Szenen Aus Dem Leben Der Heiligen Johanna
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Szenen Aus Dem Leben Der Heiligen Johanna
''Szenen aus dem Leben der Heiligen Johanna'' (''Jeanne D'Arc'') is an opera in three acts by Walter Braunfels to a libretto by the composer. Composition history Braunfels began the composition after attending the premiere of Hindemith's ''Mathis der Maler'' in May 1938, and he had completed the opera by 1943. The libretto, written by the composer, is based on the actual French and Latin documents of the trial of Joan of Arc in their German translation (1935), there are also a few references to the play ''Saint Joan'' by George Bernard Shaw and other 20th-century interpretations of Joan of Arc. The libretto produces many of Joan's naive statements verbatim from the trial documents. Performance history Despite Braunfels' intense affection for the opera, as an expression of his Roman Catholic belief, he was unable to obtain a performance after the war. His student Fritzjof Haas recorded that Braunfels, six months before his death in 1953, expressed as his biggest disappointment of a ...
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Walter Braunfels
Walter Braunfels (; 19 December 1882 – 19 March 1954) was a German composer, pianist, and music educator. Life Walter Braunfels was born in Frankfurt. His first music teacher was his mother, the great-niece of the composer Louis Spohr. He continued his piano studies in Frankfurt at the Hoch Conservatory with James Kwast. Braunfels studied law and economics at the university in Munich until after a performance of Richard Wagner's ''Tristan und Isolde'' he decided on music. He went to Vienna in 1902 to study with the pianist and teacher Theodor Leschetizky. He then returned to Munich to study composition with Felix Mottl and Ludwig Thuille. In February 1918 he was wounded at the front and in June 1918 on his return to Frankfurt converted from Protestantism to Catholicism, composing his ''Te Deum'' of 1920–21 "not as music for musicians but as a personal expression of faith".Braunfels, cited in He achieved early success with the melodious opera '' Die Vögel'' (''The Birds'' ...
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Georges De La Trémoille
Georges may refer to: Places *Georges River, New South Wales, Australia *Georges Quay (Dublin) *Georges Township, Fayette County, Pennsylvania Other uses *Georges (name) * ''Georges'' (novel), a novel by Alexandre Dumas * "Georges" (song), a 1977 song originally recorded by Pat Simon and covered by Sylvie Vartan *Georges (store), a department store in Melbourne, Australia from 1880 to 1995 * Georges (''Green Card'' character) People with the surname * Eugenia Georges, American anthropologist *Karl Ernst Georges (1806–1895), German classical philologist and lexicographer, known for his edition of Latin-German dictionaries. See also *École secondaire Georges-P.-Vanier, a high school in Hamilton, Ontario, Canada *École secondaire Georges-Vanier in Laval, Quebec, Canada * French cruiser ''Georges Leygues'', commissioned in 1937 * French frigate ''Georges Leygues'' (D640), commissioned in 1979 *George (other) *Georges Creek (other) *Georges Creek Coal and Iron Co ...
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German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ...
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Operas Set In France
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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1943 Operas
Events Below, the events of World War II have the "WWII" prefix. January * January 1 – WWII: The Soviet Union announces that 22 German divisions have been encircled at Stalingrad, with 175,000 killed and 137,650 captured. * January 4 – WWII: Greek-Polish athlete and saboteur Jerzy Iwanow-Szajnowicz is executed by the Germans at Kaisariani. * January 11 ** The United States and United Kingdom revise previously unequal treaty relationships with the Republic of China (1912–1949), Republic of China. ** Italian-American anarchist Carlo Tresca is assassinated in New York City. * January 13 – Anti-Nazi protests in Sofia result in 200 arrests and 36 executions. * January 14 – January 24, 24 – WWII: Casablanca Conference: Franklin D. Roosevelt, President of the United States; Winston Churchill, Prime Minister of the United Kingdom; and Generals Charles de Gaulle and Henri Giraud of the Free French forces meet secretly at the Anfa Hotel in Casablanca, Morocco, to plan the ...
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Operas By Walter Braunfels
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Archangel Michael
Michael (; he, מִיכָאֵל, lit=Who is like El od, translit=Mīḵāʾēl; el, Μιχαήλ, translit=Mikhaḗl; la, Michahel; ar, ميخائيل ، مِيكَالَ ، ميكائيل, translit=Mīkāʾīl, Mīkāl, Mīkhāʾīl), also called Saint Michael the Archangel, Saint Michael the Taxiarch in Orthodoxy and Archangel Michael is an archangel in Judaism, Christianity, Islam and the Baha'i faith. The earliest surviving mentions of his name are in 3rd- and 2nd-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels and responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael. Second Temple Jewish writings The earliest surviving mention of Michael is in a 3rd century BC Jewish a ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Charles VII Of France
Charles VII (22 February 1403 – 22 July 1461), called the Victorious (french: le Victorieux) or the Well-Served (), was King of France from 1422 to his death in 1461. In the midst of the Hundred Years' War, Charles VII inherited the throne of France under desperate circumstances. Forces of the Kingdom of England and the duke of Burgundy occupied Guyenne and northern France, including Paris, the most populous city, and Reims, the city in which French kings were traditionally crowned. In addition, his father, Charles VI, had disinherited him in 1420 and recognized Henry V of England and his heirs as the legitimate successors to the French crown. At the same time, a civil war raged in France between the Armagnacs (supporters of the House of Valois) and the Burgundian party (supporters of the House of Valois-Burgundy, which was allied to the English). With his court removed to Bourges, south of the Loire River, Charles was disparagingly called the "King of Bourges", because the ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Gilles De Rais
Gilles de Rais (c. 1405 – 26 October 1440), Baron de Rais (), was a knight and lord from Brittany, Anjou and Poitou, a leader in the French army, and a companion-in-arms of Joan of Arc. He is best known for his reputation and later conviction as a confessed serial killer of children. A member of the House of Montmorency-Laval, Gilles de Rais grew up under the tutelage of his maternal grandfather and increased his fortune by marriage. He earned the favour of the Duke of Brittany and was admitted to the French court. From 1427 to 1435, Rais served as a commander in the French army, and fought alongside Joan of Arc against the English and their Burgundian allies during the Hundred Years' War, for which he was appointed Marshal of France. In 1434 or 1435, he retired from military life, depleted his wealth by staging an extravagant theatrical spectacle of his own composition, and was accused of dabbling in the occult. After 1432, Rais was accused of engaging in a series of c ...
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Mathis Der Maler
''Mathis der Maler'' (''Matthias the Painter'' is an opera by Paul Hindemith. The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, inspired many creative figures in the early 20th century. Hindemith completed the opera, writing his own libretto, in 1935. By that time, however, the rise of Nazism prevented Hindemith from securing a performance in Germany. The story, set during the German Peasants' War (1524-25), concerns Matthias's struggle for artistic freedom of expression in the repressive climate of his day, which mirrored Hindemith's own struggle as the Nazis attained power and repressed dissent. The opera's obvious political message did not escape the regime. Performance history The opera was first performed at the Opernhaus Zürich on 28 May 1938, conducted by Robert Denzler. On 14 October 1956, a rebuilt Schauspiel Köln in Cologne opened with a gala performa ...
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