Saint Nicholas In Glory
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Saint Nicholas In Glory
''Saint Nicholas in Glory'' is an altarpiece painting by Italian Renaissance artist Lorenzo Lotto, executed in 1527-1529 and located in the church of Santa Maria dei Carmini, Venice. History An inscription at the altar's base reports that the canvas was commissioned in 1527 by the ''guardiano'' (curator of the church) Giovanni Battista Donati and his vicar Giorgio de' Mundis. They chose Nicholas because of their membership in a merchants' brotherhood, which was dedicated to that saint. A frame in Istrian stone had already been prepared before the work's execution. This was Lotto's first work after his return to Venice from Bergamo. Despite several innovative elements (such as the nocturnal landscape in the lower part), the canvas was poorly received by contemporaries. According to contemporary historians, the canvas was completed as early as 1529. Description According to a pattern inspired by Albrecht Dürer's prints, Lotto placed St. Nicholas in the upper center, with a lum ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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Santa Maria Dei Carmini
Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former ''Scuola Grande di Santa Maria del Carmelo'', also known as the ''Scuola dei Carmini''. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the ''Pinzocchere dei Carmini''. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites. History The church originally was called Santa Maria Assunta, and first dated to the 14th century (circa 1348).Karl Baedeker's guide
page338. The brick and marble facade contains sculpted lunettes by Gi ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Istrian Stone
Istrian stone, ''pietra d'Istria'', the characteristic group of building stones in the architecture of Venice, Istria and Dalmatia, is a dense type of impermeable limestones that was quarried in Istria, nowadays Croatia; between Portorož and Pula. Limestone is a biogenetic stone composed of calcium carbonate from the tests and shells of marine creatures laid down over eons. Istrian stone approaches the compressive strength and density of marble, which is metamorphosed limestone. It is often loosely referred to as "marble", which is not strictly correct. Venice, isolated in its lagoon, had no building stone at hand. The freshly quarried stone is salt-white or light yellowish, which weathers to a pale gray; the whiteness of Istrian stone contrasts well with coloured stones and brick. When Francesco, son of the architect Jacopo Sansovino, wrote ''Venetia citta nobilissima et singolare'' (1580) he emphasized the distinctive quality that Istrian stone and the coppery-red Verona ...
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Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expan ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Mitre
The mitre (Commonwealth English) (; Greek: μίτρα, "headband" or "turban") or miter (American English; see spelling differences), is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in traditional Christianity. Mitres are worn in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, the Anglican Communion, some Lutheran churches, for important ceremonies, by the Metropolitan of the Malankara Mar Thoma Syrian Church, and also, in the Catholic Church, all cardinals, whether or not bishops, and some Eastern Orthodox archpriests. Etymology μίτρα, ''mítra'' ( Ionic μίτρη, ''mítrē'') is Greek, and means a piece of armour, usually a metal guard worn around the waist and under a cuirass, as mentioned in Homer's Iliad. In later poems, it was used to refer to a headband used by women for their hair; and a sort of formal Babylonian headdress, as mentioned by Herodotus ('' Histories'' 1.195 and 7.90 ...
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Crosier
A crosier or crozier (also known as a paterissa, pastoral staff, or bishop's staff) is a stylized staff that is a symbol of the governing office of a bishop or abbot and is carried by high-ranking prelates of Roman Catholic, Eastern Catholic, Eastern Orthodox, Oriental Orthodox, and some Anglican, Lutheran, United Methodist and Pentecostal churches. In Western Christianity the usual form has been a shepherd's crook, curved at the top to enable animals to be hooked. In Eastern Christianity, it is found in two common forms: tau-shaped, with curved arms, surmounted by a small cross; or a pair of sculptured serpents or dragons curled back to face each other, with a small cross between them. Other typical insignia of prelates are the mitre, the pectoral cross, and the episcopal ring. History The origin of the crozier as a staff of authority is uncertain, but there were many secular and religious precedents in the ancient world. One example is the lituus, the traditional sta ...
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1520s Paintings
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Renaissance Paintings
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ...
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Paintings By Lorenzo Lotto
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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