mostly by Florentine artists. The confraternity's Oratory of San Giovanni Decollato, to the left of the main church facade, has Mannerist frescos by Francesco Salviati, Jacopino del Conte, both originally Florentine, and Pirro Ligorio, from the years around 1540. These run round the upper walls of the room , above wall seats, with an altar at the far end. Members of the confraternity included Michelangelo and Vasari, as well as the Florentine popes Clement VIII, Urban VIII and Clement XII. After 1540 they were allowed to contermand one execution a year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ripa (rione Of Rome)
Ripa is the 12th ''rione'' of Rome, identified by the initials R. XII, and it is located in the Municipio I. The coat of arms of the ''rione'' depicts a white rudder on a red background, to remind the port of Ripa Grande, that was placed in Trastevere, but faced the ''rione''. History The borough has always been urbanized, although not intensively, since the Ancient Rome: at that time, the area included three ''regiones'', ''Circus Maximus'', ''Piscina Publica'' and ''Aventinus''. As of 4th century, the bank of the River Tiber in the ''rione'' was called ''Ripa Graeca'', after a Greek community that settled there and increased during the following centuries, particularly in 8th century, when the area was inhabited by Greek and Latin people escaped from the iconoclastic persecutions led by Leo III the Isaurian. During the Middle Ages, the northern part of the ''rione'' remained unpopulated, with the only exceptions of some fortified monastery and a baronial castle, the ''Rocc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parish Church
A parish church (or parochial church) in Christianity is the church which acts as the religious centre of a parish. In many parts of the world, especially in rural areas, the parish church may play a significant role in community activities, often allowing its premises to be used for non-religious community events. The church building reflects this status, and there is considerable variety in the size and style of parish churches. Many villages in Europe have churches that date back to the Middle Ages, but all periods of architecture are represented. Roman Catholic Church Each diocese (administrative unit, headed by a Bishop) is divided into parishes. Normally, a parish comprises all Catholics living within its geographically defined area. Within a diocese, there can also be overlapping parishes for Catholics belonging to a particular rite, language, nationality, or community. Each parish has its own central church called the parish church, where religious services take pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battista Franco
Battista Franco Veneziano also known by his correct name of Giovanni Battista Franco (before 1510 – 1561) was an Italian Mannerist painter and printmaker in etching active in Rome, Urbino, and Venice in the mid 16th century. He is also known as ''il Semolei'' or just ''Battista Franco''. Native to Venice, he came to Rome in his twenties. He painted an allegory of the ''Battle of Montemurlo'' now in the Pitti Palace (1537), and a fresco of the ''Arrest of John the Baptist'' for the Oratory of San Giovanni Decollato (1541). From 1545–51 he painted in Urbino. He may have been, along with Girolamo Genga, one of the mentors of Federico Barocci. His painting, in the Mannerist style, was heavily indebted to Michelangelo; but his drawings and etchings have far more verve and originality. He returned to Venice, where he helped fresco the ceiling of the Biblioteca Marciana (library). He painted a series of panels, including a ''Baptism of Christ'' ( Barbaro chapel), for the walls and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perino Del Vaga
Perino (or Perin) del Vaga (nickname of Piero Bonaccorsi) (1501 – October 19, 1547) was an Italian painter and draughtsman of the Late Renaissance/Mannerism. Biography Perino was born near Florence. His father ruined himself by gambling, and became a soldier in the invading army of Charles VIII. His mother died when he was but two months old; but shortly afterwards he was taken up by his father's second wife. Perino was first apprenticed to a druggist, but soon passed into the hands of a mediocre painter, Andrea de' Ceri,Noted in Vasari's biography. and when eleven years of age, of Ridolfo Ghirlandaio. Perino was one of Ghirlandaio's most talented pupils. Another mediocre painter, Vaga from Toscanella, undertook to settle the boy in Rome. Perino, when he at last reached Rome, was utterly poor, and with no clear prospect beyond journey-work for trading decorators. He was eventually entrusted with some of the subordinate work undertaken by Raphael in the Vatican. He assisted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniele Da Volterra
