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Syntax (typeface)
Syntax comprises a family of fonts designed by Swiss typeface designer Hans Eduard Meier. Originally just a sans-serif font, it was extended with additional serif designs. Syntax Syntax is a humanist sans-serif typeface designed by Meier in 1968, and released in 1969 by the D. Stempel Schriftgießerei (type foundry) of Frankfurt am Main. It is believed to be the final face designed and released by D. Stempel for foundry casting. The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. In the period 1968–1972, Meier worked on additional weights and variations to the Syntax typeface. In 1989, the original foundry metal design was digitized by Adobe, which also expanded the family to include bold and ultrabold weights, resulting in a font family of 4 romans and 1 italic (in lightest weight) fonts. Meier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon Syntax Font
Oberon () is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play '' A Midsummer Night's Dream'', in which he is King of the Fairies and spouse of Titania, Queen of the Fairies. Etymology Oberon is derived from Alberich (from Old High German ''alb-'' "elf" and ''-rîh-'', "ruler", "king"), the name of a dwarf from Germanic mythology. In the ''Nibelungenlied'', a Burgundian poem written around the turn of the 13th century, Alberich guards the treasure of the Nibelungen, but is overcome by Siegfried. In Old French, the name Alberich evolved into ''Alberon'' and then ''Auberon'' and ultimately into '' Aubrey''. French heroic song The name Oberon (as Auberon) is first attested to in the early 13th century entitled , wherein it refers to an elven man of the forest encountered by the eponymous hero. Huon, son of Seguin count of Bordeaux, passed through the forest inhabited by Oberon. He was warned by a hermit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Directors Club
The Type Directors Club (TDC) is an international organization devoted to typography and type design, founded in 1946 in New York City. TDC believes that type drives culture, and that culture drives type—and is dedicated to cataloging, showcasing, and exhibiting typography worldwide. Founding member Milton Zudek described the club's goals at their first exhibit opening in 1947: Timeline 1943: The club was started as an unofficial gathering in 1943. Founding member Milton Zudeck described the club’s goals: “We simply want to make more and more advertising people aware of the important of the agency typographer. We want them to realize that the selection of type for an advertisement demands a sixth sense that goes beyond the basic knowledge of typefaces.” 1946: The Type Directors Club organization was formed by several leading NY art directors, including Aaron Burns, Louis Dorfsman and Milton Zudeck. 1960: The TDC was composed of men for many years until 1960 when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naskh (script)
Naskh ( ar, , qalam an-naskh, from the verb , , 'to copy', from n-s-kh root (ن-س-خ)) is a smaller, round script of Islamic calligraphy. Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility. In his 1617 ''Grammatica Arabica'', Thomas van Erpe defined naskhī characters as the "noblest and true writing style". Origin Naskh style of writing can be found as early as within the first century of the Islamic calendar. Round scripts became the most popular in the eleventh, twelfth and thirteenth centuries, due to their use by scribes. Ibn Muqla is credited with standardizing the "Six Pens" of Islamic calligraphy, also including , , , , and . These are known as "the proportioned scripts" () or "the six scripts" (). Kufic is commonly believed to predate naskh, but historians have traced the two scripts as coexisting long before their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadine Chahine
Nadine Chahine (in Arabic: نادين شاهين) is a Lebanese type designer working as the CEO at I Love Typography Ltd and the Director at ArabicType Ltd. From 2005 till 2015 she worked as the Arabic Specialist at Linotype and Monotype Imaging and from 2015 to 2018 as the UK Type Director and Legibility Expert at Monotype UK. She designed Arabic versions of the popular typefaces Helvetica, Frutiger, and Zapfino. Her typeface Koufiya was the first to include a simultaneously designed matching Arabic and Latin parts. Nadine Chanine was selected as one (69th) of the 100 most creative people ranked by ''Fast Company ''Fast Company'' is a monthly American business magazine published in print and online that focuses on technology, business, and design. It publishes six print issues per year. History ''Fast Company'' was launched in November 1995 by Alan Web ...'' magazine. References External links *Koufiyaon Linotype {{DEFAULTSORT:Chahine, Nadine Lebanese designers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OpenType
