Samhitas
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Samhitas
Saṃhitā literally means "put together, joined, union", a "collection", and "a methodically, rule-based combination of text or verses".
Monier-Williams' Sanskrit-English Dictionary, Oxford University Press, page 1123
''Saṃhitā'' also refers to the most ancient layer of text in the s, consisting of s, hymns, prayers, and s.Lochtefeld, James G. "Samhita" in The I ...
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Veda
FIle:Atharva-Veda samhita page 471 illustration.png, upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the ''Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest Hindu texts, scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003) ...
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Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ...
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Gayatri Mantra
The Gāyatrī Mantra, also known as the Sāvitri Mantra, is a highly revered mantra from the '' Rig Veda'' (Mandala 3.62.10), dedicated to the Vedic deity Savitr. is the name of the Goddess of the Vedic meter in which the verse is composed. Its recitation is traditionally preceded by ' and the formula ', known as the ', or "great (mystical) utterance". The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the ''Bhagavad Gita'', ''Harivamsa'', and ''Manusmṛti''. The mantra and its associated metric form was known by the Buddha. The mantra is an important part of the upanayana ceremony. Modern Hindu reform movements spread the practice of the mantra to everyone and its use is now very widespread. Text The main mantra appears in the hymn RV 3.62.10. During its recitation, the hymn is preceded by ' () and the formula ' (). This prefixing of the mantra is properly described in the Taittiriya Arany ...
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William Dwight Whitney
William Dwight Whitney (February 9, 1827June 7, 1894) was an American linguist, philologist, and lexicographer known for his work on Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ... grammar and Vedas, Vedic philology as well as his influential view of language as a social institution. He was the first president of the American Philological Association and editor-in-chief of ''Century Dictionary, The Century Dictionary''. Life William Dwight Whitney was born in Northampton, Massachusetts on February 9, 1827. His father was Josiah Dwight Whitney (1786–1869) of the New England Dwight family. His mother was Sarah Williston (1800–1833) of Easthampton, Massachusetts. Whitney entered Williams College at fifteen, graduating in 1845. He continued studying and worked at a ban ...
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Atharva-Veda Samhita/Book II/Hymn 36
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have sur ...
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Agni
Agni (English: , sa, अग्नि, translit=Agni) is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu temples. In the classical cosmology of the Indian religions, Agni as fire is one of the five inert impermanent elements ('' pañcabhūtá'') along with space (''ākāśa''), water (''ap''), air (''vāyu'') and earth (''pṛthvī''), the five combining to form the empirically perceived material existence (''Prakṛti''). In Vedic literature, Agni is a major and oft-invoked god along with Indra and Soma. Agni is considered the mouth of the gods and goddesses and the medium that conveys offerings to them in a ''homa'' (votive ritual). He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords him as the messenger between the ...
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Taittiriya
The ''Taittirīya Shakha'' (Sanskrit, loosely meaning 'Branch or School of the sage Tittiri'), is a ''shakha'' (i.e. 'branch', 'school', or Recension, rescension) of the Black Yajurveda, Krishna (black) Yajurveda. Most prevalent in South India, it consists of the ''Taittirīya Samhita'' ('TS'), Taittirīya Brāhmaṇa, ''Taittirīya Brahmana'' ('TB'), ''Taittirīya Aranyaka'' ('TA'), and ''Taittirīya Pratishakhyas, Pratisakhya'' ('TP'). Nomenclature The 'Taittiriya Shakha' can be loosely translated as 'Branch or School of (the sage) Tittri' or 'Branch or School of Taittiriya' or 'School of the pupils of Tittiri'. *'Taittiriya' is derived from the name of the sage Taittiri (or Tittiri). *'Shakha' means 'branch' or 'school'. Origin Monier-Williams According to Monier Monier-Williams, Monier-Williams ''Sanskrit-English Dictionary'', Taittiri was a pupil of Yaska (estimated 4th-5th century BCE). According to the Vishnu Purana, Yaska was in turn a pupil of Vaisampayana, Va ...
