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Séance On A Wet Afternoon (opera)
''Séance on a Wet Afternoon'' is an opera in two acts by Stephen Schwartz to a libretto by the composer, based on the novel by Mark McShane and the screenplay by Bryan Forbes to the 1964 film of the same name. The work, Schwartz's first opera after a string of Broadway musicals (''Godspell'', ''Pippin'', ''Wicked''), premiered on 26 September 2009 at the Granada Theatre of Opera Santa Barbara which commissioned the work. The work lasts for about 2 hours 50 minutes. Performances The work received its New York debut at the New York City Opera in April 2011, this time with an additional aria for the character of Myra in act 2. It was scheduled for an Australian premiere in 2012 at Opera Queensland; both companies were co-producers of the Santa Barbara staging. That project was however shelved in late 2011.
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Rosemary Sorensen
Rosemary Sorensen (born 1954) is an Australian journalist, editor, and literary critic previously working for ''The Australian'', then for the '' Bendigo Weekly''."Rosemary Sorensen"
Sorensen was formerly an editor of the '' Australian Book Review'', and the books and arts editor for the Brisbane ''''. In 2012, together with staff of the

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Lighting Designer
In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events. During pre-production The role of the lighting designer varies greatly within professional and amateur theater. For a Broadway show, a touring production and most regional and small productions the LD is usually an outside freelance specialist hired early in the production process. Smaller theater companies may have a resident lighting designer responsib ...
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Scenic Design
Scenic design (also known as scenography, stage design, or set design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television. Scenic designer The scenic designer works with the director and other designers to establish an overall visual concept for the production and design the stage environment. They are responsible for developing a complete set of design drawings that include the following: *''basic ground plan'' showing all stationary and scenic elements; *''composite ground plan'' showing all moving scenic ele ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Hila Plitmann
Hila Plitmann (born August 9, 1973) is an Israeli-American two-time Grammy Award-winning operatic soprano, songwriter, and actress specializing in the performance of new works. Career Education *Juilliard School of Music: Bachelor of Music and Master of Music degrees with high honors Performances In 1998, one year after graduating from the Juilliard School, Plitmann premiered Pulitzer Prize winner David Del Tredici's ''The Spider and the Fly'' on only two weeks notice with The New York Philharmonic under the baton of Kurt Masur. Her theatrical acting debut was in the role of Sharon in the Fountain Theater's production of ''Master Class'' by Terrence McNally. Other notable performances include the world premiere of Pulitzer Prize-winning composer David Del Tredici's ''Paul Revere's Ride'' with the Atlanta Symphony under Robert Spano; and the world premiere of Esa-Pekka Salonen's ''Wing on Wing'' with the Los Angeles Philharmonic at Disney Hall; the premiere of Eric Whi ...
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Aaron Refvem
Aaron Refvem (born October 6, 1997, in New York City, New York) is an American former actor. He took over the role of Morgan Corinthos in ''General Hospital'' on May 12, 2009. He also appeared on ''Grey's Anatomy'' as Jackson Prescott, ''Two and a Half Men'' as Chuck in 2008, and ''The Cleaner'' as a Young Brian. In 2009, he appeared in the premiere production of Stephen Schwartz's opera ''Séance on a Wet Afternoon''. Television credits *''The Cleaner'' as young Brian (2008) *''Two and a Half Men'' as Chuck (2008) *''Grey's Anatomy'' as Jackson Prescott (2009) *''Dexter'' as Boy in Remains to Be Seen (2009) *''Sons of Anarchy'' as Cliff Weston (2009) *''General Hospital'' as young Dante Falconeri (1 episode; 2010) *''General Hospital'' as Morgan Corinthos (2009-2010) *''Medium'' as Finn Miller (2010) *''CSI: NY'' as Sam Harris (2010) *''House M.D.'' as Roger (2010) *''The Closer'' as Skander (2010) *'' Criminal Minds: Suspect Behavior'' as Paul Meeks (2011) Filmography *''Rock ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Lauren Flanigan
Lauren Flanigan (born May 18, 1958) is an American operatic soprano who has had an active international career since the 1980s. She enjoyed a particularly fruitful partnership with the New York City Opera, appearing with the company almost every year since 1990. She has sung more than 100 different opera roles on stage during her career, often appearing in contemporary works or more rarely staged operas. '' Opera News'' stated that, "Flanigan has enjoyed one of the most distinctive careers of any artist of her generation, one marked by a high volume of contemporary works. Modern composers love her because of her innate musicality, dramatic power and lightning-fast skills and instincts." Education and early career Flanigan was born in San Francisco, California, the daughter of Irish and Pennsylvania Dutch parents. In 1971, at the age of 12, she appeared as Flora in Benjamin Britten's ''The Turn of the Screw'' with the San Francisco Western Opera Theatre. Her portrayal of Flora resu ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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