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São Paulo Museum Of Art
The São Paulo Museum of Art ( pt, Museu de Arte de São Paulo, or ') is an art museum located on Paulista Avenue in the city of São Paulo, Brazil. It is well known for its headquarters, a 1968 concrete and glass structure designed by Lina Bo Bardi, whose main body is supported by two lateral beams over a freestanding space. It is considered a landmark of the city and a main symbol of modern Brazilian architecture. The museum is a non-profit institution founded in 1947 by Assis Chateaubriand and Pietro Maria Bardi. MASP distinguished itself for many important initiatives concerning museology and art education in Brazil, as well as for its pioneering role as a cultural center. It was also the first Brazilian museum interested in post-World War II art. The museum is internationally recognized for its collection of European art, considered the finest in Latin America and all Southern Hemisphere. It also houses an important collection of Brazilian art, prints and drawings, as we ...
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Avenida Paulista
Paulista Avenue (Avenida Paulista in Portuguese language, Portuguese, ''Paulistas, Paulista'' being the demonym for those born in the state of State of São Paulo, São Paulo) is one of the most important avenues in São Paulo (city), São Paulo, Brazil. It stretches and runs northwest to southeast. Its northwest point is Praça Marechal Cordeiro de Farias (:pt:Praça Marechal Cordeiro de Farias, pt) at its intersection with Rua da Consolação (:pt:Rua da Consolação, pt) and its southeast point is Praça Oswaldo Cruz (:pt:Praça Oswaldo Cruz, pt) at its intersection with Treze de Maio, Bernardino de Campos, Desembargador Eliseu Guilherme, and Dr. Rafael de Barros avenues. Major crossroads on the street are Rua Augusta (São Paulo), Rua Augusta, Rua Haddock Lobo (:pt:Rua Haddock Lobo (São Paulo), pt) and Avenida Brigadeiro Luis Antonio (:pt:Avenida Brigadeiro Luís Antônio, pt). Parallel to it are Cincinato Braga, Joaquim Eugenio de Lima on the Bela Vista/Paraíso side and Al ...
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Antiquities
Antiquities are objects from antiquity, especially the civilizations of the Mediterranean: the Classical antiquity of Greece and Rome, Ancient Egypt and the other Ancient Near Eastern cultures. Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia and elsewhere may also be covered by the term. The phenomenon of giving a high value to ancient artifacts is found in other cultures, notably China, where Chinese ritual bronzes, three to two thousand years old, have been avidly collected and imitated for centuries, and the Pre-Columbian cultures of Mesoamerica, where in particular the artifacts of the earliest Olmec civilization are found reburied in significant sites of later cultures up to the Spanish Conquest. A person who studies antiquities, as opposed to just collecting them, is often called an antiquarian. Definition The definition of the term is not always precise, and institutional definitions such as museum "Departments of Antiquities ...
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Art Dealer
An art dealer is a person or company that buys and sells works of art, or acts as the intermediary between the buyers and sellers of art. An art dealer in contemporary art typically seeks out various artists to represent, and builds relationships with collectors and museums whose interests are likely to match the work of the represented artists. Some dealers are able to anticipate market trends, while some prominent dealers may be able to influence the taste of the market. Many dealers specialize in a particular style, period, or region. They often travel internationally, frequenting exhibitions, auctions, and artists' studios looking for good buys, little-known treasures, and exciting new works. When dealers buy works of art, they resell them either in their galleries or directly to collectors. Those who deal in contemporary art in particular usually exhibit artists' works in their own galleries. They will often take part in preparing the works of art to be revealed or processe ...
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Art Critic
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art. Differently from art history, there is not an institutionalized training for art critics (with only few exceptions); art critics come from different backgrounds and they may or may not be university trained. Professional art critics are expected to have a keen eye for art and a thorough knowledge of art history. Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. Very rarely art critics earn their living from writing criticism. The opinions of ...
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Rio De Janeiro
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. In 1808, when the Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent João VI of Portugal, raised Brazil to the dignity of a k ...
