|
Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Map Showing Shakespearean Theatres
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as ''Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished from the Lord Mayo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porter's Hall Theatre
The Porter's Hall Theatre was a small theatre in London, it existed for a short while in 1616. The licence for its construction was revoked around its date of completion, and few records of it survive. Location Porter's Hall Theatre was constructed in Blackfriars by Philip Rosseter, the manager of the Queen's Revels company, after he lost his lease on the Whitefriars Theatre in 1614. It received a royal license on 3 June 1615, allowing it to be used by the Queen's Revels Prince Charles', and Lady Elizabeth's Players. History The city was opposed to the construction of another theatre, and a petition was given against the construction to Sir Edward Coke, Lord Chief Justice, in August 1615. On 26 September it was ordered that the license for the playhouse did not allow it to be constructed in the city, and that all building work must stop. Legal arguments from Rosseter and his two fellow investors, Philip Kingman and Ralph Reeve, went back and forth until 27 January 1617, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Beeston
Christopher Beeston (c. 1579 – c. 15 October 1638) was a successful actor and a powerful theatrical impresario in early 17th century London. He was associated with a number of playwrights, particularly Thomas Heywood. Early life Little is known of Beeston's early life. In extant records he is known alternately as Beeston and Hutchison. He has not so far been decisively connected with the William Beeston mentioned by Thomas Nashe in ''Strange News''; however, such a connection is possible. Beeston has been conjecturally associated with the "Kit" in the surviving plot of Richard Tarlton's ''The Seven Deadly Sins''. It is likely that he began in theatre as a child actor: Augustine Phillips bequeathed "his servant" Beeston thirty shillings in his 1605 last will and testament, indicating that Beeston had been that actor's apprentice with the Lord Chamberlain's Men. Beeston played in the company's 1598 production of Ben Jonson's ''Every Man in His Humour''. So it appears that Beesto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors in Caroline era in London. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria of France. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since he started it in 1617; it was with Queen Henrietta's Men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Charles's Men
Prince Charles's Men (known as the Duke of York's Men from 1608 to 1612) was a playing company or troupe of actors in Jacobean and Caroline England. The Jacobean era troupe The company was formed in 1608 as the Duke of York's Men, under the titular patronage of King James' second son, the eight-year-old Charles (1600–49), then the Duke of York. Upon the death of Charles's elder brother Prince Henry in 1612, the company became Prince Charles's Men. They played mainly in the provinces for the first two years of their existence, but in 1610 they received a renewed royal patent that authorized them to play in London, "in such usual houses as themselves shall provide." Seven actors are listed in the patent: John Garland, William Rowley, Thomas Hobbes, Robert Dawes, Joseph Taylor, John Newton, and Gilbert Reason. Rowley was their dramatist and clown; Joseph Taylor would be their leading man in future years, and then fill the same function with the King's Men, when he replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Revels Men
The King's Revels Men or King's Revels Company was a playing company or troupe of actors in seventeenth-century England. In the confusing theatre nomenclature of that era, it is sometimes called the ''second'' King's Revels Company, to distinguish it from an earlier troupe with the same title that was active in the 1607-9 period. Since the earlier group was a company of boy actors, they are alternatively referred to as the King's Revels Children, while the later troupe is termed the King's Revels Men. The King's Revels Men received a royal charter on 27 February 1615. They spent their early years touring the cities and towns outside London, though they later took up residence in the city. By the second quarter of the century they were acting at the Fortune Theatre and at the Salisbury Court Theatre (the latter in 1630–31 and 1633–36). They played Thomas Randolph's ''The Muses' Looking-Glass'' in the summer of 1630, and James Shirley's '' Love in a Maze'' in 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Revels
