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Saint Petersburg Mining University
Saint Petersburg Mining University (russian: Санкт-Петербургский горный университет), is Russia's oldest technical university, and one of the oldest technical colleges in Europe. It was founded on October 21, 1773, by Empress Catherine the Great, who realised an idea proposed by Peter the Great and Mikhail Lomonosov for training engineers for the mining and metals industries. Having a strong engineering profession was seen by many Russian rulers as a vital means of maintaining Russia's status as a great power. As historian Alfred J. Rieber wrote, "The marriage of technology and central state power had a natural attraction for Peter the Great and his successors, particularly Paul I, Alexander I, and Nicholas I". All three had had a military education and seen the achievements of the engineers of revolutionary and imperial France, who had reconstructed the great highways, unified the waterways and erected buildings throughout Europe in a more las ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public University
A public university or public college is a university or college that is in owned by the state or receives significant public funds through a national or subnational government, as opposed to a private university. Whether a national university is considered public varies from one country (or region) to another, largely depending on the specific education landscape. Africa Egypt In Egypt, Al-Azhar University was founded in 970 AD as a madrasa; it formally became a public university in 1961 and is one of the oldest institutions of higher education in the world. In the 20th century, Egypt opened many other public universities with government-subsidized tuition fees, including Cairo University in 1908, Alexandria University in 1912, Assiut University in 1928, Ain Shams University in 1957, Helwan University in 1959, Beni-Suef University in 1963, Zagazig University in 1974, Benha University in 1976, and Suez Canal University in 1989. Kenya In Kenya, the Ministry o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasilievsky Island
Vasilyevsky Island (russian: Васи́льевский о́стров, Vasilyevsky Ostrov, V.O.) is an island in St. Petersburg, Russia, bordered by the Bolshaya Neva and Malaya Neva Rivers (in the delta of the Neva River) in the south and northeast, and by Neva Bay of the Gulf of Finland in the west. Vasilyevsky Island is separated from Dekabristov Island by the Smolenka River. Together they form the territory of Vasileostrovsky District, an administrative division of Saint Petersburg. Situated just across the river from the Winter Palace, it constitutes a large portion of the city's historic center. Two of the most famous St. Petersburg bridges, Palace Bridge and Blagoveshchensky Bridge, connect it with the mainland to the south. The Exchange Bridge and Tuchkov Bridge across the Malaya Neva connect it with Petrogradsky Island. Vasilyevsky Island is served by Vasileostrovskaya and Primorskaya stations of Saint Petersburg Metro ( Line 3 ). There are pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The History Of The Russian Uniform (ongoing Stamp Series)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narva Triumphal Arch
The Narva Triumphal Arch (russian: На́рвские триумфа́льные ворота, lit. ''Narvskie Triumfal'nyye vorota'') was erected in the vast Stachek Square (prior to 1923 also known as the Narva Square), Saint Petersburg, in 1814 to commemorate the Russian victory over Napoleon. The wooden structure was constructed on the then highway to Narva with the purpose of greeting the soldiers who were returning from abroad after their victory over Napoleon. The architect of the original Narva triumphal arch was Giacomo Quarenghi. The program was meant to respond to the Arc de Triomphe du Carrousel in Paris, originally erected to celebrate Napoleon's victory over the Allies at Austerlitz, but the material used was a weather-resistant plaster that was never intended to be permanent. Between 1827 and 1834 Vasily Stasov redesigned and rebuilt the gate in stone. A similar gate, also by Stasov, was erected on the road leading to Moscow. A sculptor Vasily Demut-Malinovsky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stepan Pimenov
Stepan Stepanovich Pimenov () (1784 – ) was an artist and sculptor of the Russian Empire. He was closely associated with Vasily Demut-Malinovsky, with whom he worked on the decoration of buildings designed by Carlo Rossi and Andrey Voronikhin. He was an academician of the Imperial Academy of Arts from 1807, and a full professor from 1814. Born in 1784, Pimenov attended the Imperial Academy of Arts and distinguished himself there, winning several medals for his artistic compositions. Graduating in 1803, he was soon involved in an important commission, working with several other famous sculptors and artists on Andrey Voronikhin's project for the Kazan Cathedral. Making his name with two particular sculptures, Pimenov became an academician and went on to teach at the Academy. He combined his teaching duties with carrying out important commissions, and also worked as a designer at the Imperial Porcelain Factory. He co-operated with Voronikhin and Demut-Malinovsky once more o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rape Of Proserpina
