Salomé (Moretto)
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Salomé (Moretto)
''Salomé'' (also ''Tullia d'Aragona'' or ''Tullia d'Aragona as Salomé'') is an oil painting on canvas, by Moretto da Brescia, executed . It is kept in the collection of the Pinacoteca Tosio Martinengo in Brescia. The work's connection with the historical character of Tullia d'Aragona is unknown. According to critics, the painting inaugurates the late production of the artist, where Moretto is much freer in composition and colors than previous works, in the style of Titian. History The original patron of the painting is unknown, and it appears for the first time in historical documents in a 19th-century inventory of Count Teodoro Lechi, reported under the title ''Herodias with fur and a wand'' in his hand. He then transferred it to other owners, in Brescia, and on 20 July 1814 it was used in exchange to obtain the ''Baptism of Saint Catherine'' by Paolo Veronese. The painting was then bought by Count in 1829 and along with the rest of his collection entered the Pinacoteca Tos ...
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Moretto Da Brescia
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ru ...
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Pinacoteca Tosio Martinengo
The Pinacoteca Tosio Martinengo is a public art museum in Brescia, Lombardy. Established in 1851, the museum exhibits mainly paintings by local artists dated from the Thirteenth through the Eighteenth century. The museum's current collection includes over 800 works of painting and sculpture, displayed in 21 galleries., Italy. The museum reopened on 17 March 2018 after a major nine-year-long renovation project. History The gallery opened in 1851 in the central ''Palazzo Tosio'', endowed in 1832 with the collection of Count Paolo Tosio and further enriched by donations and gathering of items from local religious buildings. In 1884, the Count Leopardo Martinengo da Barco added to the painting collection and endowed a library and collections of scientific artifacts to display in his palace. Museum The current collection of the museum includes works by Vincenzo Foppa, Ferramola, Paolo Veneziano, Andrea Solari, Francesco Francia, Lorenzo Lotto, Luca Mombello and Lattanzio Ga ...
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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
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Tullia D'Aragona
Tullia d'Aragona (1501/1505 – March or April 1556) was an Italian poet, author and philosopher. Born in Rome sometime between 1501 and 1505, Tullia traveled throughout Venice, Ferrara, Siena, and Florence before returning to Rome. Throughout her life Tullia was esteemed one of the best female writers, poets, philosophers, and charmers of her time. Influencing many of the most famous male philosophers, Tullia's work raised the status (in literature) of women to be on an equal footing as men. Her fame and success made her into the most celebrated of Renaissance poet-courtesans. With her intellect, literary abilities and social graces, she entertained powerful men and famous poets. Early years Tullia was born in Rome sometime between 1501 and 1505, to Giulia Campana (formerly Giulia Pendaglia), who was the daughter of an otherwise unknown father Orsino Pendaglia from Ferrara. It is unknown if her maternal grandfather was a member natural or legitimate of a noble Ferrarese family wit ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ...
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Salome
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Flavius Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death (AD 34), she married her cousin Aristobulus of Chalcis, thus becoming queen of Chalcis and Armenia Minor. The gospel story of her dance at the birthday celebration of her stepfather, who had John the Baptist beheaded at her request, inspired art, literature and music over an extended period of time. Among the paintings are those by Titian and Gustave Moreau. Oscar Wilde's 1891 eponymous play, and its 190 ...
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Herodias
Herodias ( el, Ἡρῳδιάς, ''Hērǭdiás''; ''c.'' 15 BC – after AD 39) was a princess of the Herodian dynasty of Judaea during the time of the Roman Empire. Christian writings connect her with John the Baptist's execution. Family relationships *Daughter of Aristobulus IV and his wife Berenice. *Full sister to Herod V (king of Chalkis), Herod Agrippa (king of Judea), Aristobulus Minor, and Mariamne III (wife of Crown Prince Antipater and, after his execution by Herod the Great, she was possibly the first wife of Herod Archelaus, principal heir of Herod the Great and ethnarch of Judea). Marriages Herod II Herod the Great executed his sons, Alexander and Aristobulus IV, in 7 BC, and engaged Herodias to Herod II (born ca. 27 BC; died AD 33), her half-uncle. The marriage was opposed by Antipater II, Herod the Great's eldest son, and so Herod demoted Herod II to second in line to the throne. Antipater's execution in 4 BC for plotting to poison his father left Herod II ...
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1540 Paintings
Year 154 ( CLIV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Lateranus (or, less frequently, year 907 ''Ab urbe condita''). The denomination 154 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * King Eupator of Bosphorus pays tribute to Rome, due to the threat posed by the Alani. * The Antonine Wall is completed. Asia * Last (2nd) year of ''Yongxing'' era of the Chinese Han Dynasty. * Adalla becomes ruler of the Korean kingdom of Silla. By topic Religion * Anicetus becomes pope of Rome (approximate date). * Anicetus meets with Polycarp of Smyrna to discuss the Computus, the date of Easter in the Christian liturgical calendar. * Change of Patriarch of Constantinople from Patriarch Euzois to Patriarch Laur ...
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Paintings Depicting Salome
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings By Moretto Da Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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