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Södermanland Runic Inscription 298
Sö 298 is the Rundata catalog number for a Viking Age memorial runestone located in Uringe Malm, which is about four kilometers west of Väländan, Stockholm County, Sweden, in the historic province of Södermanland. Description This runestone, which is made of granite and is 2.3 meters in height, consists of runic text carved on a serpent that surrounds a Christian cross. This stone has been known to runology, runologists for a few hundred years. In 1939 the stone was moved along the road 15 meters and reset. The inscription is classified as being carved in runestone styles, runestone style Pr3, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. Based on stylistic analysis, this inscription has been attributed to a runemaster named Halvdan (runemaster), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runemaster
A runemaster or runecarver is a specialist in making runestones. Description More than 100 names of runemasters are known from Viking Age Sweden with most of them from 11th-century eastern Svealand.The article ''Runristare'' in ''Nationalencyklopedin'' (1995). Many anonymous runestones have more or less securely been attributed to these runemasters. During the 11th century, when most runestones were raised, there were a few professional runemasters. They and their apprentices were contracted to make runestones and when the work was finished, they sometimes signed the stone with the name of the runemaster. Many of the uncovered runic inscriptions have likely been completed by non-professional runecarvers for the practical purposes of burial rites or record-keeping. Due to the depictions of daily life, many of the nonprofessional runecarvers could have been anything from pirates to soldiers, merchants, or farmers. The layout of Scandinavian towns provided centers where craftspeople ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish National Heritage Board
The Swedish National Heritage Board ( sv, Riksantikvarieämbetet; RAÄ) is a Swedish government agency responsible for World Heritage Sites and other national heritage monuments and historical environments. It is governed by the Ministry of Culture. The goals of the agency are to encourage the preservation and protection of historic environments and to promote the respect for and knowledge of historic environments. In order to do this, it tries to ensure that Swedish heritage is accessible to all citizens, to spread information about that heritage, and to "empower heritage as a force in the evolution of a democratic, sustainable society". History 17th and 18th century The National Heritage Board was founded in 1630. On the 20May that year, Johannes Bureus who was a prominent rune researcher and King Gustavus Adolphus' private teacher, was appointed the first ''riksantikvarien'' ("National Antiquarian"). Bureus' teachings had made the king interested in ancient monuments an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fornvännen
''Fornvännen'' ("The Friend of the Distant Past"), ''Journal of Swedish Antiquarian Research'' is a Swedish academic journal in the fields of archaeology and Medieval art. It is published quarterly by the Royal Swedish Academy of Letters, History and Antiquities in Stockholm, Sweden. The journal's contributions are written in the Scandinavian languages, English, or German with summaries in English. The editor-in-chief is Mats Roslund. The Editorial Board practices double blind peer review with external reviewers. ''Fornvännen'' began publication in 1906 when it replaced two earlier journals, ''Svenska Fornminnesföreningens Tidskrift'' and ''Vitterhetsakademiens Månadsblad''. Early contributors included noted archaeologists Oscar Montelius and Hans Hildebrand. Stig Welinder has noted that the journal included articles by women from an early stage, including those of Rosa Norström and Sigrid Leijonhufvud, and characterises this as part of the women's rights movement in Sweden. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punctuation Mark
Punctuation (or sometimes interpunction) is the use of spacing, conventional signs (called punctuation marks), and certain typographical devices as aids to the understanding and correct reading of written text, whether read silently or aloud. Another description is, "It is the practice, action, or system of inserting points or other small marks into texts in order to aid interpretation; division of text into sentences, clauses, etc., by means of such marks." In written English, punctuation is vital to disambiguate the meaning of sentences. For example: "woman, without her man, is nothing" (emphasizing the importance of men to women), and "woman: without her, man is nothing" (emphasizing the importance of women to men) have very different meanings; as do "eats shoots and leaves" (which means the subject consumes plant growths) and "eats, shoots, and leaves" (which means the subject eats first, then fires a weapon, and then leaves the scene). Truss, Lynne (2003). '' Eats, Shoots & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Södermanland Runic Inscription 292
Sö 292 is the Rundata catalog number for a Viking Age memorial runestone located in Bröta, which is about six kilometers southwest of Väländan, Stockholm County, Sweden, in the historic province of Södermanland. Description This runestone, which is made of granite and is 2.5 meters in height, has runic text carved on a serpent that forms a figure eight that encircles a Christian cross in the upper section. The inscription is classified as being carved in runestone style Pr3, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. Based on stylistic analysis, this inscription has been attributed to a runemaster named Halvdan, who is known for his Pr3 style inscriptions and signed inscription Sö 270 in Tyresta. Over fifteen other runestones have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Södermanland Runic Inscription 245
