Synaulia
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Synaulia
Synaulia is a team of musicians, archeologists, palaentologists and choreographers dedicated to the application of their historical research to ancient music and dance, in particular to the ancient Etruscan and Roman periods. History 160px, Apollo citaredo. Painted plasterwork, Roman work from the Augustan era. From the Scalae Caci on Palatinum, Rome The name comes from the Ancient Greek "συναυλία" (), which in ancient Rome referred to a group of instruments consisting mainly of wind instruments. The group was founded and at first sponsored by the Rijksmuseum van Oudheden in Leiden, Netherlands in 1995 by Italian paleorganologist Walter Maioli and choreographer and anthropologist Natalie Van Ravenstein. In the beginning the Synaulia's task was mainly educational: the reconstruction of ancient musical instruments for the Dutch archeological center, Archeon. Later the scope was widened to include a more profound study into Italy's music and dance focusing primarily on anci ...
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Walter Maioli
Walter Maioli (born 1950 in Milan) is an Italian researcher, paleorganologist, poly-instrumentalist and composer. Specialized in experimental archaeology and music, in particular that of archaic civilization. He has been researching the music of antiquity and prehistory for more than thirty-five years. Always interested in the music of the Mediterranean, he has gone on journeys to discover the folkloristic Italian and Mediterranean traditions learning the Arabic, African, Oriental, and European music since the beginning of the seventies. In 1972 he founded the pioneer world music group Aktuala group, dedicated to folkloristic African and Asian music. In the eighties Walter Maioli's researches focused on the field of prehistoric instruments, his work was presented at the Archaeological Symposium of Amsterdam for the opening of the Den Haag Museum in The Hague (Den Haag). In 1987 he prepared the Natural Art Laboratory of Morimondo in the Ticino Park, working on the Art of the N ...
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Fresco Apollo Kitharoidos Palatino Inv379982 N2
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appare ...
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