The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberlain. Originally he was responsible for overseeing royal festivities, known as ''revels'', and he later also became responsible for stage censorship, until this function was transferred to the Lord Chamberlain in 1624. However, Henry Herbert, the deputy Master of the Revels and later the Master, continued to perform the function on behalf of the Lord Chamberlain until the English Civil War in 1642, when stage plays were prohibited. The office continued almost until the end of the 18th century, although with rather reduced status. History The Revels Office has an influential role in the history of the English stage. Among the expenses of the royal Wardrobe we find provision made for ''tunicae'' and ''viseres'' ( shirts and hats) in 1347 for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Herbert (Master Of The Revels)
Sir Henry Herbert (baptized 7 July 1594 – 27 April 1673) was Master of the Revels to both King Charles I and King Charles II, as well as a politician during both reigns. Biography Baptised in July 1594, Herbert was the sixth son of Magdelen Herbert and Richard Herbert of Montgomery Castle. Richard was a younger brother of Edward Herbert, 1st Baron Herbert of Cherbury and the poet George Herbert, both former members of the Parliament of England, and older brother of naval officer Thomas Herbert. Their family was related to the Herbert Earls of Pembroke, prominent figures in English government and society throughout the Jacobean and Caroline era. Edward Herbert was ambassador in Paris, and Henry joined him in 1619 and became involved in the case of Piero Hugon and the jewels of Anne of Denmark. Herbert's role as Master of the Revels involved reading and licensing plays and supervising all kinds of public entertainment. Officially, Herbert became Master of the Revels in 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Gunnell
Richard Gunnell ( fl. 1613 – 1634) was an actor, playwright, and theatre manager in Jacobean and Caroline era London. He is best remembered for his role in the founding of the Salisbury Court Theatre. Actor and playwright Nothing is known of Gunnell's early life or the first phase of his stage career. He acted with the Admiral's Men, then called the Palsgrave's Men, from 1613 to 1622. When the Palsgrave's Men received their renewed charter and their new name on 4 January 1613, Gunnell was already a sharer in the company. Despite the scantiness of the documentary record for the Palsgrave's troupe, Gunnell can be seen moving up into a managerial responsibility over his years with the company. In the 1613 charter he is listed twelfth of the fourteen sharers. On the company's 1618 lease of the Fortune Playhouse from owner Edward Alleyn, Gunnell is fourth of ten. And when the company leased the rebuilt Fortune in 1622, Gunnell is listed first. The fire that destroyed the Fortune on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Orrell
John Orrell (December 31, 1934 – September 16, 2003) was a British author, theatre historian, and English professor at the University of Alberta. The ''New York Times'' described him as the "historian whose intellectual detective work laid the groundwork for the 1997 re-creation of Shakespeare’s original Globe Theater." Life and work Orrell was born in Kent, England. After completing his National Service as a pilot at the NATO base in Moose Jaw, Saskatchewan, he obtained a degree in English at University College, Oxford, followed by a Ph.D. at the University of Toronto. In 1961 he joined the English department at the University of Alberta in Edmonton, where he lived for the rest of his life. Orrell wrote and presented documentaries for CBC Television on a wide range of subjects, from Louis Riel to avalanche control to the Renaissance and Elizabethan culture. His book ''The Quest for Shakespeare’s Globe'', published by Cambridge University Press in 1983, brought him inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew John Gurr
Andrew John Gurr (born 23 December 1936) is a contemporary literary scholar who specializes in William Shakespeare and English Renaissance theatre. Life and work Born in Leicester, Gurr was raised in New Zealand, and educated at the University of Auckland and at Cambridge University. He has taught at the Universities of Wellington, Leeds, and Nairobi (1969–73); at the latter institution he was also head of his department. From 1976 until his retirement in 2002 he was professor of English at the University of Reading (head of department, 1979–86), where he taught Shakespeare studies and where he is now Emeritus Professor. Gurr co-wrote a 1981 study of Katherine Mansfield (with Claire Hanson) and two books on African literature; but he is best known for his books on Shakespeare and his contemporaries, and the theatre of that historical era—books that are recognized and utilized as essential references on English Renaissance drama. He has authored a wide range of articles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inigo Jones
Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England and Wales, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to Britain. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Early life and career Beyond the fact that he was born in Smithfield, London, as the son of clothworker Inigo Jones Snr., and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
