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Salon Indien Du Grand Café
Le Salon Indien du Grand Café was a room in the basement of the Grand Café, on the Boulevard des Capucines near the Place de l'Opéra in the center of Paris. It is notable for being the place that hosted the first commercial public film screening by the Lumière brothers, on December 28, 1895. The ten short films on the program (in order of presentation), were: #''La Sortie de l'Usine Lumière à Lyon'' (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, ''Workers Leaving the Lumiere Factory''), 46 seconds #''Le Jardinier (l'Arroseur Arrosé)'' ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds #'' Le Débarquement du Congrès de Photographie à Lyon'' ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds #'' La Voltige'' ("Horse Trick Riders"), 46 seconds #''La Pêche aux poissons rouges'' ("fishing for goldfish"), 42 seconds #''Les Forgerons'' ("Blacksmiths"), 49 seconds #'' Repas de bébé'' ("Baby's B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinématographe Lumière
Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière). History A device by this name was invented and patented as the "Cinématographe Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Abel, Richard. Encyclopedia of Early Cinema. 1st ed. London: Routledge, 2004. Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name. In 1895, they applied it to a device that was mostly their own invention. The Lumière brothers made their first film, ''Workers Leaving the Lumière Factory'' (''Sortie de l'usine Lumière de Lyon''), that same year. The first commercial, public screening of cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société D'encouragement Pour L'industrie Nationale
Lactalis is a French multinational dairy products corporation, owned by the Besnier family and based in Laval, Mayenne, France. The company's former name was Besnier SA. Lactalis is the largest dairy products group in the world, and is the second largest food products group in France, behind Danone. It owns brands such as Parmalat, Président, Siggi's Dairy, Skånemejerier, Rachel's Organic, and Stonyfield Farm. History André Besnier started a small cheesemaking company in 1933 and launched its ''Président'' brand of Camembert in 1968. In 1990, it acquired Group Bridel (2,300 employees, 10 factories, fourth-largest French dairy group) with a presence in 60 countries. In 1992, it acquired United States cheese company Sorrento. In 1999, ''la société Besnier'' became ''le groupe Lactalis'' owned by Belgian holding company BSA International SA. In 2006, they bought Italian group Galbani, and in 2008, bought Swiss cheesemaker Baer. They bought Italian group Parmalat in a 2011 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boulevard Des Capucines
The Boulevard des Capucines is a boulevard in Paris. It is one of the 'Grands Boulevards' in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma ..., a chain of boulevards built through the former course of the Wall of Charles V and the City walls of Paris#Louis XIII Wall, Louis XIII Wall, which were destroyed on the orders of Louis XIV. The name comes from a beautiful convent of Order of Friars Minor Capuchin#The Capuchin Poor Clares, Capuchin nuns whose garden was on the south side of the boulevard prior to the French Revolution. The former name, ''Rue Basse-du-Rempart'' ("bottom-of-the-wall street" in French), suggests that, in the beginning, the street paralleled the city wall of Paris. Then, when the wall was destroyed, the street was widened and became a boulevard. Not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electrotachyscope
The Elektrischen Schnellseher (literally "Electrical Quick-Viewer") or Electrotachyscope was an early motion picture system developed by chronophotographer Ottomar Anschütz between 1886 and 1894. He made at least seven different versions of the machine, including a projector, a peep-box viewer and several versions with illuminated glass photographs on a rotating wheel viewed on a 12.5 cm wide milk-glass screen by up to seven people at the same time. History Before working on chronophotography and motion pictures, Anschütz had already received much acclaim for his instantaneous pictures of flying storks in 1884. In 1885, Anschütz made his first chronophotographs of horses, sponsored by the Prussian minister of Culture. Initially, he used 12 cameras, later on 24. The quality of his pictures was generally regarded to be much higher than that of pioneer Eadweard Muybridge's chronophotographic series. He continued with studies of horses in motion at the Königlichen Militärre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronophotography
Chronophotography is a photographic technique from the Victorian era which captures a number of phases of movements. The best known chronophotography works were mostly intended for the scientific study of locomotion, to discover practical information for animal handlers and/or as reference material for artists. Although many results were not intended to be exhibited as moving pictures, there is much overlap with the more or less simultaneous quest to register and exhibit photographic motion pictures. Definition Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion". The term ''chronophotography'' was coined by French physiologist Étienne-Jules Marey to describe photographs of movement from which measurements could be taken and motion could be studied. It is derived from the Greek word χρόνος '' chrónos'' ("time") combined with ''photography''.The J. Paul Getty Museum (1990). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottomar Anschütz
Ottomar Anschütz (16 May 1846, in Lissa – 30 May 1907, in Berlin) was a German inventor, photographer, and chronophotographer Career Anschütz studied photography between 1864 and 1868 under the well-known photographers Ferdinand Beyrich (Berlin), Franz Hanfstaengl (Munich) und Ludwig Angerer (Vienna). He received recognition for his photograph of John of Saxony on horseback in 1867. He then took over his father's company in Lissa, mainly working as a portrait photographer and as a decorative painter. Anschütz made his first instantaneous photographs in 1881. He developed his portable camera that allowed shutter speeds as short as 1/1000 of a second in 1882. He made a name for himself with sharp photographs of imperial military demonstrations in Breslau in 1882 and gained more fame with pictures of flying storks in 1884. He organized exhibitions of his work at the Berlin Kriegsakademie and the Düsseldorf Kunsthalle. In 1885, Anschütz started working on chronophotography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Grévin