''The Rape of Proserpina'' ( it, Ratto di Proserpina), more accurately translated as ''the Abduction of Proserpina'', is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. It features a Pluto holding a Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into. Cardinal Scipione Borghese commissioned the sculpture and gave it to the newly-appointed Cardinal-nephew, Ludovico Ludovisi, possibly as a means of gaining favor. The choice to depict the myth of Proserpina may relate to the recent death of Pope Paul V, or to the recent empowerment of Ludovico. Bernini drew heavy inspiration from Giambologna and Annibale Carracci for the sculpture, which is also the only work for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pluto (mythology)
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proserpina
Proserpina ( , ) or Proserpine ( ) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone. Proserpina replaced or was combined with the ancient Roman fertility goddess Libera, whose principal cult was housed in the Aventine temple of the grain-goddess Ceres, along with the wine god Liber. Each of these three deities occupied their own ''cella'' at the temple. Their cults were served or supervised by a male public priesthood. Ceres was by far the senior of the three, one of the dii consentes, Rome's approximate equivalent to the Greek Twelve Olympians. She was identified with Greek Demeter and Liber was identified with Bacchus and Dionysus. Libera is sometimes described as a female version of Liber Pater, concerned with female fertility. Otherwise she is given no clear identity or mythology by Roman sources, and no Greek equivalent. Nothing is known of her native iconography: her name translates as a feminine form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Demut-Malinovsky
Vasily Ivanovich Demut-Malinovsky was a Russian sculptor whose works represent the quintessence of the Empire style. Biography He entered the Imperial Academy of Arts at the age of six and studied under Mikhail Kozlovsky for fifteen years. Upon the death of his teacher, he won a competition to design his tomb and departed for Rome to study with Canova. Success came to him with two colossal statues for the Kazan Cathedral in St Petersburg. In the aftermath of the Russian victory over Napoleon, Demut-Malinovsky executed a number of patriotic pieces, including a tomb and a large statue of Barclay de Tolly in Estonia. Later Alexander I assigned to him the task of preparing bas-reliefs symbolizing the Neva and the Volga for the Alexander Column on Palace Square. Demut-Malinovsky also designed statuary and decorations for other St Petersburg churches, palaces, and public monuments, especially those designed by Carlo Rossi: the General Staff Building, the Bourse, the Admi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stroganov Palace
The Stroganov Palace ( Russian: Строгановский дворец) is a Late Baroque palace at the intersection of the Moika River and Nevsky Prospect in St. Petersburg, Russia. The palace was built to Bartolomeo Rastrelli's designs for Baron Sergei Grigoriyevich Stroganov in 1753–1754. The interiors were remodeled by Andrei Voronikhin at the turn of the 19th century. History The first house for the Stroganovs was built on the site probably in the 1720s. It was a one-storey building. Architect Mikhail Zemtsov erected a second, two-storey house on the site in the 1740s. In 1752, Baron Sergei Stroganov commissioned the palace design from Italian architect Bartolomeo Rastrelli, then at work extending the Catherine Palace and building the Smolny Convent for Empress Elisabeth. Since the Stroganovs were the richest family in Russia and were related to the Empress by marriage, Rastrelli could not turn down the commission and hastily prepared a design for the townhouse. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavlovsk Palace
Pavlovsk Palace (russian: Павловский дворец) is an 18th-century Russian Imperial residence built by the order of Catherine the Great for her son Grand Duke Paul, in Pavlovsk, within Saint Petersburg. After his death, it became the home of his widow, Maria Feodorovna. The palace and the large English garden surrounding it are now a Russian state museum and public park. History Catherine and Grand Duke Paul In 1777, the Empress Catherine II of Russia gave a parcel of a thousand hectares of forest along the winding Slavyanka River, four kilometers from her residence at Tsarskoye Selo, to her son and heir Paul I and his wife Maria Feodorovna, to celebrate the birth of their first son, the future Alexander I of Russia. At the time the land was given to Paul and Maria Feodorovna, there were two rustic log lodges called ''Krik'' and ''Krak''. Paul and his wife spent the summers of 1777 to 1780 in Krik, while their new homes and the garden were being built. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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