Saint Sebastian Tended By Saint Irene
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Saint Sebastian Tended By Saint Irene
Saint Sebastian Tended by Saint Irene is an incident in the legends of Saint Sebastian and Saint Irene of Rome. It was not prominent in the hagiographical literature until the late Renaissance, and is hardly seen in art before then. As an artistic subject, normally in painting, it suddenly became popular from the 1610s, though found in predella scenes as early as the 15th century, and was most popular until about the 1670s. Though Sebastian is famously tied to a tree or post and shot with many arrows, in his story he always survives this, only to be killed with stones some time later; these ordeals are sometimes called his "first" and "second martyrdom". The tending by Saint Irene takes place between these, after the archery, when she, normally accompanied by her maid, enters the story. She is shown either taking an unconscious Sebastian down from the tree or post to which he is tied or when he has been found a bed and his wounds are being treated. In both scenes Irene is usu ...
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Nicolas Régnier - Saint Sébastien Soigné Par Irène Et Sa Servante
Nicolas or Nicolás may refer to: People Given name * Nicolas (given name) Mononym * Nicolas (footballer, born 1999), Brazilian footballer * Nicolas (footballer, born 2000), Brazilian footballer Surname Nicolas * Dafydd Nicolas (c.1705–1774), Welsh poet * Jean Nicolas (1913–1978), French international football player * Nicholas Harris Nicolas (1799–1848), English antiquary * Paul Nicolas (1899–1959), French international football player * Robert Nicolas (1595–1667), English politician Nicolás * Adolfo Nicolás (1936–2020), Superior General of the Society of Jesus * Eduardo Nicolás (born 1972), Spanish former professional tennis player Other uses * Nicolas (wine retailer), a French chain of wine retailers * ''Le Petit Nicolas'', a series of children's books by René Goscinny See also * San Nicolás (other) * Nicholas (other) * Nicola (other) * Nikola Nikola () is a given name which, like Nicholas, is a version of the Greek ''Nikolaos ...
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Bordeaux
Bordeaux ( , ; Gascon oc, Bordèu ; eu, Bordele; it, Bordò; es, Burdeos) is a port city on the river Garonne in the Gironde department, Southwestern France. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department. Its inhabitants are called ''"Bordelais"'' (masculine) or ''"Bordelaises"'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 260,958 in 2019 within its small municipal territory of , With its 27 suburban municipalities it forms the Bordeaux Metropolis, in charge of metropolitan issues. With a population of 814,049 at the Jan. 2019 census. it is the fifth most populated in France, after Paris, Lyon, Marseille and Lille and ahead of Toulouse. Together with its suburbs and exurbs, except satellite cities of Arcachon and Libourne, the Bordeaux metropolitan area had a population of 1,363,711 that same year (Jan. 2019 census), ma ...
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Paul Troger
Paul Troger (30 October 1698 – 20 July 1762) was an Austrian painter, draughtsman, and printmaker of the late Baroque period. Troger's illusionistic ceiling paintings in fresco are notable for their dramatic vitality of movement and their palette of light colors. Paul Troger’s style, particularly in his frescoes, dominated Austrian painting until the end of the 18th century and profoundly influenced significant artists of the next generation, notably Franz Anton Maulbertsch, Josef Ignaz Mildorfer, Johann Wenzel Bergl and Johann Lucas Kracker. Life Paul Troger was born on 30 October 1698 in Welsberg, in the Puster Valley of the County of Tyrol. At the age of 16, under the patronage of the aristocratic Tyrolean von Firmian family, he visited Fiume and became a pupil of Giuseppe Alberti. He painted his first fresco “Three Angels with the Cross and Putti”, in the Kalvarienkirche, Kaltern (1722). In 1722, the prince-bishop of Gurk sent Paul Troger to Venice, where he d ...
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Low Countries
The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in Northwestern Europe forming the lower basin of the Rhine–Meuse–Scheldt delta and consisting of three countries: Belgium, the Netherlands and Luxembourg. Geographically and historically, the area also includes parts of France and Germany such as the French Flanders and the German regions of East Frisia and Cleves. During the Middle Ages, the Low Countries were divided into numerous semi-independent principalities. Historically, the regions without access to the sea linked themselves politically and economically to those with access to form various unions of ports and hinterland, stretching inland as far as parts of the German Rhineland. Because of this, nowadays not only physically low-altitude areas, but also some hilly or elevated regi ...
