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Stuff (Eleanor McEvoy Album)
''STUFF'' is Eleanor McEvoy's eleventh studio album. The tracks on the album were compiled to meet the requests from fans for songs they couldn't find elsewhere. McEvoy chose the songs from her collection of single mixes, audiophile tracks, and songs written and performed on other artists records. McEvoy then went into the studio to record tracks that weren't found in her collection. After all songs were recorded the entire album was re-mastered. On 14 March 2014 Stuff was named Album of the Week on RTÉ Radio 1 Critical reception McEvoy has a Voice with a capital ‘V’ - instantly recognisable despite have a huge range of expression and syles. This is demonstrated in spades as this is a collection of songs rescued from the threat of obscurity, inevitably more wide-ranging in style and substance than material specifically written for one album. That it hangs together as a great listening experience is testament to McEvoy’s great talent. That’s the great voice of Elean ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared ...
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Eleanor McEvoy
Eleanor McEvoy (born 22 January 1967) is an Irish singer-songwriter. She composed the song "Only a Woman's Heart", title track of '' A Woman's Heart'', the best-selling Irish album in Irish history. Early life and beginnings McEvoy's life as a musician began at the age of four when she began playing piano. At the age of eight she took up violin. Upon finishing school she attended Trinity College Dublin where she studied music by day and worked in pit orchestras and music clubs by night. McEvoy graduated from Trinity with an Honors Degree in music in 1988, and spent four months busking in New York City. In 1988, she was accepted into the RTÉ National Symphony Orchestra where she spent four years before leaving to concentrate on songwriting. Career 1992–2000 McEvoy built up a following in clubs in Dublin with her three piece band, Jim Tate on bass, Noel Eccles on drums, and latterly Bill Shanley on guitar. During a solo date in July 1992, she performed a little-known, self ...
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Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Britannica'', published online 17 June 2008 and also in ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's " Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums '' Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and ''Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each s ...
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Memphis, Tennessee (song)
"Memphis, Tennessee", sometimes shortened to "Memphis", is a song by Chuck Berry, first released in 1959. In the UK, the song charted at number 6 in 1963; at the same time Decca Records issued a cover version in the UK by Dave Berry and the Cruisers, which also became a UK Top 20 hit single. Johnny Rivers's version of the song was a number two US hit in 1964. Background In the song the narrator is speaking to a long-distance operator, trying to find out the number of a girl named Marie, who lives in Memphis, Tennessee, "on the southside, high upon a ridge, just a half a mile from the Mississippi bridge." The narrator offers little information to the operator at first, only that he misses Marie and that they were separated by Marie's mother. The final verse reveals that Marie is, in fact, the narrator's six-year-old daughter; her mother, presumably the narrator's ex-wife, "tore apart our happy home" because she "did not agree", as it turned out, with their marriage, not his r ...
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Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), " Rock and Roll Music" (1957) and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformatory ...
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Milord (song)
"Milord" () or "Ombre de la Rue" ("Shadow of the Street") is a 1959 song (lyrics by Georges Moustaki, music by Marguerite Monnot), famously sung by Édith Piaf. Background It is a chanson that recounts the feelings of a lower-class "girl of the port" (''fille du port'', perhaps a prostitute) who develops a crush on an elegantly attired apparent upper-class British traveller (or "milord"), whom she has seen walking the streets of the town several times (with a beautiful young woman on his arm), but who has not even noticed her. The singer feels that she is nothing more than a "shadow of the street" (''ombre de la rue''). Nonetheless, when she talks to him of love, she breaks through his shell; he begins to cry, and she has the job of cheering him up again. She succeeds, and the song ends with her shouting "Bravo! Milord" and "Encore, Milord". In connection with the film about Edith Piaf, "La vie en rose" (2007), Moustaki tells in an interview with ''Le Nouvel Observateur'' (14 F ...
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Georges Moustaki
Georges Moustaki (born Giuseppe Mustacchi; 3 May 1934 – 23 May 2013) was an Egyptian-French singer-songwriter of Jewish Italo-Greek origin. He wrote about 300 songs for some of the most popular singers in France, including Édith Piaf, Dalida, Françoise Hardy, Yves Montand, Barbara, Brigitte Fontaine, Herbert Pagani, France Gall, Cindy Daniel, Juliette Gréco, Pia Colombo, and Tino Rossi, as well as for himself. Early life in Egypt Georges Moustaki was born Giuseppe Mustacchi in Alexandria, Egypt, on 3 May 1934. His parents, Sarah and Nessim Mustacchi, were Francophile, Greek Jews from the ancient Romaniote Jewish community. Originally from the Greek island of Corfu, they moved to Egypt, where Giuseppe was born and first learned French. They owned the Cité du Livre bookshop in the cosmopolitan city of Alexandria, where many ethnic communities lived together. Moustaki's father spoke five languages and his mother spoke six. The young Giuseppe and his two older sisters s ...
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Marguerite Monnot
Marguerite Monnot (28 May 1903 – 12 October 1961) was a French songwriter and composer best known for having written many of the songs performed by Édith Piaf ("Milord", " Hymne à l'amour") and for the music in the stage musical '' Irma La Douce''. As successful female composer As a female composer of popular music in the first half of the twentieth century, Monnot was a pioneer in her field. Classically trained by her father and at the Paris Conservatory (her teachers included Nadia Boulanger, Vincent d’Indy, and Alfred Cortot), Monnot made the unusual switch to composing popular music after poor health ended her career as a concert pianist when she was eighteen. Soon after writing her first commercially successful song, "L'Étranger", in 1935, she met Édith Piaf, and in 1940 they became the first female songwriting team in France, remaining friends and collaborators throughout most of their lives. Monnot worked with such lyricists as Raymond Asso, Henri Contet, an ...
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Rodney Crowell
Rodney Crowell (born August 7, 1950) is an American musician, known primarily for his work as a singer and songwriter in country music. Crowell has had five number one singles on Hot Country Songs, all from his 1988 album '' Diamonds & Dirt''. He has also written songs and produced for other artists. He was influenced by songwriters Guy Clark and Townes Van Zandt. Crowell played guitar and sang for three years in Emmylou Harris' Hot Band. He has won two Grammy Awards in his career, one in 1990 for Best Country Song for the song " After All This Time" and one in 2014 Best Americana Album for his album '' Old Yellow Moon''. Early life Crowell was born on August 7, 1950, in Houston, Texas, to James Walter Crowell and Addie Cauzette Willoughby He came from a musical family, with one grandfather being a church choir leader and the other a bluegrass banjo player. His grandmother played guitar and his father sang semi-professionally at bars and honky tonks. At age 11, he ...
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Whistle For The Choir
"Whistle for the Choir" is a song by Scottish rock band the Fratellis. It was released on 27 November 2006 as the band's third single and reached number nine on the UK Singles Chart, marking their second UK top-10 single. In the band's native Scotland, the song reached number two, becoming their second song to reach that position after "Chelsea Dagger". The working title for the song was "Knickers in a Handbag", named after a line from Scottish comedian Billy Connolly. The artwork points toward the old name by showing a girl on the cover handling a pair of knickers above a handbag. The wistful song is the most light-hearted and sentimental of the entire album Costello Music and has drawn comparison to What Katie Did (song) by The Libertines Music video The video shows the band singing on darkened streets. It was filmed in Glasgow city centre, including Buchanan Street and Sauchiehall Street. Track listings This is listed in the iTunes Store as the ''Whistle for the Choir - ...
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