Daniele Ricciarelli (; 15094 April 1566), better known as Daniele da Volterra (, ), was a Mannerist Italian painter and sculptor. He is best remembered for his association with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo. After Michelangelo's death, Daniele was hired to cover the genitals in his '' Last Judgment'' with vestments and loincloths. This earned him the nickname ("the breeches maker"). Biography Daniele Ricciarelli was born in Volterra (in present-day Tuscany). As a boy, he initially studied with the Sienese artists Il Sodoma and Baldassare Peruzzi, but he was not well received and left them. He appears to have accompanied the latter to Rome in 1535, and helped paint the frescoes in the Palazzo Massimo alle Colonne. He then became an apprentice to Perino del Vaga. From 1538 to 1541 he helped Perino with the painting of frescoes in the villa of Cardinal Trivuzio at Salone, in the Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Del Conte 001
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo. * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Comin (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal * Jacopo M. (1989), Italian Communicator, upholder of the European Commission Fictional characters: * Jacopo, a key character in the 2002 film version of ''The Count of Monte Cristo'' (and a minor character in the book). * Jacopo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giordano Bruno
Giordano Bruno (; ; la, Iordanus Brunus Nolanus; born Filippo Bruno, January or February 1548 – 17 February 1600) was an Italian philosopher, mathematician, poet, cosmological theorist, and Hermetic occultist. He is known for his cosmological theories, which conceptually extended the then novel Copernican model. He proposed that the stars were distant suns surrounded by their own planets, and he raised the possibility that these planets might foster life of their own, a cosmological position known as cosmic pluralism. He also insisted that the universe is infinite and could have no "center". While Bruno began as a Dominican friar, during his time in Geneva he embraced Calvinism. Bruno was later tried for heresy by the Roman Inquisition on charges of denial of several core Catholic doctrines, including eternal damnation, the Trinity, the divinity of Christ, the virginity of Mary, and transubstantiation. Bruno's pantheism was not taken lightly by the church, nor was his teac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Cenci
Beatrice Cenci (; 6 February 157711 September 1599) was a Roman noblewoman who murdered her father, Count Francesco Cenci. She was beheaded in 1599 after a lurid murder trial in Rome that gave rise to an enduring legend about her. Life Beatrice was the daughter of Ersilia Santacroce and Count Francesco Cenci, a "man of great wealth but dissolute habits and violent temper". When Beatrice was seven years old, in June 1584, her mother died. After her mother's death, Beatrice and her elder sister Antonina were sent to a small monastery, Santa Croce a Montecitorio for Franciscan Tertiary nuns in the rione Colonna of Rome. The family lived in Rome at the Palazzo Cenci in the rione Regola. The members of the extended family living together included Count Francesco's second wife, Lucrezia Petroni; Beatrice's elder brother, Giacomo; and Bernardo, Francesco's son from his second marriage. They also possessed a castle, ''La Rocca'' of Petrella Salto, a small village in the Abruzzi mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Nasalli Rocca Di Corneliano
Mario Nasalli Rocca di Corneliano (12 August 1903 – 9 November 1988) was an Italian cardinal of the Catholic Church. He served as Prefect of the Apostolic Palace from 1967 until his death, and was elevated to the cardinalate in 1969. Biography Nasalli Rocca di Corneliano was born in Piacenza to Count Camillo Nasalli Rocca and Marchioness Caterina Taffini d'Accegliano. His father died when Mario was a child, and his uncle was Giovanni Nasalli Rocca di Corneliano, who was later Archbishop of Bologna. Nasalli Rocca studied at the Pontifical Roman Seminary, Pontifical Roman Athenaeum S. Apollinare, and the Pontifical Ecclesiastical Academy before being ordained to the priesthood on 8 April 1927. He then began pastoral work in Rome, and was made a canon of St. Peter's Basilica. After being raised to the rank of a Privy Chamberlain of His Holiness on 22 November 1931, he later became a Domestic Prelate of His Holiness on 1 July 1949. Pope John XXIII named Nasalli Rocca as Mast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titular Church
In the Catholic Church, a titular church is a church in Rome that is assigned to a member of the clergy who is created a cardinal. These are Catholic churches in the city, within the jurisdiction of the Diocese of Rome, that serve as honorary designations symbolising the relationship of cardinals to the pope, the bishop of Rome. According to the 1983 Code of Canon Law, a cardinal may assist his titular church through counsel or through patronage, although "he has no power of governance over it, and he should not for any reason interfere in matters concerning the administration of its good, or its discipline, or the service of the church". There are two ranks of titular churches: titles and deaconries. A title ( la, titulus) is a titular church that is assigned to a cardinal priest (a member of the second order of the College of Cardinals), whereas a deaconry ( la, diaconia, links=no) is normally assigned to a cardinal deacon (a member of the third order of the college). If a card ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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