Sémiramis (Destouches)
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Sémiramis (Destouches)
''Sémiramis'' is an opera by the French composer André Cardinal Destouches, first performed at the Académie Royale de Musique (the Paris Opera) on 4 December 1718. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Pierre-Charles Roy Pierre-Charles Roy (1683 — 23 October 1764) was a French poet and man of letters, noted for his collaborations with the composers François Francoeur and André Cardinal Destouches, to produce librettos for several opera-ballets, on classical s .... The opera was very successful : the Regent's eldest daughter, the Duchesse de Berry, came to see ''Sémiramis'' on December 7 : as if she were a queen, the haughty princess sat on an armchair which was set on a platform in the amphitheater. A barrier placed in the middle of the amphitheater, separated her and the thirty ladies of her court from the rest of the audience. On March 20, 1719, Mme de Berry, soon to give birth, saw ''Sémiramis'' again, si ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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André Cardinal Destouches
André Cardinal Destouches (sometimes called des Touches) (baptised 6 April 1672  – 7 February 1749) was a French composer best known for the ''opéra-ballet'' ''Les élémens''. Biography Born in Paris, the son of Étienne Cardinal, a wealthy merchant, André Cardinal was educated by Jesuits. With the Jesuit Father Guy Tachard, he went on a mission to Siam for two years, leaving in January 1687, and spending some time at the Cape of Good Hope, arriving in Siam in September. Coming back to France, in September 1688, he spent several months at the academy in the Manège royale, rue de Tournon. In 1692 he joined the army and participated in the invasion of Namur, discovering his musical talent while not occupied by combat. When his father died in August 1694, André Cardinal added "Destouches" to his name in memory of his father's title, Seigneur des Touches et de Guilleville. He quit the army in 1696 to pursue his musical aspirations. Destouches' opera ''Issé'' was per ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ...
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Pierre-Charles Roy
Pierre-Charles Roy (1683 — 23 October 1764) was a French poet and man of letters, noted for his collaborations with the composers François Francoeur and André Cardinal Destouches, to produce librettos for several opera-ballets, on classical subjects or pseudo-classical pastiches, for seven tragedies, and for his rivalry with the young Voltaire, who immortalised Roy with some disdainful public words. In an early letter of 1719 to Jean-Baptiste Rousseau, Voltaire says, "I have been so unfortunate under the name of Arouet that I have taken another one especially to be confused no more with the poet Roy." Roy was born and died in Paris. His first opera libretto, ''Philomèle'', was performed at the Paris Opéra on 20 October 1705. By 1718 he had provided texts for seven ''tragédies en musique'' and was being hailed as a successor to Quinault. His involvement with musicians was not always positive: He was involved in a public brawl with composer Rameau after penning a derogatory ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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1718 Operas
Events January – March * January 7 – In India, Sufi rebel leader Shah Inayat Shaheed from Sindh who had led attacks against the Mughal Empire, is beheaded days after being tricked into meeting with the Mughals to discuss peace. * January 17 – Jeremias III reclaims his role as the Ecumenical Patriarch of Constantinople, chief leader within the Eastern Orthodox Church, 16 days after the Metropolitan Cyril IV of Pruoza had engineered an election to become the Patriarch. * February 14 – The reign of Victor Amadeus over the principality of Anhalt-Bernburg (now within the state of Saxony-Anhalt in northeastern Germany) ends after 61 years and 7 months. He had ascended the throne on September 22, 1656. He is succeeded by his son Karl Frederick. * February 21 – Manuel II (Mpanzu a Nimi) becomes the new monarch of the Kingdom of Kongo (located in western Africa at present day Angola) when King Pedro IV (Nusamu a Mvemba) dies after a reign ...
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Operas By André Cardinal Destouches
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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