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Art Collection
A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc. This differentiates it from an archive or library, where the contents may be more paper-based, replaceable and less exhibition oriented, or a private collection of art formed by an individual, family or institution that may grant no public access. A museum normally has a collecting policy for new acquisitions, so only objects in certain categories and of a certain quality are accepted into the collection. The process by which an object is formally included in the collection is called ''accessioning'' and each object is given a unique accession number. Museum collections, and archives in general, are normally catalogued in a collection catalogue, traditionally in a card index, but nowadays in a computerized database. Transferring collection catalogues onto computer-based media is a major undertaking for most museums. All new acquisiti ...
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Masterpiece
A masterpiece, ''magnum opus'' (), or ''chef-d’œuvre'' (; ; ) in modern use is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship. Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts. Etymology The form ''masterstik'' is recorded in English or Scots in a set of Aberdeen guild regulations dated to 1579, whereas "masterpiece" is first found in 1605, already outside a guild context, in a Ben Jonson play. "Masterprize" was another early variant in English. In English, the term rapidly became used in a variety of contexts for an exceptionally good piece of creative work, and was "in early use, often applied to man as the 'masterpiece' of God or Nature". History Originally, the term ''masterpiece'' referred to a piece of ...
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Diários Associados
The Diários Associados, or Associated Dailies, are a union of Brazilian communication media created by Assis Chateaubriand. Diários Associados owned Rede Tupi, the first Brazilian television network, through its affiliate, the Rede de Emissoras Associadas, from 1950 to 1980. Today the group has 50 vehicles of communication, consisting of 15 newspapers, 12 radio networks, 8 television networks, 9 Internet portals and 5 other sites, 1 foundation and 5 other companies. Newspapers * Correio Braziliense ( pt) - Brasília - DF * Diário Mercantil ( pt) - Rio de Janeiro - RJ * O Diário de Natal ( pt) of Poti - Natal - RN * Estado de Minas ( pt) - Belo Horizonte - MG * Diário de Pernambuco ( pt) - Recife - PE * Jornal do Commercio ( pt) - Rio de Janeiro - RJ * Diário da Borborema ( pt) - Campina Grande-PB * O Imparcial ( pt) - São Luís - MA * O Norte ( pt) - João Pessoa - PB * Monitor Campista ( pt) - Campos - RJ * Aqui BH ( pt) - Belo Horizonte - BH * Aqui DF ( pt) - ...
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Art Gallery
An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums. Among the modern reasons art may be displayed are aesthetic enjoyment, education, historic preservation, or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum ...
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Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ...
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Pinacoteca Do Estado De São Paulo
The ''Pinacoteca do Estado de São Paulo'' (Portuguese for "pinacotheca (picture gallery) of the state of São Paulo") is one of the most important art museums in Brazil. History The museum is housed in a 1900 building in Jardim da Luz, Downtown São Paulo, designed by Ramos de Azevedo and Domiziano Rossi to be the headquarters of the Lyceum of Arts and Crafts. It is the oldest art museum in São Paulo, founded on December 24, 1905, and established as a state museum since 1911. After passing through a renovation conducted by Paulo Mendes da Rocha in the 1990s, the museum became one of the most dynamic cultural institutions of the country, lining up with the international circuit of exhibitions, hosting cultural events and keeping an active bibliographic production. Pinacoteca also maintains a branch in Bom Retiro district, called ''Estação Pinacoteca'', where it holds temporary exhibitions and the institution's documentation center. 2008 heist On June 12, 2008, three ...
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Week Of Modern Art
The Modern Art Week ( pt, Semana de Arte Moderna) was an arts festival in São Paulo, Brazil, that ran from February 10 to February 17, 1922. Historically, the Week marked the start of Brazilian Modernism; though a number of individual Brazilian artists were doing modernist work before the week, it coalesced and defined the movement and introduced it to Brazilian society at large. For Brazil, it was as important as the International Exhibition of Modern Art (also known as the Armory Show), held in New York City in 1913, which became a legendary watershed date in the history of American art. The Week took place at the Municipal Theater in São Paulo, and included plastic arts exhibitions, lectures, concerts, and reading of poems. In its breadth it differed significantly from the Armory Show, with which it is often compared, but which featured only visual art. It was organized chiefly by painter Emiliano Di Cavalcanti and poet Mário de Andrade, in an attempt to bring to a head a ...
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