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Anuṣṭubh
( sa, अनुष्टुभ्, ) is a meter and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences. By origin, an anuṣṭubh stanza is a quatrain of four lines. Each line, called a ''pāda'' (lit. "foot"), has eight syllables. In Vedic texts Arnold distinguishes three varieties of anuṣṭubh in the Vedic corpus: an early free form, with very few restrictions except a general iambic (u – u x) tendency in the cadence (vṛtta) of each of the four ''pāda''s; e.g. : , , – – – – , u – u – , : , ‖ – – – – , u – u – ‖ : , , – – – u , u – u u , : , ‖ – – – – , u – u – ‖ Next came a mildly trochaic development in the opening of each ''pāda''; and finally the development of the "epic anuṣṭubh" (mostly in the Atharvaveda) prefiguring the classical śloka form. Although in these hymns the iambic cadence of the first verse is still the most frequent (25%) of ...
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Visvedevas
The Visvedevas () ( ' "all-gods") are the various Vedic gods taken together as a whole. In the Rigveda a number of hymns are addressed to them, including (according to Griffith) 1.3,1.89, 3.54-56, 4.55, 5.41-51, 6.49-52, 7.34-37, 39, 40, 42, 43, 8.27-30, 58, 83 10.31, 35, 36, 56, 57, 61-66, 92, 93, 100, 101, 109, 114, 126, 128, 137, 141, 157, 165, 181. RV 3.54.17 addresses them as headed by Indra, :''This is, ye Wise, your great and glorious title, that all ye Deities abide in Indra.'' (trans. Griffith) The dichotomy between Devas is not evident in these hymns, and Devas are invoked together such as Mitra god and Varuna god. Though many devas are named in the Rig Veda only 33 devas are counted, eleven each of earth, space and heaven. In later Hinduism, they form one of the nine ganadevatas (along with the Adityas, Vasus, Tushitas, Abhasvaras, Anilas, Maharajikas, Sadhyas, and Rudras). According to the Vishnu Purana and Padma Purana, they were the sons of Vishvā, a daughter of ...
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Aditya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the sp ...
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Tristubh
''Trishtubh'' ( sa, त्रिष्टुभ्, , IAST: ) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses. The Trishtubh pada contains a "break" or caesura, after either four or five syllables, necessarily at a word-boundary and if possible at a syntactic break, followed by either three or two short syllables. The final four syllables form a trochaic cadence. For example RV 2.3.1: :' :' :' :' :"Agni is set upon the earth well kindled :he standeth in the presence of all beings. :Wise, ancient, God, the Priest and Purifier :let Agni serve the Gods for he is worthy." :(trans. Griffith; the translator attempts to imitate the meter in English) This is to be read metrically as follows, with marking the caesura and separating the cadence: : : : : The Avesta has a parallel stanza of 4x11 syllables with a caesura after the fourth sy ...
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Rudra
Rudra (; sa, रुद्र) is a Rigvedic deity associated with Shiva, the wind or storms, Vayu, medicine, and the hunt. One translation of the name is 'the roarer'. In the Rigveda, Rudra is praised as the 'mightiest of the mighty'. Rudra means "who eradicates problems from their roots". Depending upon the periodic situation, Rudra can mean 'the most severe roarer/howler' (could be a hurricane or tempest) or 'the most frightening one'. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The ''Shri Rudram'' hymn from the Yajurveda is dedicated to Rudra and is important in the Shaivism sect.For an overview of the Śatarudriya see: . In Prathama Anuvaka of Namakam (Taittiriya Samhita 4.5), Sri Rudram the 'mightiest of the mighty' Rudra, is revered as ''Sadasiva (meaning 'mighty Shiva')'' and Mahadeva. Sadashiva is the Supreme Being, Lord Paramashiva in the Mantra marga Siddhanta sect of Shaivism. ...
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