OpenType is a format for scalable computer fonts. It was built on its predecessor TrueType, retaining TrueType's basic structure and adding many intricate data structures for prescribing typographic behavior. OpenType is a registered trademark of Microsoft Corporation. The specification germinated at Microsoft, with Adobe Systems also contributing by the time of the public announcement in 1996. Because of wide availability and typographic flexibility, including provisions for handling the diverse behaviors of all the world's writing systems, OpenType fonts are used commonly on major computer platforms. History OpenType's origins date to Microsoft's attempt to license Apple's advanced typography technology GX Typography in the early 1990s. Those negotiations failed, motivating Microsoft to forge ahead with its own technology, dubbed "TrueType Open" in 1994. Adobe joined Microsoft in those efforts in 1996, adding support for the glyph outline technology used in its Type 1 fonts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PostScript Fonts
PostScript fonts are font files encoded in outline font specifications developed by Adobe Systems for professional digital typesetting. This system uses PostScript file format to encode font information. "PostScript fonts" may also separately be used to refer to a basic set of fonts included as standards in the PostScript system, such as Times New Roman, Helvetica, and Avant Garde. History Type 1 and Type 3 fonts, though introduced by Adobe in 1984 as part of the PostScript page description language, did not see widespread use until March 1985 when the first laser printer to use the PostScript language, the Apple LaserWriter, was introduced. Even then, in 1985, the outline fonts were resident only in the printer, and the screen used bitmap fonts as substitutes for outline fonts. Although originally part of PostScript, Type 1 fonts used a simplified set of drawing operations compared to ordinary PostScript (programmatic elements such as loops and variables were removed, much l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TrueType
TrueType is an outline font standard developed by Apple in the late 1980s as a competitor to Adobe's Type 1 fonts used in PostScript. It has become the most common format for fonts on the classic Mac OS, macOS, and Microsoft Windows operating systems. The primary strength of TrueType was originally that it offered font developers a high degree of control over precisely how their fonts are displayed, right down to particular pixels, at various font sizes. With widely varying rendering technologies in use today, pixel-level control is no longer certain in a TrueType font. History ''TrueType'' was known during its development stage, first by the codename "Bass" and later on by the codename "Royal". The system was developed and eventually released as TrueType with the launch of Mac System 7 in May 1991. The initial TrueType outline fonts, four-weight families of ''Times Roman'', ''Helvetica'', ''Courier'', and the pi font "Symbol" replicated the original PostScript fonts of the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISO Latin-1
ISO/IEC 8859-1:1998, ''Information technology — 8-bit single-byte coded graphic character sets — Part 1: Latin alphabet No. 1'', is part of the ISO/IEC 8859 series of ASCII-based standard character encodings, first edition published in 1987. ISO/IEC 8859-1 encodes what it refers to as "Latin alphabet no. 1", consisting of 191 characters from the Latin script. This character-encoding scheme is used throughout the Americas, Western Europe, Oceania, and much of Africa. It is the basis for some popular 8-bit character sets and the first two blocks of characters in Unicode. ISO-8859-1 was (according to the standard, at least) the default encoding of documents delivered via HTTP with a MIME type beginning with "text/" (HTML5 changed this to Windows-1252). , 1.3% of all (but only 8 of the top 1000) web sites use . It is the most ''declared'' single-byte character encoding in the world on the Web, but as Web browsers interpret it as the superset Windows-1252, the documents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrillic Script
The Cyrillic script ( ), Slavonic script or the Slavic script, is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic languages, Slavic, Turkic languages, Turkic, Mongolic languages, Mongolic, Uralic languages, Uralic, Caucasian languages, Caucasian and Iranian languages, Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia. , around 250 million people in Eurasia use Cyrillic as the official script for their national languages, with Russia accounting for about half of them. With the accession of Bulgaria to the European Union on 1 January 2007, Cyrillic became the third official script of the European Union, following the Latin script, Latin and Greek alphabet, Greek alphabets. The Early Cyrillic alphabet was developed during the 9th century AD at the Preslav Literary School in the First Bulgarian Empire during the reign of tsar Simeon I of Bulgar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Small Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally reta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phototypesetting
Phototypesetting is a method of setting type. It uses photography to make columns of type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing (digital typesetting). The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. Phototypesetting offered numerous advantages over metal type, including the lack of need to keep heavy metal type and matrices in stock, the ability to use a much wider rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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