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Symposium (painting)
''Symposium'' or ''Das Gastmahl des Platon'' are paintings by the German painter Anselm Feuerbach from c. 1869 and 1873/74 of a moment from Plato's Symposium, when the drunken Alcibiades and revelers enter the house of the poet Agathon. Socrates, near the wall at right-centre, turns his back on the scene, and bows his head. The 1869 painting is in the Staatliche Kunsthalle Karlsruhe and the 1874 painting in the Alte Nationalgalerie, Staatliche Museen zu Berlin. History ''Symposium'' was first displayed in 1869 at the Great International Art Exhibition, in Munich Germany. During the exhibition critics wrote, “a sea of ice that had forced itself undesired into a perfume shop.” Another critic, “An extreme of ugliness in form and color which borders on vulgarity and filth ... as if Feuerbach had put his paint brush into ink and calcium water instead of color.” The image ended up in a private collection. Feuerbach painted another more colorful version, which is since 187 ...
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Anselm Feuerbach - Das Gastmahl
Anselm may refer to: People Saints * Anselm, Duke of Friuli (s), Benedictine monk and abbot Nonantula * Anselm of Canterbury (c. 1033–1109), philosopher, Abbot of Bec, and Archbishop of Canterbury * Anselm of Lucca (1036–1086), better known as Saint Anselm of Lucca Bishops * Anselm I (bishop of Milan) ( 813–818), bishop of Milan * Anselm II (archbishop of Milan) (died 896), also known as Anselm II Capra * Anselm I of Aosta (994–1026), the last bishop to serve as count of Aosta, and brother-in-law of Burchard, bishop of Aosta * Anselm I of Lucca (died 1073), better known as Pope Alexander II * Anselm II (1070s  1090s), bishop of Aosta * Anselm III (archbishop of Milan) ( it, Anselmo da Rho, link=no;  1086–1093) * Anselm IV (archbishop of Milan) ( it, Anselmo da Bovisio, link=no;  1097–1101) * Anselm of Havelberg (–1158), Premonstratensian canon and archbishop of Ravenna * Anselm V (Archbishop of Milan) ( 1126–1136), also known as Anselmo ...
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Cultural Depictions Of Socrates
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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Paintings In The Collection Of The Alte Nationalgalerie
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings By Anselm Feuerbach
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Pietro Testa
Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. Biography He was born in Lucca, and thus is sometimes called ''il Lucchesino''. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His ''Sacrifice of Iphigenia'' appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci. These ...
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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Great International Art Exhibition
Great may refer to: Descriptions or measurements * Great, a relative measurement in physical space, see Size * Greatness, being divine, majestic, superior, majestic, or transcendent People * List of people known as "the Great" *Artel Great (born 1981), American actor Other uses * ''Great'' (1975 film), a British animated short about Isambard Kingdom Brunel * ''Great'' (2013 film), a German short film * Great (supermarket), a supermarket in Hong Kong * GReAT, Graph Rewriting and Transformation, a Model Transformation Language * Gang Resistance Education and Training Gang Resistance Education And Training, abbreviated G.R.E.A.T., provides a school-based, police officer instructed program that includes classroom instruction and various learning activities. Their intention is to teach the students to avoid gang ..., or GREAT, a school-based and police officer-instructed program * Global Research and Analysis Team (GReAT), a cybersecurity team at Kaspersky Lab *'' Great!'', a 20 ...
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Staatliche Museen Zu Berlin
The Berlin State Museums (german: Staatliche Museen zu Berlin) are a group of institutions in Berlin, Germany, comprising seventeen museums in five clusters, several research institutes, libraries, and supporting facilities. They are overseen by the Prussian Cultural Heritage Foundation and funded by the German federal government in collaboration with Germany's federal states. The central complex on Museum Island was added to the UNESCO list of World Heritage Sites in 1999. By 2007, the Berlin State Museums had grown into the largest complex of museums in Europe. The museum was originally founded by King Friedrich Wilhelm III of Prussia in 1823 as the Königliche Museen (in English, Royal Museums). The director-general of the Berlin State Museums is Michael Eissenhauer. Museum locations Berlin-Mitte * Museum Island ** Altes Museum: Roman and Greek Classical Antiquities ** Alte Nationalgalerie: 19th century sculptures and paintings. ** Bode-Museum: the Numismatic Collect ...
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Anselm Feuerbach
Anselm Feuerbach (12 September 1829 – 4 January 1880) was a German painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai .... He was the leading Classics, classicist painter of the German 19th-century school. Biography Early life Feuerbach was born at Speyer, the son of the archaeologist Joseph Anselm Feuerbach and the grandson of the legal scholar Paul Johann Anselm Ritter von Feuerbach. The house of his birth is now a small museum. Between 1845 and 1848 he attended the Kunstakademie Düsseldorf, Düsseldorf Academy, where he was taught by Johann Wilhelm Schirmer, Wilhelm von Schadow, and Carl Sohn. He went on to the Munich Academy, but in 1850, along with a number of other dissatisfied students, he moved to the academy at Antwerp, where he studied under Egide Charles Gu ...
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Alte Nationalgalerie
The Alte Nationalgalerie ( ''Old National Gallery'') is a listed building on the Museum Island in the Mitte (locality), historic centre of Berlin, Germany. The gallery was built from 1862 to 1876 by the order of King Frederick William IV of Prussia according to plans by Friedrich August Stüler and Johann Heinrich Strack in Neoclassical architecture, Neoclassical and Renaissance Revival architecture, Renaissance Revival styles. The building's outside stair features a memorial to Frederick William IV. Currently, the Alte Nationalgalerie is home to painting, paintings and sculpture, sculptures of the 19th century and hosts a variety of tourist buses daily. As part of the Museum Island complex, the gallery was inscribed on the UNESCO World Heritage List in 1999 for its outstanding architecture and its testimony to the development of museums and galleries as a cultural phenomenon in the late 19th century. History Founding The first impetus to founding a national gallery came in 181 ...
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