Södermanland Runic Inscription 245 or Sö 245 is the Rundata catalog number for a Viking Age runestone fragment that is located in Tungelsta, which is about two kilometers west of Västerhaninge, Stockholm County, Sweden, which was in the historic province of Södermanland. Description The inscription on the fragment Sö 245, which is about 0.6 meters in height in the upright position, consists of runic text within a band and a depiction of a bird standing on what appears to be a cross. The depiction of the bird on the cross is very similar to that depicted on inscription Sö 270 in Tyresta, which has been interpreted as being a cock. p. 127-128. Placed on a cross, the cock would be interpreted as a Christian symbol meaning rebirth and vigilance, similar to weathercocks that are on top of churches today. Based upon the similarity to Sö 270, Sö 245 is attributed to a runemaster named Halfdan, which has been normalized as Halvdan, who placed his signature on Sö 270. Several o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Södermanland Runic Inscription 239
Södermanland Runic Inscription 239 or Sö 239 is the Rundata catalog listing for a Viking Age memorial runestone fragment that is located in Häringe, which is about one kilometer east of Landfjärden, Stockholm County, Sweden, which is in the historic province of Södermanland. Description The damaged inscription on Sö 239, which is missing its upper section, is 1.4 meters in height and consists of runic text in the younger futhark that is carved on a serpent along the outer edge of the stone with a rider on a horse depicted in the center of the inscription. Several other Scandinavian runestones include depictions of horses, including DR 96 in Ålum, N 61 in Alstad, Sö 101 in Ramsundsberget, Sö 226 in Norra Stutby, Sö 327 in Göksten, U 375 in Vidbo, U 488 in Harg, U 599 in Hanunda, U 691 in Söderby, U 855 in Böksta, U 901 in Håmö, U 935 at the Uppsala Cathedral, and U 1003 in Frötuna. The inscription is classified as being carved in runestone style Pr3, which is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Södermanland Runic Inscription 235
Södermanland Runic Inscription 235 or Sö 235 is the Rundata listing for a Viking Age memorial runestone fragment that is located in Västerby, which is six kilometers southwest of Väländan, Stockholm County, Sweden, and in the historic province of Södermanland. Description This inscription, which is missing its upper section, consists of runic text in the younger futhark carved on a serpent that once encircled two animals. The animals, which because of the missing section cannot be clearly identified, appear to have hoofs and may be deer, elk, or horses. Several Scandinavian runestones include depictions of horses, including DR 96 in Ålum, N 61 in Alstad, Sö 101 in Ramsundsberget, Sö 226 in Norra Stutby, Sö 327 in Göksten, Sö 239 in Häringe, U 375 in Vidbo, U 488 in Harg, U 599 in Hanunda, U 691 in Söderby, U 855 in Böksta, U 901 in Håmö, U 935 at the Uppsala Cathedral, and U 1003 in Frötuna. The inscription, which is 1 meter in height, is classified as being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Södermanland Runic Inscription 270
Södermanland Runic Inscription 270 or Sö 270 is the Rundata catalog number for a Viking Age memorial runic inscription. It is located in Tyresta National Park, Tyresta, which is about two kilometers east of Brandbergen, Stockholm County, Sweden, which is in the historic province of Södermanland. Description This runic inscription is carved into a gneiss rockface and is about 1.65 meters in height. It consists of runic text on a serpent that surrounds a Christian cross with a bird on top of it. This bird has been interpreted as being a cock. p. 127-128. Placed on a cross, the cock would be interpreted as a Christian symbol meaning rebirth and vigilance, similar to weathercocks that are on top of churches today. A similar depiction of a bird on a cross is on the runestone fragment Sö 245 in Tungelsta. The head and tail of the serpent on Sö 270 are shown bound as if to prevent it from leaving the surface of the stone. The inscription is classified as being carved in either rune ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halvdan (runemaster)
Halvdan, normalized from Old Norse ''Halfdan'', was a runemaster in mid-11th century Södermanland, Sweden. Career Most early medieval Scandinavians were probably literate in runes, and most people probably carved messages on pieces of bone and wood.Vilka kunde rista runor?'' on the Swedish National Heritage Board website, retrieved January 13, 2007. However, it was difficult to make runestones, and in order to master it one also needed to be a stonemason. During the 11th century, when most runestones were raised, there were a few professional runemasters. The runemaster Halvdan is known by name because he signed the inscription Sö 270 in Tyresta. Halvdan often did work that has been classified as being carved in runestone style Pr3, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns, with the animal heads typically seen in profile with slender almond-shaped eyes and upwardly curled appen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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