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Symphony No. 94
The Symphony No. 94 in G major ( H. 1/94) is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony. Composition and premiere Haydn wrote the symphony in 1791 in London for a concert series he gave during the first of his visits to England (1791–1792). The premiere took place at the Hanover Square Rooms in London on March 23, 1792, with Haydn leading the orchestra seated at a fortepiano. Scoring and length The Surprise Symphony is scored for a Classical-era orchestra consisting of two each of flutes, oboes, bassoons, horns, trumpets, plus timpani, and the usual string section consisting of violins (first and second), violas, cellos, and double basses. Performances of the Surprise Symphony last about 23 minutes. Nickname Haydn's music contains many jokes, and the Surprise Symphony includes probably the most famous of all: a sudden fortissimo chord at the end of the otherwise piano opening theme in the variation-fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hoppner (1758-1810) - Franz Joseph Haydn (1732-1809) - RCIN 406987 - Royal Collection
John Hoppner (4 April 175823 January 1810) was an English portrait painter, much influenced by Sir Joshua Reynolds, Reynolds, who achieved fame as a brilliant colourist. Early life Hoppner was born in Whitechapel, London, the son of German parents – his mother was one of the German attendants at the royal palace. George III of the United Kingdom, King George showed a fatherly interest and patronage of the young boy that gave rise to rumours, quite unfounded, that he may have been his illegitimate son. Hoppner became a chorister at the royal chapel, but, showing strong inclination for art, in 1775 he entered the Royal Academy. In 1778 he took a silver medal for Figure drawing, drawing from life, and in 1782 the Academy's highest award, the gold medal for historical painting, his subject being King Lear. Career Hoppner first exhibited at the Royal Academy in 1780. His earliest love was for landscape, but necessity obliged him to turn to the more lucrative business of portra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Woodfall
Portrait of Portrait of William Woodfall, in the National Portrait Gallery (4672211). William Woodfall (baptised 7 February 1745 – 1803) was an English printer, publisher and Parliamentary reporter. Life William's father, Henry Woodfall, printed and published the ''Public Advertiser''. William served an apprenticeship with bookseller Richard Baldwin after attending St. Paul's School, London, and Tonbridge School, where his nickname was "Memory Woodfall". Following his father's retirement, Woodfall shared the running of the ''Public Advertiser'' with his brother Henry Sampson Woodfall. William edited the ''London Packet'' from 1772 to 1774, then joined the ''Morning Chronicle'' as publisher, editor, and reporter. In 1770 London papers began to report Parliamentary debates fully, against the rules of the House of Commons. Woodfall published long reports of over 17,000 words, often copied by other papers. He would walk down to the House of Commons "with a hard-boiled egg in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Christoph Dies
Albert Christoph Dies (175528 December 1822) was a German painter, engraver, and biographer most noted for his biography of Joseph Haydn, although it is now considered sentimental and not entirely accurate. As an artist, he is also not very well-regarded. As painter Dies was born in Hanover (baptized 11 February 1755),New Grove, "Dies" and began his studies there. For one year he studied in the academy of Düsseldorf, and then he started at the age of twenty with thirty ducats in his pocket for Rome, studying briefly on the way in Mannheim and Basel. In Rome he lived a frugal life till 1796; his son Johannes (Giovanni) was born there in 1776. Copying pictures, chiefly by Salvator Rosa, for a livelihood, his taste led him to draw and paint from nature in Tivoli, Albano and other picturesque places in the vicinity of Rome. Naples, the birthplace of his favorite master, he visited more than once for the same reasons. Goethe visited him in 1787. The poet, interested in the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro (music)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Pleyel
Ignace Joseph Pleyel (; ; 18 June 1757 – 14 November 1831) was an Austrian-born French composer, music publisher and piano builder of the Classical period. Life Early years He was born in in Lower Austria, the son of a schoolmaster named Martin Pleyl. Despite the fact that some sources claim that he had 37 siblings, he was the 8th and last child of his fathers first wedding to Anna Theresia née Forster and had eight more half siblings from his father's second wedding to Maria Anna née Placho. While still young, he probably studied with Johann Baptist Wanhal, and from 1772 he became the pupil of Joseph Haydn in Eisenstadt. As with Beethoven, born 13 years later, Pleyel benefited in his study from the sponsorship of aristocracy, in this case Count Ladislaus Erdődy (1746–1786). Pleyel evidently had a close relationship with Haydn, who considered him to be a superb student. Among Pleyel's apprentice work from this time was a puppet opera ''Die Fee Urgele'', (1776) performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg August Griesinger
Georg August von Griesinger (8 January 1769 – 9 April 1845) was a tutor and diplomat resident in Vienna during the late 18th and 19th centuries. He is remembered for his friendships with the composers Joseph Haydn and Ludwig van Beethoven, and for the biography he wrote of Haydn. Early life and career He was born in Stuttgart on 8 January 1769. His father was Georg Christoph Griesinger (1734/5 - 1782), who was a lawyer and civil servant. He grew up in Stuttgart and attended university, studying theology, in University of Tübingen, Tübingen. He later worked as a tutor in an aristocratic home in Morges, Switzerland. In 1799, he moved to Vienna, in order to work as the tutor of the son of Count Johann Hilmar Adolph Schönfeld, the ambassador of Electorate of Saxony, Saxony to Austria. He remained in Vienna for the rest of his life, but changed careers there in 1804, becoming a diplomat at the Saxon embassy. He first held the rank of secretary, then counsellor and finally (1831 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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