The ''Musée Grévin'' (; ) ( en, Grévin Museum) is a wax museum in Paris located on the Grands Boulevards in the 9th arrondissement on the right bank of the Seine, at 10, Boulevard Montmartre, Paris, France. It is open daily; an admission fee is charged. The musée Grévin also has locations in Montreal and Seoul. History The museum was founded in 1882 by Arthur Meyer, a journalist for ''Le Gaulois'', on the model of Madame Tussauds founded in London in 1835 and named for its first artistic director, caricaturist Alfred Grévin. It is one of the oldest wax museums in Europe. Its baroque architecture includes a hall of mirrors based on the principle of a catoptric cistula in 2018, a young American author, composer, interpreter and designer, Krysle Lip was in charge of the artistic and esthetical transformation of the Hall of Mirrors The hall of mirrors was built for the Exposition Universelle in 1900. It was originally housed in the ''Palais des mirages'' designed by Eugèn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Optique
The Théâtre Optique (Optical Theatre) is an animated moving picture system invented by Charles-Émile Reynaud, Émile Reynaud and patented in 1888. From 28 October 1892 to March 1900 Reynaud gave over 12,800 shows to a total of over 500,000 visitors at the Musée Grévin in Paris. His ''Pantomimes Lumineuses'' series of animated films include ''Pauvre Pierrot'' and ''Autour d'une cabine''. Reynaud's Théâtre Optique predated Auguste and Louis Lumière's first commercial, public screening of the cinematograph on 28 December 1895, which has long been seen as the birth of film. Technology The realized films had 300 to 700 transparent pictures of successive phases of moving figures with black backgrounds. The pictures were hand painted by Reynaud in aniline inks directly on 6 x 6 cm gelatin plates. The plates were coated with shellac and framed in a cardboard strip of which the sides were clad in fabric bands attached with split pins. The horizontal film strip could be up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Reynaud
Charles-Émile Reynaud (8 December 1844 – 9 January 1918) was a French inventor, responsible for the praxinoscope (an animation device patented in 1877 that improved on the zoetrope) and was responsible for the first projected animated films. His ''Pantomimes Lumineuses'' premiered on 28 October 1892 in Paris. His Théâtre Optique film system, patented in 1888, is also notable as the first known instance of film perforations being used. The performances predated Auguste and Louis Lumière's first paid public screening of the cinematographe on 26 December 1895, often seen as the birth of cinema. Biography Charles-Émile Reynaud was born on 8 December 1844 in Montreuil-sous-Bois (now a suburb of Paris). His father Benoît-Claude-Brutus Reynaud was an engineer and medal engraver originally from Le Puy-en-Velay and his mother Marie-Caroline Bellanger had been a school teacher, but stayed at home to raise and educate Émile from his birth. Marie-Caroline was trained in wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bioscop
The Bioscop is a movie projector developed in 1895 by German inventors and filmmakers Max Skladanowsky and his brother Emil Skladanowsky (1866–1945). History The Bioscop used two loops of 54-mm films without a side perforation. This caused poor control of the film-transport through the projector and might have contributed to the more successful development of the cinematograph by the French brothers Lumiere. The first public performance of the movie scenes using the Bioscop was organized in the restaurant Feldschlößchen in Berlin-Pankow, Berliner Straße 27. Three of the scenes became iconic for early cinematography: ''Boxing Kangaroo The boxing kangaroo is a national symbol of Australia, frequently seen in pop culture. The symbol is often displayed prominently by Australian spectators at sporting events, such as at cricket, tennis, basketball and football matches, and at t ...'', ''The Wrestler'' and '' The Serpentine Dancer''. They were all shot earlier in the gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Skladanowsky
Max Skladanowsky (30 April 1863 – 30 November 1939) was a German inventor and early filmmaker. Along with his brother Emil, he invented the Bioscop, an early movie projector the Skladanowsky brothers used to display a moving picture show to a paying audience on 1 November 1895, shortly before the public debut of the Lumière Brothers' Cinématographe in Paris on 28 December 1895. Career Born as the fourth child of glazier Carl Theodor Skladanowsky (1830–1897) and Luise Auguste Ernestine Skladanowsky, Max Skladanowsky was apprenticed as a photographer and glass painter, which led to an interest in magic lanterns. In 1879, he began to tour Germany and Central Europe with his father Carl and elder brother Emil, giving dissolving magic lantern shows. While Emil mostly took care of promotion, Max was mostly involved with the technology and for instance developed special multi-lens devices that allowed simultaneous projection of up to nine separate image sequences. Carl retired f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eidoloscope
The Eidoloscope was an early motion picture system created by Eugene Augustin Lauste, Woodville Latham and his two sons through their business, the Lambda Company, in New York City in 1894 and 1895. The Eidoloscope was demonstrated for members of the press on April 21, 1895, and opened to the paying public on Broadway on May 20. History Originally called the Pantoptikon (also spelled 'Panoptikon'), it is perhaps the first widescreen film format, with an aspect ratio of 1.85 to 1. It had a film gauge of 51 mm and an aperture of 37 mm by 20 mm. It was instrumental in the history of film in that it created what became known as the "Latham loop", which are two loops of film, one on each side of the intermittent movement, which act as a buffer between continuously moving sprockets and the jerky motion of the intermittent movement. This relieved strain on the filmstrip and so enabled the shooting and projection of much longer motion pictures than had previously been p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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