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Catacombs Of San Sebastiano
The Catacombs of San Sebastiano are a hypogeum cemetery in Rome (Italy), rising along Via Appia Antica, in the Ardeatino Quarter. They are one of the very few Christian burial places that have always been accessible. The first of the former four floors is now almost completely destroyed. The toponym In ancient times the catacombs were simply known with the name ''in catacumbas'', a Greek term composed by two words, ''katà'' and ''kymbe'', literally meaning "close to the cavity". Actually, along the Appian Way, close to the cemetery, an evident dip in the ground is visible even now. Moreover, before its employment as a burial ground, the area was occupied by pozzolan mines, now placed about ten meters above the floor of the Basilica of San Sebastiano fuori le mura: these mines gave rise to a pagan cemetery, then used by Christians. The word ''catacumbas'', through a process of extension and assimilation, was gradually used to identify all the hypogeum burial sites, thus simply ca ...
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San Sebastiano Fuori Le Mura
San Sebastiano fuori le mura (Saint Sebastian beyond the Walls), or San Sebastiano ''ad Catacumbas'' (Saint Sebastian at the Catacombs), is a Minor basilica in Rome, Central Italy. Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches of Rome, and many pilgrims still favor the traditional list (not least perhaps because of the Catacombs, and because the Santuario della Madonna del Divino Amore, which replaced it in the list, is farther from the inner city). History Built originally in the first half of the 4th century, the basilica is dedicated to St. Sebastian, a popular Roman martyr of the 3rd century. The name ''ad catacumbas'' refers to the catacombs of St Sebastian, over which the church was built, while "fuori le mura" refers to the fact that the church is built outside the Aurelian Walls, and is used to differentiate the basilica from the church of San Sebastiano al Palatino on the Palatine Hill. According to the founding tradition, in 25 ...
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San Sebastiano De Via Papae
San Sebastiano de Via Papae was a small church in the Sant'Eustachio ''rione'' of Rome that was demolished in the 1590s in order to enable the construction of the church of Sant'Andrea della Valle. Name and dedication The church's dedication to Saint Sebastian comes from a tradition that it was built on the spot where the Christian noblewoman Lucina rescued the saint's corpse from the sewer where it had been thrown after his martyrdom. In regard to that tradition's historical reliability, the archaeologist Mariano Armellini is skeptical, but nevertheless deems it certain that the antiquity of the church means that it references some definite memory of the martyr. The designation of ''via Papae'' (Latin: ''way of the Pope''), by which the church was commonly referred, recalls its location along a ceremonial papal route that began at the present site of Sant'Andrea della Valle and the piazza which stands in front of it, which before the sixteenth century was called Piazza di Siena. ...
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San Sebastiano Al Palatino
San Sebastiano al Palatino is a church on the northeastern corner of the Palatine Hill in Rome. It is dedicated to Saint Sebastian, a late-third-century Christian martyr under the reign of Diocletian. According to legend, the church was built on the site of the saint's "first" martyrdom with arrows, which was unsuccessful. History and excavation The medieval church is accessed from the Via Bonaventura, from the Forum. It sits on a rectangular terrace, 110 by 150 metres, whose brick substructure dates back to the reign of the final Flavian Emperor, Domitian. Excavations carried out at the beginning of the twentieth century revealed the concrete foundation of a peripteral temple, 60 metres long and 40 metres wide. It may be the remains of the unidentifiable Temple of Divus Augustus, which was dedicated in the first century CE and rebuilt by Domitian after it was destroyed in a fire. It may also be the temple built by the emperor Elagabalus in the third century. The temple was repl ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ...
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Fra Bartolommeo
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ...
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Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Saint Sebastian Tended By Irene (Ter Brugghen)
''Saint Sebastian Tended by Irene'' is an oil-on-canvas painting by Hendrick ter Brugghen dated to 1625. Now in the Allen Memorial Art Museum of Oberlin, Ohio, the piece depicts the Roman Catholic subject of Saint Sebastian Tended by Saint Irene, after Irene of Rome and her maid rescued him following his attempted martyrdom by the Roman authorities. An exemplary piece of the Italianate Baroque tendency in Dutch Golden Age painting, the painting employs dramatic uses of light and skillful chiaroscuro to depict its religious subject, evidence of influence from Caravaggio and Ter Brugghen's fellow Utrecht Caravaggisti. It was described by Seymour Slive as Ter Brugghen's "masterpiece": "the large, full, forms of the group have been knit together into a magnificent design, and what could have been hard and sculptural is remarkably softened by the soft, silvery light which plays over Sebastian's half-dead, olive-grey body as well as the reds, creamy whites, and plum colours worn by t ...
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